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47 pages 1 hour read

Carl Hiaasen

Chomp

Fiction | Novel | Middle Grade | Published in 2012

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Chapters 20-24Chapter Summaries & Analyses

Chapter 20 Summary

Content Warning: This section of the guide features descriptions of gun violence and a hostage situation.

Badger ventures out from his dark hiding space, simultaneously relieved and disappointed that he hasn’t turned into a vampire. He tries unsuccessfully to dislodge the airboat from its sandy embankment. As rain begins to fall and the boat begins to fill with water, he uses his helmet camera to bail it out. Eventually, he takes cover under a stand of bay trees, a big mistake during a thunderstorm. Soon enough, a bolt of lightning strikes the tree he’s sitting under.

Raven Stark calls her boss, Gerry Germaine, and fills him in on the shooting, the missing airboats, and Badger’s still-missing status. She has called the police, but they can’t search for Badger in the bad weather. Meanwhile, Germaine is already seeking Badger’s replacement. Raven also reports that Mickey has been “abducted,” but Germaine is indifferent to this news. In an attempt to salvage her job, Raven tries to convince Germaine that they have enough exciting footage to “stitch together” a nearly complete show, minus an ending.

The narrative shifts to Wahoo’s perspective. When another airboat speeds toward them in the blinding rain, Wahoo recalls an incident as a young boy when he was nearly run over by a freight train. With their airboat hidden in a tall patch of sawgrass, Wahoo climbs atop the propellor’s safety cage to flag down the approaching boat. As the boat passes without its occupants noticing Wahoo, the boy realizes that Mickey is driving and that Tuna’s father is holding a gun to Mickey’s head. Wahoo and Tuna attempt to wake the semiconscious Link so they can follow Mickey’s boat.

Chapter 21 Summary

Fortunately, the helmet camera that Badger is sitting on absorbs the charge from the lightning bolt, but he is launched through the air and rendered unconscious. He wakes up later with no memory of what happened. In a daze, he believes that he has finally transformed into a vampire and wanders into the woods to sleep until nightfall.

With Jared’s gun pointed to his head, Mickey tries to keep the airboat as steady as possible. They stop for a moment while Jared guzzles a beer and vomits overboard. Suddenly, they hear another airboat, and Jared orders Mickey to head in that direction. Desperate to keep Jared away from Tuna, Mickey uses the heavy rain as an excuse to meander aimlessly away from the other boat. In the low visibility, they hit a submerged log, and the boat flies out of the water.

The narrative shifts to Wahoo’s perspective. With Link unable to pilot the boat, Wahoo takes the rudder and follows Mickey’s trail. When the lightning grows more severe, he steers the boat to an island, where they take cover under a tarp. Wahoo fears for his father’s safety; they are isolated by the weather, and Link’s wound is growing worse. Wahoo knows that once the rain abates, they must get Link to a hospital. Meanwhile, Mickey will have to fend for himself.

Chapter 22 Summary

Raven Stark ponders the chaos that the Everglades episode has become. Badger is quite possibly dead, the media are at their heels, an armed and angry man has taken a hostage, and her reputation as a TV producer is in tatters. She sits with the police, waiting for the rain to clear so they can begin their search.

Mickey’s airboat has flipped over. Mickey and Jared both survive, although Jared still has the gun. Lugging the beer that Jared stole from Sickler’s store, they trudge through the muck in search of higher ground. Mickey gives Jared the hard truth: that they are stranded and have to wait for help. Jared, drunk and irrational, orders Mickey to lie on his belly, then fires at a heron and misses. Mickey notes that Jared only has three bullets remaining.

When the rain stops, Wahoo and Tuna explore their surroundings. They soon come upon Link’s stolen airboat stranded in the reeds. They call to Badger, but he thinks he’s a vampire and orders them away. While they try to coax him out of a tree, they hear a gunshot. Badger calls for help and falls out of the tree.

Chapter 23 Summary

Trying to trick Jared into using his last three bullets, Mickey claims he hears a bear nearby. The strategy works. Jared fires three shots into the bushes, but he then reloads with spare ammunition.

Badger is uninjured from his fall, and Wahoo, eager to find his father and get medical attention for Link, urges them all to get moving. When Badger claims that he’s still infected with vampirism, a fed-up Tuna threatens to expose him as a phony, and he agrees to help bail out the boat. As they furiously scoop water out by hand, they hear Jared’s final three shots. In the distance, they can make out the faint voices of Mickey and Jared, so they hide.

Chapter 24 Summary

When the rain stops, the police marshal their resources—four airboats and two helicopters—and begin to sweep the Everglades for signs of Jared. Meanwhile, rumors fly on the news and social media about Badger’s disappearance. Germaine considers alternatives in the event of Badger’s death, one of which could be a tribute show with “highlight reels.” When he mentions replacing Badger, Raven is aghast and asserts that the star is still alive.

Wahoo, Tuna, Link, and Badger hide from Jared, but Badger complains—loudly—of aches and tremors. Tuna hands him a couple of the pills—the same type that she has given to Mickey. The pills quiet him down, and Tuna secretly confesses that they’re only placebos. She uses them to calm her father. Wahoo checks on Link. The wound is clean, but Wahoo fears that the bullet has punctured a lung. Just then, they hear several airboats, and Link suggests building a campfire to signal the rescue team.

As dusk approaches, Mickey worries about the possibility of being stranded with Jared overnight. As the search teams close in, Jared plans to use Mickey as leverage for his freedom. While Mickey looks for dry tinder to make a fire, he spies Tuna’s footprint and covers it, but Jared soon discovers Tuna’s discarded flip-flop. Mickey decides that now is the time for action. He takes a swing at Jared, but the swing misses its mark.

Chapters 20-24 Analysis

As the narrative shifts rapidly amongst the disparate plot lines, the novel takes on the tense characteristics of an action movie even as deliberately absurd details—such as Badger’s conviction that he’s turning into a vampire—maintain the more farcical elements of the story and uphold Hiaasen’s overall goal of lampooning the reality TV industry. Similarly, Raven Stark’s conversations with Gerry Germaine allow Hiaasen to satirize the greed and cutthroat nature of Hollywood, for both characters are far more concerned with salvaging the show than they are with the life-or-death struggles currently in progress amongst the sawgrass. By contrast, Mickey’s captivity and Wahoo’s desperation to protect Link and Tuna carry far more dramatic implications. With perspectives shifting wildly within individual chapters, the net effect is of a roller coaster barreling toward some unknown conclusion. The rollicking tone of the narrative showcases Hiaasen’s ability to toggle seamlessly amongst the various conflicts while nudging them all into a single, final convergence.

With the only adult in his group suffering from a bullet wound, Wahoo falls back on the learned behavior that the dynamic of parentification has instilled in him and finds himself once again compelled to take charge of the situation. This time, however, he’s not dealing with his eccentric father or a simple business negotiation; this time, he must guide his group to safety amidst the stresses of a life-or-death predicament. Fortunately for all involved, he usually makes the right decision, and in this case, he quite possibly saves Link’s life even as he works to keep Tuna safe from her renegade father. As he rises to the occasion and embodies the role of a typical YA hero, the underlying reality remains, for he is saddled with responsibilities that a boy should never have to deal with. In this case, however, The Complexities of Problematic Parenting that characterize his own family dynamics have gifted him with skills to help him rise to the occasion, for the time spent with Mickey and his wild animals has prepared Wahoo to deal with serious, real-world problems, however improbable they might be.

Yet even amidst the frivolities of the supporting characters and Wahoo’s moments of character growth, Hiaasen also manages to confront the darker side of human nature by portraying the innate violence of a character who engages in child abuse. Inherent in Jared’s every action is the grim reality that he sees Tuna not as a daughter worthy of love but as a possession who owes him obedience and “respect.” When he embarks on his wildly violent journey to retrieve his daughter, he wants to find Tuna not because he fears for her safety, but because he sees her as missing property that must be taught a lesson. Mickey, for all his unconventional parenting, displays a noble heroism that contrasts sharply with his captor, for he risks his own life to protect a girl he barely knows. As the true villain of the tale, Jared Gordon provides a necessary element of danger that grounds the narrative in a world of gritty realism. Badger may provide the comic relief, but Jared’s threatening presence keeps the story from drifting away on a cloud of absurdism.

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