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86 pages 2 hours read

Elizabeth Acevedo

Clap When You Land

Fiction | Novel/Book in Verse | YA | Published in 2020

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Chapters 16-19Chapter Summaries & Analyses

Chapter 16 Summary: “Yahaira”

On their first video call together, Yahaira considers her sister’s beauty and their similarities. As she does, Yahaira immediately intuits Camino’s guardedness: “She seems like she is not the type to deal / with emotions well” (277). Consequently, Yahaira switches tactics, laying out her plan to arrive in Puerto Plata and attend Papi’s funeral. Camino is slow to agree but ultimately nods.

Yahaira and her mother go shopping together, and Yahaira considers the ways in which she is unlike her mother’s version of womanhood: “Not that I don’t look cute, / but just that our styles don’t necessarily match” (279). Yahaira asks if Mami wishes they shared more of a resemblance. Although she seems caught off guard at first, Mami expresses her unconditional acceptance of Yahaira’s differences, refuting the one-sided comparisons to her father that so many impose on Yahaira: “I have my fingerprints all over you” (283).

Later, Mami returns from identifying the body, visibly shaken. Yahaira notes that despite her refusal to attend the funeral, she goes about dutifully in preparing Papi’s funeral rites. She takes Papi’s favorite suit to the mortician, carefully ironing his pocket square. Mami makes sure to call the family in the Dominican Republic, telling them to make sure the funeral is a closed casket: “whatever you do, don’t let the girl see / what is left” (284).

Chapter 17 Summary: “Camino”

Camino anxiously awaits her sister as she goes about her life of daily stressors in Sosúa. Although Camino has been able to stay out of danger until now, the peril of her situation is becoming more real every day. El Cero has begun videotaping her during her swims, and her school has sent her three bills that she has hidden from her Tía Solana, hoping that saints or her half-sister will intervene. She counts down the days to Papi’s funeral, the same day as her birthday.

Later, Camino works up her nerve and video calls Yahaira to tell her that she will not help her come to Papi’s burial unless she wires a portion of the airline money. Although Camino finds it almost painful to make such a demand, she has launched a plan to escape Sosúa, just as Yahaira has hatched her own plan to travel there: “After Papi’s / burial / I will have to leave this place. There is / nothing / for me in this town where I see my exit / doors growing smaller” (290). Yahaira hesitates only an instant before admitting that the advance belongs to Camino, too. When Yahaira asks how much of it she would like transferred, Camino tells her to send her 10,000 and to keep the rest. She ends the call without saying goodbye, thinking to herself that it will be better not to get attached to this sister.

Camino picks up the money from Western Union and tapes it to the back of her father’s portrait on Tía Solana’s altar. In addition to the money, Yahaira has also sent Camino her flight itinerary. Yahaira will need a ride from the airport, and Camino reluctantly agrees to provide one, though she does not know how she will accomplish this feat.

Chapter 18 Summary: “Yahaira”

Although Yahaira is not allowed to see her father’s remains, the airline has sent the remnants of Papi’s belongings, to be buried with him: “a catalogue of all the bits of cloth, / & bone & hair & suitcase things” (294). Mami has decided to hold a wake before the body is buried in the Dominican Republic. Tío Jorge is in attendance, along with Nelson, Dre, and her mother. When Yahaira kneels at her father’s casket, she nearly weeps, but she remembers Papi’s advice and keeps her composure: “Never let them see you sweat / & even if you have to forfeit, smile” (297).

In the taxi after the service, Mami suggests that they go on a trip for Yahaira’s upcoming birthday, arguing that her father would have wanted her to enjoy it. Yahaira considers that her father was “a man of commemorations” (304), and it is unlikely he would have wanted to be buried without his daughter in attendance. She tries to hide her feelings but ultimately snaps at Mami, stating that she only wants to be left alone.

Later when they are at their apartment, Yahaira tells her mother that she will be staying at Dre’s home that night, and although Mami does not generally approve of sleepovers, she says nothing in response. Yahaira leaves through her window with her packed duffel bag. Dre urges Yahaira to tell her mother about her trip, but in the morning Yahaira leaves clandestinely for the airport.

At the airport, Yahaira tries to act confidently when she gives her passport to an airline attendant. When he learns she will not be flying with a guardian, he nearly turns her away, forcing Yahaira to redouble her efforts. She tells the attendant that she is flying back with her father’s body that went down with flight 1112. As she says it, Yahaira realizes the fact will identify her for the rest of her life. The attendant quickly gives her back the passport and prints out her ticket: “the age restriction is more a recommen- / dation than a requirement” (310).

Chapter 19 Summary: “Camino”

Camino and Tía Solana prepare sancocho, a plate that they make for welcome. Even while she chops cilantro and mashes garlic, Camino is worried for her sister. Because Yahaira is flying on the same route her father took throughout the summers of her life, “I know exactly where she is in the air / without having to glance at a clock” (313). She lights a candle at Tía Solana’s altar for Yahaira’s safe arrival.

Don Mateo and Camino ride together in silence to the airport, both aware that they are acting out the same duties as the day Papi’s plane crashed. When they arrive, Camino is gripped with a sudden reluctance, and Don Mateo notices. He offers to take Camino back home, but she gets out of the car and confronts the airport. At the arrival gate, there are no upset shouts or grieving family members, only those bystanders waiting in hopeful anticipation of a returning loved one. Briefly the flight listings go blank, and Camino panics. She quickly grabs an airport personnel member, who assures her that the plane has landed: “they are simply trying to update the arrival / gate” (318). When passengers come off the plane, Camino spots Yahaira, “a beautiful girl, with tight / curls; / A morenita with a pink duffel in her / hand / looking pensive & determined” (319).

Chapters 16-19 Analysis

Just as Camino and Yahaira seem to be coming together, Camino delivers an ultimatum to Yahaira for $10,000 of the advance paid to her by the airline. Camino’s sudden need to leave is the payoff to a long-simmering desperation that has been building over the novel’s chapters. The threat of El Cero’s stalking and insinuations of Camino’s unpaid debt have been escalating dramatic tension, forcing Camino to make gradually more dangerous decisions. At home, Tía Solana and Camino are not starving now, but when Camino delivers rice and beans to Carline, she concedes that she does not know for how long: “Soon, I don’t know how / Tía & I will eat, / but for now / we still have more / than the other people / who live here” (226).

In storytelling, characters are defined by their decisions under tension. As the narrative moves forward, Camino repeatedly shows her character through her unwillingness to ask for help from her loved ones. Although this choice suggests Camino’s noble heart, it is a tact that has brought her into increasingly desperate situations. When she does vocalize her urgent need to Yahaira, she is curt and offers little explanation. Camino prefers to take risks on her own and distance those around her: “It seems easiest not to get attached to / this sister, / to not give her a single reason to get attached to me” (290).

At this point, both sisters have crossed the point of no return. For Yahaira, accompanying Papi’s remains to the Dominican Republic without telling her mother will have drastic consequences should she turn back and face the consequences of her actions, and yet, by pressing forward as a minor in a foreign country, Yahaira is risking her safety. It is made clear that Yahaira has skirted safety protocols to fly alone to the Dominican Republic, but the drama lies in the fact that both Yahaira and Camino stand to gain what they need most by taking these risks. As they continue to take more dangerous risks, Yahaira and Camino come closer to attaining their aims.

While shopping together, Yahaira contemplates Mami’s beauty and the attraction she has on those around her. In a surprise gesture of regression, Yahaira clings to Mami to deter onlookers: “A childish move, I know. But a reminder / to all of us, / she is mine. & only mine” (280). This line signals a sudden turn in Yahaira’s perspective. Yahaira will be 17 soon, and although other poems have focused on their differences, Yahaira asks Mami if she wishes they were more similar. In this scene Mami has become a mirror through which new facets of Yahaira’s personality can emerge and stand out, suggesting a nuance and deep admiration that Yahaira has not previously shown in the narrative. Here and in the poems recounting the same day, Mami is rendered in her full dimension, as a woman and protective mother simply trying to guard Yahaira from the same pain that Papi’s recklessness brought on her.

When Yahaira finally boards the flight to the Dominican Republic, Camino cooks and obsesses over Yahaira, stating that she knows “exactly where she is in the air” (313). Although Camino is suggesting that she knows the route well because of all the times her father flew it, the poetry of the line contains another suggestion: that the sisters are intrinsically connected. Camino’s worrying, cooking, and lighting a candle in prayer of safe passage are gestures of connectedness and love that contradict her earlier attempts to distance herself emotionally from Yahaira. By depicting Camino wrestle with her feelings for Yahaira, the author conveys that although they are virtually strangers, Camino already feels deeply for Yahaira. Again, we learn about Camino’s truest nature by watching her actions.

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