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64 pages 2 hours read

Markus Zusak

Bridge of Clay

Fiction | Novel | YA | Published in 2018

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Part 5, Chapters 51-62Chapter Summaries & Analyses

Part 5: “cities+ waters + criminals + arches + stories”

Part 5, Chapter 51 Summary: “the grand entrance”

Clay, Matthew, Tommy, and Rory watch a movie until Henry arrives severely beaten. His intention had been to ask friends to beat him up and arrive before Clay, distracting Matthew to prevent the inter-brother fight. He faints in the middle of describing what happened, crashing into the fish tank and bird cage.

Part 5, Chapter 52 Summary: “growing up the dunbar way”

Penelope and Michael raise the boys, telling stories about their births, particularly the fact that Clay was born smiling. He grows up to be less combative than his brothers and values stories above most other things. His parents tell him editorialized versions of their stories, keeping the most painful parts out of them. Their childhood is filled with love despite their tendency to fight and the cramped quarters of the house. A source of contention is learning the piano, which Penelope insists on and the boys hate. Michael and Penelope often fight about her work because she gets injured trying to break up fights. Matthew relays several stories about the chaos, rage, and love that filled their home.

Part 5, Chapter 53 Summary: “peter pan”

Clay and Henry talk late at night, after the boys clean up the living room and ask the neighbor to tend to their injuries. Henry relays the full story of his injuries, and they leave to collect the car from where Henry parked it at Bernborough Park. On their way home, they stop at Peter Pan square, looking at the statue of the horse and rider. Henry asks Clay to describe their father.

Part 5, Chapter 54 Summary: “piano wars”

Matthew blames the piano for making the boys as violent and chaotic as they are. At school, Matthew is successful, except when people tease him about learning how to play the piano, which the schoolboys claim to be a sign of being gay. He is bullied by his peers and takes his frustrations out on the piano, intentionally playing badly; he does not tell Penelope that he is being treated badly by others at school. Their fight culminates in Penelope forcing Matthew to remain at the piano during his lessons even if he will not play; this lasts for months as the lessons grow longer and Matthew’s abuses at school continue. Finally, one night they sit at the piano past midnight, and in his haste to go to bed he accidentally exposes his bruises to Penelope. Matthew confesses the bullying to his parents, and they decide that the only way to solve the problem is to teach Matthew to defend himself. Michael agrees to train him to fight.

Part 5, Chapter 55 Summary: “the warm-armed claudia kirkby”

Clay and Matthew spend the day together as Clay shadows him at work. Matthew has Clay answer his phone; Claudia Kirkby is calling, asking if things are okay at home due to Henry’s battered appearance. Matthew explains the situation and Clay asks for more books, so they set up a time to meet. The next day, Claudia carries books to their car when they arrive at the schoolyard. She gives them her phone number in the guise of using it when Clay needs more books. On Saturday, the brothers all go to the Royal Hennessey racetrack to watch Carey race. They bet on her as they watch her get ready.

Part 5, Chapter 56 Summary: “hartnell”

When Matthew is 12 and training to fight his school bullies, Penelope starts to show some small symptoms of illness, particularly weakness and loss of coordination. The increasing strength and speed of the boys are contrasted with her growing fatigue and wooziness. On the same day Matthew challenges his main bully to a fight, Penelope coughs up blood. Matthew loses the fight but gains the respect of his peers. Penelope goes to the doctor and starts cancer treatments.

Part 5, Chapter 57 Summary: “the triumvirate”

Saturday night, Clay and Henry wait on the rooftop, talking about how Carey should have won the race. Later, Carey and Clay sit on the edge of the mattress in The Surrounds, suddenly shy with each other. She gives him back his copy of The Quarryman. Finally, they lay down and talk about the race. She won it, but the win was stripped because she rode too close to the second-place horse. Eventually, Clay talks about the bridge and his father.

Part 5, Chapter 58 Summary: “the single cigarette”

Penelope’s cancer treatments increase in intensity as she undergoes surgery and radiation. She goes in and out of the hospital as doctors try to save her life. Rory becomes known for fighting and is extremely brutal to those he beats. Penelope’s old students visit her in the hospital. Later, she returns to school as a substitute teacher and confiscates cigarettes one day. She brings the pack home; she and Michael smoke one each on the porch after the boys have gone to bed.

Part 5, Chapter 59 Summary: “central”

Clay decides to return to his father’s house and continue building the bridge. After some good-natured teasing and wrestling, his brothers drive him to the train station for the overnight train.

Part 5, Chapter 60 Summary: “the woman who became a dunbar boy”

Penelope grows frailer as more time passes. The boys lie and say they continue to practice piano because they know it is important to her. Instead, the boys get into increasingly strenuous fights with each other and others in the neighborhood.

Penelope plans individual outings with each boy so to make a lasting memory. She takes Matthew to a Swedish movie, Rory to a football game, Henry to a garage sale, and Tommy to the animal wing of a museum. Clay is the one she shares the true versions of her stories with. When her hair starts to fall out, she has the boys cut her hair like she used to cut all of theirs.

Part 5, Chapter 61 Summary: “return to river”

Clay arrives at his father’s house and surveys the progress that has been made. He and the Murderer (Michael) talk on the steps, and Clay confirms that Matthew beat him but also that they have reconciled. As he gets ready to go inside, Clay tells his father that he enjoys being in Silver.

Part 5, Chapter 62 Summary: “when boys were still boys”

Penelope’s disease escalates to the point that they believe she will die. They talk to a doctor who confirms this. When she tells the boys, Rory punches cabinets and screams, grabbing Clay until Clay grows aloof. Matthew reflects on the way the news changed them all.

Part 5, Chapters 51-62 Analysis

In the novel’s present, reconciliation emerges as a prime consideration for the Dunbar brothers. Clay, having survived his altercation with Matthew, is welcomed back into the family with open arms. Further, he discovers the lengths Henry was willing to go to in order to provide him with security, cementing that he is both deserving of love and is loved. He is forgiven for his betrayal and granted free passage to come back and forth from the house on Archer Street as he sees fit. The first hints of parental reconciliation are also made clear here, as Henry asks Clay to describe their father. Henry becomes the first person besides Clay to approach their father with curiosity rather than rage, showing that he is transitioning away from a place of hurt. His initial questioning shows that Forgiveness Must Be Freely Given. Weeks earlier, their father approached with a request and was rejected by most of the brothers in an act representative of their rejection of him. He was asking for not only help with the bridge, but with help reconnecting with the sons he hurt in his neglect. Only Clay was ready to grant that request at the time; now, Henry shows a willingness to explore a relationship with his father, the first step toward a reconciliation between the Dunbar boys and their patriarch. This is reinforced as, later in this section, the narrative refers to Michael by name rather than calling him “the Murderer” exclusively. This shows a shift in focus from the wrongs Michael has done to who he is in the novel’s present.

The Dunbar family becomes burdened with the knowledge of Penelope’s death years before her passing, causing a long grieving period that they must engage with before the death itself occurs. The family becomes trapped in grieving the future, and while they try to construct positive memories, their lives are lived through the lens of their inevitable loss. The reader sees that Grief Has Many Forms in the ways that the Dunbars each handle the news of Penelope’s impending death. Rory’s rage is met with Clay’s stalwartness, and Matthew himself relays feeling numb in the wake of the news. These first expressions of grief shape the later lives of the Dunbar boys as their present selves continue to grapple with their losses, exacerbated by their father’s abandonment.

The two timelines of this section anchor the reader in the collapse and rebuilding of a family. Penelope’s sickness and prognosis shows the onset of grief just as Clay’s return home shows the onset of reconciliation. Zusak pairs these moments in history to show the reader that despite the trauma the boys will experience, they still grow and prosper. It is a small comfort in the face of a growing tragedy.

The piano becomes a source of contention alongside Matthew’s transition into adolescence, a time of high sensitivity to appearances. The conflict at work is a generational consideration, a disconnect between past and present. Matthew hates the piano not for what it is, but for what his peers determine it is—a marker of a sexual orientation he does not align with, which is weaponized against him. He hides the bullying from his parents because he does not want their intervention and is fearful of the consequences that would emerge if they were to act on his behalf. Penelope has no way of knowing or understanding the source of Matthew’s rejection. She sees the piano as both a connection to her late father and as the thing that saved her life, placing it in a powerful place in her mind. She cannot accept the idea that Matthew, and eventually her other sons, have no interest in learning the instrument because on some levels that feels like a dismissal of her. Ultimately, the boys succeed in their efforts to avoid the piano as none of them truly learn to play. The instrument thus becomes a memorial to Penelope just as it was a memorial to her father.

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