logo

47 pages 1 hour read

Carl Hiaasen

Chomp

Fiction | Novel | Middle Grade | Published in 2012

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 5-9Chapter Summaries & Analyses

Chapter 5 Summary

Content Warning: This section of the guide contains descriptions of domestic abuse and the mistreatment of animals.

As the senior production assistant, Raven Stark must convince Badger to use Mickey’s artificially created swamp for the show’s big alligator scene, but Badger grouses about working with “that ignorant redneck” (37). Raven recalls an incident in Cambodia when Badger killed a snake that he was meant to work with, and she privately hopes that the same thing doesn’t happen to Alice.

They begin filming. The first scene involves a snapping turtle, and Derek, eager to get a shot of the inside of its mouth, prods it with a stick. The next scene involves Beulah, the Burmese python. After creeping up behind it, Badger pounces, “wrestling” with it, but Beulah shows little interest. Mickey, enraged by Badger’s treatment of his pet python, attacks the TV star, pulling him free of the snake. Mickey and Wahoo return Beulah to her tank. Badger wants to shoot the alligator scene next, but Mickey initially refuses, only relenting when Badger offers him $4,000.

Chapter 6 Summary

Rain delays the shooting, and Wahoo tries to figure out how much the family owes the bank. He then takes a walk to check on the animals. He remembers the incident in which Alice bit off his thumb, and concludes that despite his less-than-conventional childhood, he wouldn’t trade his experiences for anything. Eventually, the rain stops, and Badger is eager to resume shooting. He and Raven discuss the various “disgusting” things that he can eat on camera, finally settling on maggots.

Mickey watches the proceedings. As a boy, he was fascinated with animals, and despite being bitten many times, he has never outgrown this passion. Now, his animals are his life, and he vows not to let any reality TV star hurt them.

Chapter 7 Summary

With cameras in position, Badger wades into the “lagoon” where Alice is submerged. As Badger recites his script, the underwater monitor shows Alice “on the move.” She is, however, uninterested in Badger, and he makes it to the other side of the lagoon intact. However, he fears that an unresponsive gator will make for boring television, so he insists on doing another take. Mickey agrees on the condition that Badger does not carry a knife. Alice rises to the surface briefly but disappears again as soon as the director yells “Action.” Badger flounders in the lagoon, waiting for Alice to reappear, but she rests calmly on the bottom. Just as the crew is about to call it quits for the day, Alice rises once again, directly under Badger, who now sits atop her like a bronco rider. Alice begins thrashing, sending Badger flying. His shorts catch in her teeth, and the two become now locked in a furious struggle. Mickey returns, and Raven orders him to shoot Alice, but he calmly hands Wahoo the gun and dives into the water. Raven grabs the gun and fires, but the gun isn’t loaded. Mickey understands that Alice only wants to be free of Badger, so he grabs the TV star and pulls him away from his prize alligator. Badger is relatively uninjured, and Mickey orders the entire production crew off his property. He and Wahoo walk back to the house, where Mickey calls his wife.

Chapter 8 Summary

Furious, Badger is determined to fire his director and scrap the episode until he watches the scene with Alice. It has all the life-threatening thrills on which he has built his reputation. With Mickey edited out, the footage is now “genius.” Badger and Raven offer to hire Mickey to guide them through the Everglades for the rest of the episode. The money they offer him would be enough to allow the family to catch up on their mortgage payments, so he accepts the job.

Chapter 9 Summary

As Mickey and Wahoo stock up on supplies for the trip, they run into Tuna Gordon, a girl who is a classmate of Wahoo’s. Mickey notices that Tuna has a black eye. She points out her home, a Winnebago that is currently parked in the Walmart parking lot. Mickey deduces that she got the injury from her father, who has an alcohol addiction. Wanting to offer the girl an escape from the domestic abuse, Mickey offers to take Tuna along on the Everglades trip. He approaches the Winnebago where Tuna’s father sits, armed and inebriated, but Wahoo stops him and diverts him back to Walmart for additional supplies.

Meanwhile, Badger and Raven search for a suitable base of operations in the Everglades. (The list of national parks from which Badger has been banned is lengthy.) After Badger’s encounter with Alice and the adrenaline rush of a near-death experience, he is resolved to use only wild animals from now on. Privately, Raven and the director worry about Badger’s safety.

Chapters 5-9 Analysis

As filming begins, Derek Badger’s status as an antagonist becomes clear, for his first interactions with the animal wranglers showcase his indifference toward The Importance of Respecting the Natural World. A shallow product of the “show biz” environment, he soon proves to be an egotistical TV star who cares more for boosting his show’s ratings than for ensuring that it is filmed ethically, without harming the animals it features. Thus far in his career, his improvised encounters with wildlife have left him with minor lacerations and a few broken bones, and he has yet to come to any lasting harm. Significantly, Badger also represents The Unreality of Reality TV because he believes his own hype and is fully invested in embodying his invented persona. This inability to separate reality from fiction nearly lands him in Alice’s jaws, but the fact that he survives relatively unscathed only pushes him to intensify his efforts to engage in similar experiences. His decision to use only real wildlife and abandon staged scenarios catapults the plot into the next stage and foreshadows the many difficulties to come.

In addition to satirizing the pitfalls of the reality TV industry, Chomp also mirrors the tradition of novels like Karen Russell’s Swamplandia! (2011), which is also set in Florida and details a wildlife-themed narrative that celebrates the exploits of unsupervised youths. Although Wahoo is technically in the care of his father, it is telling that his mother expects him to make the important decisions, and she also entrusts him, not Mickey, with the family’s emergency cash. Similarly, when talking to Mickey on the phone from her current location in China, she prefers to speak to Wahoo to address an important issue. The implied parentification of Wahoo is present from the very beginning of the narrative, and as the plot accelerates toward its climactic scenes, the boy will have to play an equally instrumental role in the deadly situation that ensues.

However, despite the potentially problematic quirks that characterize the Cray family dynamics, the narrative also makes it clear that Wahoo would choose his current lifestyle over any other. Because Wahoo is the protagonist of this YA narrative, the conventions of the genre dictate that he must be the smartest character on the page, and as he uses gentle psychology to steer his father toward the right decisions, he represents the reality that even The Complexities of Problematic Parenting can produce savvy and responsible individuals. However, while Wahoo’s family is loving and supportive overall, Tuna Gordon represents the dark side of problematic parenting practices. Her independence is borne not from youthful exuberance or curiosity, but as a necessary coping mechanism to survive the omnipresent threat of abuse from her father. In the character of Tuna, Hiaasen detours briefly from his comedic tone and highlights the socioeconomic inequities that many Americans endure. He also uses Tuna’s circumstances to shed additional light on Mickey’s character. While Mickey may be an essentially irresponsible person, he does whatever he can to prevent the abuse of animals and people alike. In that respect, Hiaasen suggests that Mickey’s moral compass is true, and this represents a more important quality than that of financial responsibility.

blurred text
blurred text
blurred text
blurred text