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60 pages 2 hours read

John Steinbeck

Cannery Row

Fiction | Novel | Adult | Published in 1945

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Symbols & Motifs

Streets

The titular street, Cannery Row, is the central symbol of the novel. In her introduction, Shillinglaw writes, “The street in Monterey came to symbolize for Steinbeck the whole thing—life, in a word” (xx). The novel attempts to convey the feel of a community, including its various human inhabitants, businesses, and homes. This is a kind of microcosm but one that is linked to a specific location, the central California coast, and a specific time, around the Great Depression.

Other streets help contextualize the Monterey community by locating it as a part of California. This develops the Sense of Place theme. Doc travels down the coast to La Jolla, stopping frequently for food. These meals, as well as the descriptions of the Pacific Ocean’s edge where Doc collects his specimens, also develop Sense of Place. In addition, Mack and his friends travel along certain streets to the Carmel River. The long discussion about Lee’s Model T Ford truck that they travel in, and the vehicle model in general, connote the role of car travel in American culture.

Nature

Likewise, nature is a key motif that develops Sense of Place. The narrator details a variety of local animals and landscapes. Many of the animals are specimens collected by Doc: “The starfish were twisted and knotted up for a starfish loves to hang onto something and for an hour these had found only each other” (50). In addition to animals, the novel describes the Pacific Ocean and various flora, ranging from tides and beaches to the “black cypress tree” (13) in the vacant lot and “a dahlia garden” (181).

Books

Throughout the novel, books symbolize culture, art, and learning. There are many allusions to authors, such as Li Po and Robert Louis Stevenson, as well as excerpts from the poem “Black Marigolds.” Doc is characterized as an educated individual through his books. As Phyllis Mae notes, “Jesus, how that guy does read” (168). In addition, Doc disseminates his knowledge for free—his “[b]ooks [a]re often ‘borrowed’” (117). The barber’s bookshelf demonstrates individualism in that he collects a specific type of book: first editions for which second editions were never issued—and written by authors who never had any other books published.

Other characters use books in a different manner, demonstrating their lack of a formal education. In a fight during Doc’s party, fishermen throw his books, using them like weapons and thus leaving the floor littered with “books like heavy fallen butterflies” (182). Although the fishermen are aligned with nature and a specific kind of knowledge about the ocean, they lack Doc’s respect and love for the written word.

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