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43 pages 1 hour read

Judith Ortiz Cofer

Call Me Maria

Fiction | Novel/Book in Verse | YA | Published in 2004

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Symbols & Motifs

Poems and Poetry

Poetry plays a vital role throughout Call Me María. The use of a poetic epigraph immediately establishes that the book will deal with the idea of becoming a poet; as the story unfolds, it is clear that poetry is a core element of María’s ongoing development as a person. Complicating the inclusion of poetry, however, is María’s navigation of the various languages that surround her. This struggle to gain fluency in multiple environments is a source of intellectual stress for her; she wants to be fluent in both English and Spanish in order to express herself well in any situation. Ortíz Cofer does not write the entire novel in verse, perhaps to play with the tension that María feels about her confidence as a poet. However, the novel pointedly begins and ends with poems, thus bookending María’s journey as a writer.

Toward the resolution of the novel, María receives feedback from her teacher that articulates Ortíz Cofer’s intentions in crafting a story about poetry. María describes her newfound motivation to write, stating, “Someone who needs to know if her world is too small to write about will hold my book in her hands and read my poemas elementales, and say yes, I can be a poet too” (105). In this statement, María defines her own voice as a poet: She can write about her world even if it feels “small,” and she can make poems about ordinary things just as Neruda did. Her connection to a future person who might see her poems and think that they “can be a poet too” is also a critical moment in María’s maturation (105), for she finally feels confident enough to write about her own life, in all the languages she knows, and this is an important theme that Ortiz Cofer wishes to convey to all young people.

Clothing

Fabric, thread, and clothing are important symbols throughout the novel. María’s descriptions of her childhood are rooted in the clothing that she and her mother wear when they dance together; similarly, she describes her father’s uniform and Whoopee’s outfits as critical aspects of their identities. As María moves toward a more complete definition of herself, she uses objects of clothing to represent the disparate aspects of her identity. This dynamic is illustrated when María puts together her outfit for a day at school in which students are supposed to dress in a way that celebrates who they are. María chooses an eclectic set of items that represent the different people in her life. For example, she includes the weaving from her upstairs neighbor, Doña Segura, which “connect[s] [her] to [her] Island” (42). María also wears Abuela’s lent shawl, “a starry sky” that has deep meaning for María (97). These items, which both come from older women in María’s life, represent her desire to remain connected to her heritage and family. Additionally, María’s creative choice of clothing items illustrates her development of a sense of self that is rooted in many dimensions of identity: her cultural heritage, her relationships, and her connections to different places.

Names

Given the novel’s title, names are considered to be a significant motif in the text. Ortíz Cofer only names a handful of characters, and María explores her own sense of her name at multiple points in the narrative. Most of the names of the people María is connected to are marked by their heritage; in particular, all of her family members are named using the Spanish terms. She calls her immediate family by their Spanish names: Mami, Papi, and Abuela. Similarly, when María needs to describe her different selves, she uses Spanish to describe the feeling, whether she feels triste or alegre. The use of these Spanish monikers and descriptors contrasts with María’s ongoing work to describe her world in English, implying that names serve a distinct function in her life and help her to remain connected to her heritage. Thus, she may choose to describe things in English or Spanglish, but the deepest essence of herself, her family, and her emotions will always be named in Spanish. In this way, María chooses to anchor her identity in her native heritage even as she takes on new aspects of American culture.

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