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Edwidge DanticatA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In July 2004, Edwidge, the 35-year-old narrator, learns she is pregnant the same day her father receives a diagnosis of pulmonary fibrosis, an incurable illness. Most of the family lives in New York; Edwidge married in 2002 and moved to Miami. Now she arrives in New York to accompany her father to the doctor. Her father, a 69-year-old cab driver originally from Haiti, has lost so much weight that as she leans to kiss him, “the blunt edge of his high cheekbones struck my lips hard” (2).
They visit a Jamaican herbalist who scans their irises and tells Edwidge she might be pregnant. At the doctor’s office, “a sad and desperate place” filled with “mostly Caribbean, African, and Eastern European immigrants” (5), Dr. Padman informs Edwidge alone of her father’s prognosis.
Back in her parents’ home, Edwidge takes a positive pregnancy test and informs her husband, Fedo: “I could imagine his calm, reassuring smile, broader with delight” (12). She keeps the news from her parents because “I couldn’t fully keep both realities in mind at the same time, couldn’t find the words to express both events” (13). A few days later, the whole family—including Edwidge’s brothers Bob, Kelly, and Karl—gathers at her father’s behest, “to discuss what is going to happen to your mother after I’m gone” (16). Bob, crying, asks his father if he has enjoyed his life. The father expresses gratitude for his family and regret for leaving Edwidge and Bob as children in Haiti with his brother Joseph while he and his wife were building a new life in the US, but he says he has enjoyed life.
Edwidge remembers how her father would send brief, impersonal letters that her uncle would read aloud until it became clear that only Edwidge could decipher her father’s writing fully, and she became the reader of his letters. She interpreted their brevity as “his way of avoiding a minefield, one he could have set off from a distance without being able to comfort the victims” (19).
Edwidge mentions the political situation in Haiti and that her family supports “Haiti’s twice-elected and twice-deposed president” (20), Jean-Bertrand Aristide. Edwidge’s father worries about his eldest brother, wishing he would move from the restless Port-au-Prince suburb of Bel Air. Edwidge writes all this to honor the men who cannot write about themselves.
Edwidge recalls how her Uncle Joseph met his future wife, Denise, in 1946 in his hometown of Beauséjour, and it was love at first sight. The following year they move to Haiti’s capital, Port-au-Prince, near his oldest sister, Ino, and build a “three-room cement house, topped by a corrugated-metal roof” (24). Soon most of Joseph’s family, including Edwidge’s father, moves to the city. Joseph’s son, Maxo, is born in 1948, and in 1952, Joseph and Denise adopt Marie Micheline, the daughter of his Cuban friend Guillermo.
The Bel Air neighborhood is on a hill where once a battle between mulatto abolitionists and French colonists took place and began what would become the Republic of Haiti in 1804. In 1915, American president Woodrow Wilson “ordered an invasion” (25), and the US occupied Haiti for the next 19 years. Bel Air was once again the center of resistance.
In the 1950s, “Uncle Joseph’s hero” is a politician named Daniel Fignolé (26), and Joseph opens his house for his sympathizers. Joseph begins to hold speeches, evoking his father, who was a guerilla warrior for the resistance. Fignolé comes into power in 1957, only to be “deposed by the army and forced into exile” (27). Disappointed in politics, Joseph joins a Baptist church and becomes a pastor. Working reluctantly with American missionaries, he builds his church and school.
As a preacher, Joseph has a voice “deep and resolute, breathy and jingly” (29). However, in 1977 he begins to lose it. The herbalists cannot help, and a dentist even removes all his teeth to no avail. From a visiting American doctor, Joseph learns that he has “a mass sitting on top of his larynx” (31). The tumor is cancerous, and he must go to New York to have it removed. Before his operation, Joseph wakes from the sudden pain of his throat closing and calls his brother, uttering his last words, “Brother, I’m dying” (35). After an emergency tracheotomy, the surgeons remove his voice box. At age 55, although the operation is successful, he loses his voice forever.
Edwidge informs her parents about her pregnancy as they drive her to the airport, “more than a week after I learned my father’s diagnosis” (37). In the past, she sprang news on them in a similar fashion, revealing her engagement on the way to a cousin’s wedding. This habit irritates her father, who “never mentioned anything monumental in a casual way” (37). Her parents react to the news with pieces of advice “that both my parents would repeat throughout my pregnancy” (40).
The narrator recalls how her father left school in 1954, at 19, to start his tailor’s apprenticeship for a man who expected him to sew “two dozen little shirts each day” at a miserable profit of five pennies per shirt (42). Soon, her father buys a sewing machine and goes to work for himself. When vendors start importing cheap shirts from the US, he starts working for an Italian shoe store owner for a modest salary. During this time, Papa Doc Duvalier becomes president and then refuses “to step down or allow new elections, despite a growing dissatisfaction with his increasingly repressive methods of imprisoning and publicly executing his enemies” (43). He forms a paramilitary force, Tonton Macoutes, which often brutalizes the citizens of Haiti. Edwidge’s father begins to think of leaving Haiti.
He meets his future wife in 1962, and they marry in 1965. Edwidge is born in 1969, followed less than two years later by her brother Bob. The idea of leaving persists: “Then, as now, leaving often seemed like the only answer, especially if one was sick like my uncle or poor like my father, or desperate, like both” (46). Father obtains a one-month tourist visa and leaves for New York with no intention of coming back.
Two years later, Edwidge’s mother obtains a visa as well and joins her husband, leaving four-year-old Edwidge and two-year-old Bob with Uncle Joseph. Before her tearful departure, mother sews several new dresses for Edwidge in different sizes so she will be able to wear them as she grows.
Edwidge’s flight to Miami is delayed, so she attempts to call her father and gets worried when he does not immediately respond. He responds, and she notes in that moment he “didn’t sound ill at all” (51). She calls her mother to apologize for telling them about her pregnancy in the car, and she then calls her brothers (Bob and Karl already have children) to share the news; “Announcing my pregnancy kept me from talking about my father” (52). One of her friends warns her not to take the doctor’s prognosis too seriously, adding, echoing the words of Uncle Joseph, “we’re all dying” (52).
Uncle Joseph lost his voice when Edwidge was nine, and she now believes he adapted well to his new life. He writes notes for those who can read and uses gestures to indicate his meaning. However, he causes curiosity with his tracheotomy hole—“a perfect circle, it was salmon pink like our house and convulsed outward when he sneezed” (55)—and even faces ridicule, which he stoically ignores.
Uncle Joseph now prefers not to go out alone, so Edwidge or Maxo’s son, Nick, accompany him to “interpret him.” After one such visit to the bank, when they reach used-book sellers, “my uncle asked me to choose one as a gift for myself” (58). Edwidge chooses a book her uncle once bought her already—“that first book was the only birthday gift I’d ever received from my uncle” (58)—and that she lost in the move after her mother left, about a girl named Madeleine, who “lived in an old house with other children” (58).
Granmè Melina, Aunt Denise’s mother, comes to live with them in 1979, at almost a hundred years old. Quiet and observant during the day, “as soon as the sun went down, she would be at the center of things as she livened up and told stories” for the neighborhood children (59). Her favorite story is about a young girl who lived locked in a house because her mother was afraid someone would abduct her. A snake attempted to trick her into letting her in, finally killing the mother, but the girl stayed alone in the house and died. The author notes: “But I see now that the story was more about Granmè Melina than anyone. She was the daughter, locked inside a cocoon of sickness and old age while death pleaded to be let in somehow” (61).
Edwidge and her cousin Liline share a room with Melina, and one morning the children find that she died. During the funeral, Uncle Joseph, who once gave beautiful eulogies, suddenly stands up and mouths the word “Good-bye” in a way that makes everyone sure they have heard it.
A memoir (from a French word for reminiscence or memory) is an old nonfiction narrative form that recounts personal experiences and recollections, and as such, it is based on facts. It differs from biography or autobiography in its narrow focus on certain parts of the writer’s life. In this book, Edwidge Danticat recounts her childhood in Haiti and significant moments in the lives of her family members through several key events in the lives of her father, Mira, and her Uncle Joseph. She intersperses her account with her own personal life events, which give context and structure to her memories: These include her memories of Haiti, where she lived with her uncle and his family in the 1970s, and her pregnancy during her father’s illness in 2004. Wanting to tell the untold stories of her father and uncle, Danticat also includes incidents in her family’s life in which she did not participate but about which other members of the family have told her; in this sense, she enters into the genre of biography, and it is fair to say that the book represents a hybrid of a biography and a memoir.
Part 1 of the novel bears the title “He Is My Brother,” a direct quote from the Old Testament that Danticat uses out of its biblical context to introduce the focus of her memoir: the lives of the two brothers, and the importance of the family bond between them, even though they spend most of their lives apart.
In Chapter 1, she opens the story of her family with a powerful image that contrasts her father’s illness with the news of her pregnancy: “At that point, I still wanted to believe that our discomforts might be comparable, something that a few herbs and aromatic plants could fix” (3). Edwidge is so upset about his father’s declining health that she avoids thinking about her pregnancy, and therefore she refrains from informing the family about it, stating she cannot “fully keep both realities in mind at the same time” (13). At this early stage of her pregnancy, the baby is still not as real to her as the obvious signs of her father’s physical deterioration and his persistent cough. Danticat also uses the setting of the doctor’s office, which she called “a sad and desperate place” (5), to emphasize the tense and disheartening atmosphere that her father’s illness produces for the whole family. She only tells her parents about the baby on the way to the airport as she is leaving for Miami, causing consternation.
Structurally, through Chapters 1, 2, 4, and 6, Danticat juxtaposes her early life in Haiti with the events taking place in the US in 2004. In this way she emphasizes not only the immense differences in the ways of life and social organization, but also the different lives her father and his older brother Joseph have led. Thus, Chapters 3 and 5, which deal solely with the realities of her life in 2004, function as breaks from her narrative of Haiti and serve as a reminder of the two main temporal planes in the story of her life and of her family.
Chapter 2 focuses on Uncle Joseph’s young adulthood, as in 1947 he moves to the capital and starts a family with Tante Denise. Danticat utilizes this event to familiarize the reader with the turbulent history of Haiti, as she shows how closely connected individual destinies are with the bigger, sociopolitical changes within a country. The neighborhood of Bel Air, where her uncle lives, is a center of Haitian resistance, first against US marines—Danticat writes that “Haitian guerrilla fighters, called Cacos, organized attacks against the U.S. forces” (25)—and later against various political factions, often supported by the US government. Uncle Joseph’s political engagement, where he “considered himself more of a disciple than a chief” (26), soon leads to disappointment but helps him find his true calling as a preacher, offering advice and comfort to his Baptist congregation. For him, “the Baptists offered the promise of a peaceful and stable life” (28). Here, again, Danticat shows how external events shape individual human destinies.
There is powerful symbolism in the real-life event of Uncle Joseph losing his voice due to throat cancer. For a priest and a preacher, a man who depends on his voice to fulfill his mission and purpose, this loss represents a tragedy. However, as Danticat shows in her memoir, he learns to deal with it with determination and strength of character, creating “a wall around him, a roaming fortress that would follow him everywhere he went and shield him from derision” (56). The physical loss of voice is a metaphor for the voiceless majority of Haitians and their often-unsuccessful attempts to free themselves from outside political and military influences, as well as from those within the country that are corruptive and lead Haiti into poverty and unrest. Throughout the memoir, Danticat will underscore the concept of metaphorical voicelessness in the face of a brutal and uncaring world, especially in the context of immigrants and those whom other have stripped of dignity and agency. Uncle Joseph is a correlative for the multitude of voiceless and nameless whom Danticat mentions throughout the book.
As opposed to Uncle Joseph, Edwidge’s father, Mira, much younger and of different disposition, decides to leave Haiti for the US in search for a better and less complicated life. As described in Chapter 4: “It was this experience of bending shoes all day and worrying about being shot that started him thinking about leaving Haiti” (44). Edwidge, who was about two years old when her father left Haiti, has “no memory of my father’s departure, or of anything that preceded it” (47). Danticat’s story here becomes, by necessity, a biography instead of a memoir. She combines others’ memories with her own in a patchwork of facts, ideas, recollections, and beliefs to give the fullest picture of the events involving members of her family. For example, she does recall her mother’s departure, as a four-year-old girl, and how she “wrapped [her] arms around her stockinged legs to keep her feet from moving” (48), but she applies her adult concepts and thoughts to her memories in order to analyze her memory fully. A memoir works as a two-way street in that it recounts memories recollected sometimes long after the event, when the memories themselves have likely changed along with the personality of the memoirist; the past influences the present, and the present changes the past.
By Edwidge Danticat