56 pages • 1 hour read
Monica AliA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Razia is waiting for Nazneen when she arrives home, telling her that her son sold her furniture. She admits that her son has been a drug user for two years and supports his addiction with dealing. Nazneen now reveals the truth about her love affair with Karim. They visit Dr. Azad who says he can only heal the boy if he wants to be cured.
The girls make crafts in preparation for the mela. Chanu places his hopes in the Poetry Committee, preparing songs about going home. In a letter, Hasina writes of the beauty competition between her boss Lovely and her best friend Betty and relates how she snuck into Lovely’s bedroom and put on her makeup at her dressing table and spied Zaid, the cook, watching her from the doorway.
As Nazneen convalesces, Shahana threatens to run away if her father even tries to put her on an airplane. Nazneen continues her affair with Karim. She struggles with depression when she is forced to face the truth; there is no future for her sister because the money she was saving for Hasina all went to Mrs. Islam.
The family watches with horror as the World Trade Center collapses on September 11, 2001. Nazneen enters a trance while watching the repeating image of destruction, a repeating sign that their lives will never be the same. There is an immediate backlash in their community and women are having their hijabs pulled off by Islamaphobic strangers.
Chanu tells the girls about Bangladesh, where three million people died of starvation and asks his wife if she is happy to go. She replies that it is God’s will.
The wolf at the door arrives in the form of Mrs. Islam. They refuse to open it and she leaves. Karim arrives with clothing materials and Chanu speaks to the younger man about his own dreams and how everything seems possible in youth but you suddenly wake up and realize that you are living a life you didn’t choose.
The mela is canceled. While the girls are upset, Chanu is philosophical. The girls offer to stay behind as a money-saving measure and Chanu’s reaction is to purchase a suitcase, declaring the time has come to pack. Suddenly, it hits Nazneen that she is finally returning home.
Karim changes his style to look more like a Muslim. Replacing his jeans and chains for traditional Muslim clothing and a skullcap, Nazneen sets down new boundaries, preventing him from praying in her home. She is ready to end the affair but remains passive, praying that her husband will find out and kill her. This doesn’t happen, but she feels her excitement for Karim merging with dread until she confronts him with her husband’s plan for departure. He declares that he has turned down another woman for her and insists that she let her husband go, so she can declare abandonment and get a divorce.
Karim is gleeful when a leaflet passes under the door entitled MARCH AGAINST THE MULLAHS. He cries: “Let them come. We’ll be ready.”
A boy is stabbed as a result of gang fighting, lighting the fuse for protest. Following the funeral procession on Commercial Street, Nazneen suspects that the other women know of her affair and are snubbing her. She reaches out to Razia, who is despondent over her son. Nazneen still can’t open up to tell her about Karim. Each parking ticket in Chanu’s mounting pile has his writing as an acknowledgement of time catching up with him, as he’s “gone away to an address unknown”. Nazneen tells her daughters stories about the village, finally telling them the secret of her mother being possessed by an evil jinni.
Karim visits less but brings up wedding plans and says he is finding out about divorce. Nazneen feels caught, believing if she remains, she will have to marry him. She has physical pain and a head full of unanswerable questions. Yet, Karim’s memory in her body is searing.
October 27 is set for the march against the mullahs and Lion Hearts leaflets began fluttering through the courtyards.
Hasina’s letter reveals her personal evolution through her act of charity, giving away the money her sister sent to cure a deformed child whose mother, Monju, has now died. Monju’s last act was unburdening a secret that she never told anyone--that she abused her child. Hasina writes “those secret things will kills us” and pointedly asks her sister if she has a secret.
One day and a week before October 27, Chanu announces they will go to the Bengal Tigers’ meeting. Nazneen is so surprised that she drops her scissors. She is filled with dread that he knows about her affair and intends to do something embarrassing about it in public. Chanu makes a ritual of preparation complete with his double-breasted suit, extracting an A4 Premier Collection refill pad from a folder marked “Speech”, then making a sweeping gesture and clearing his throat before the announcement: “I think we are ready.”
On the threshold, they pass the secretary hanging around the doors as a boy in a dark purple tracksuit calls to him: “Hey, get on the train of repentance, brother.” The secretary grins and replies: “It’s already passed your station, brother.” The boys on the right side of the room are gathered in a circle listening to someone at the center but Nazneen can’t determine if it is Karim. Nazneen and Chanu sit on the left-handed side. He shows her the front page of his pad and says he will give her a taste and then reads the title: “Race and Class in the UK: A Short Thesis on the White Working Class, Race Hate, and Ways to Tackle the Issue”. Nazneen then understands that he “would challenge Karim with words…And prove himself his equal”.
Karim bounds on the stage, with the secretary carrying a packing crate to be, used as a pulpit on stage. The leader calls the meeting to order but plans for the march are interrupted by the Questioner who extracts a scroll of papers from his jacket relates the injustice of the World Trade Center dead mourned, but not Muslim brothers being killed in revenge for the act. The meeting is disrupted by grievances, with Nazneen having thoughts that she doesn’t dare make public before her husband until Karim takes charge by assigning people to the estates and issuing instructions and organization for the march itself. Nazneen wonders when her husband will make his move. Turning her attention to her lover, she observes how he is possessed with the power. And as far as her husband’s lofty intellectual ambitions, “And she felt misery rise like steam from Chanu at her side, and knew that he was lost in his own private torment; Race, Class, and Short Theses did not touch him there.” The meeting ends in a split between the opposites: the Questioner, who has now proclaimed himself a leader speaking on the global level, as opposed to Karim’s focus on the local.
A collision with Mrs. Islam at the threshold of the butchers is how Nazneen learns that Dr. Azad gave her husband money for their “escape.” At home, she confronts her husband about the debt. This prompts his about truth, concluding in a curious statement about the heart: “When you find something so strongly that it can’t be questioned, you have to ask yourself—is this true?” Instead of confronting her directly about her affair, he shows her the plane tickets. There is an indication of fate on the date: October 27, five days hence. Nazneen is struck by the inevitably of their departure and asks how they will live in Dhaka. He replies that he is going into the soap business.
Nazneen sits in a state of panic in Razia’s empty apartment where her friend has locked her drug-addicted son in his room by his own request. In the midst of the door pounding and pleas emitting from this tough love scenario, Nazneen thinks about Karim with a new woman. This confrontation with his reality forces her to confront her own: Dhaka will be a disaster. Finally, she confides in her friend: “He lifts me up inside. It's the difference between… I don’t know. It’s like you’re watching television in black and white and someone comes along and switches on the colors.” Razia sums up her feeling as being “in love” in the English style.
Dr. Azad arrives with the boy’s medication and a gift of a snow globe that was given to him by his wife. He shares his hard-won wisdom about his love marriage: “What I did not know, I was a young man, is that there are two kinds of love: the kind that starts off big and slowly wears away, that seems you can never use it up and then one day is finished, and the kind that you don’t notice at first, but which adds a little birth to itself every day, like an oyster makes a pearl, grain by grain, a jewel from the sand”.
Nazneen dreams that her mother tells her that she robbed her son of any chance for life by standing between him and his fate. In the dream, Nazneen reacts hysterically when Amma demands she admit to killing her son.
From her home looking like a “settlers camp” to being completely emptied by her drug- addicted son, Razia serves as the prototype for the inner void that must be prepared for a new life. Her confrontation with the truth about her son is shattering. The empty apartment he left behind in his destruction is an externalization of inner purging as preparation a new life foreshadowed by wearing men’s clothes. At this point, she feels defeated, but time will prove it is just a temporary setback crucial to the passage into a new self.
The number three enters the narrative again with Hasina’s letter relating how she intervened into the competition between two beautiful women, her boss, Lovely, and her best friend, Betty. She transforms from observer into participant as she enters the forbidden space of Lovely’s private bedroom to put on her makeup.
The WAR AGAINST THE MULLAHS pamphlet is the sign of change and the return of the war of opposites. Karim’s gleeful reaction foreshadows the destruction to come. A crucial sign appears in a red van with an image of a pig--fat legs crossed, eating a pie--caught in the funeral procession on Commercial Street. The murdered boy is the sacrificial pig catalyzing the eruption.
The inevitability of departure is marked in the plot by Chanu’s mounting pile of parking tickets. On each, he writes” address unknown,” emphasizing the uncertainty of the outcome of the drama. While this indicates the inevitable need to escape, Nazneen’s role in the center in a web of fated interconnections brings her to a place of uncertainty where she has no idea what will happen. All the energy driving the narrative is reaching a crescendo on October 27.
Chanu’s suggestion that they attend the afternoon meeting has a powerful effect on his wife. Nazneen’s nearly dropping her scissors relates to the division between her lover and husband that she fears will be revealed at the meeting. Chanu’s elaborate preparation ritual is full of symbols: the threadbare double-breasted suit revealing the opposition, its loose threads representing Nazneen’s growing indifference. Yet, another clear signal of timing is the boy in purple confronting the secretary with his own chant. Purple is the color of wisdom and the reply that it already passed his station is a clear indication of timing; it is too late to repent but wisdom determines the outcome.
Karim reveals his intent to take charge with his grand entrance and is followed by the secretary, the keeper of time, carrying a mango crate that will be Karim’s pulpit as he calls the meeting to order. Yet, he quickly loses control of the local planning when the Questioner confronts the group on global issues. In attempting to retake control by stepping into the role of organizer, Karim loses power in his lover’s eyes. She realizes all he can do is react. Meanwhile, her husband totally descends in her eyes as he realizes his speech was out of place.
This confrontation foreshadows the reckoning of time inherent in Nazneen’s meeting with Mrs. Islam. Stepping over the threshold of the butcher shop, she “practically stands on the great lady’s toes.” Equating butchering and stepping on the toes of the usurer is about body awareness meeting time as fate, originating in the warning of broken bones.
The confrontation with Chanu at home juxtaposes his endless speeches with the symbols of fate. These are the flimsy plane tickets with the same date as the march, October 27. His declaration of entering the soap business is a quest for purification and a new beginning. This is an indication that he indeed knows about his wife’s affair, thus the need for purification and a new start.
Nazneen’s state of panic is described as a bubble in the body moving to her chest and lodging under her collarbone. Razia’s hair lifting around her head from the static is an image of Medusa, the dragon mother giving tough love to her errant son who is the devil, changing disguises to win his release from confinement. This powerful image of the women conversing against this backdrop represents the containment of the libido, the mastery over desire. The suitcases Chanu purchases are impending signs of departure and likened to graves by the rest of the family. The iron bar across the door of the bedroom where Razia’s son is a prisoner is a symbol of time condensed into latent action, referring back to the iron fist that Nazneen’s mother felt in her belly before her birth.
Razia’s equating Nazneen’s feelings of being “in love” with the “English style” is a laconic but apt understanding that her friend has become too acclimated to England to return home. Nazneen watching a pigeon walk the window ledge is a projection of her own precarious position on the edge; she only has to duck her head to endure the outcome where she would be back to walking the ledge in a cycle.
Dr. Azad’s gift of a snow globe given to him by his wife is a symbol of his letting go of the past. Finally, he can talk about the outcome of his love marriage, which he sums up with a single thought, at once general and personal. “All the little irritations,” he said. “Who would think they could add up to anything?”
Nazneen’s dream brings her to the convergence of her conflict with fate. The dramatic crescendo is when her mother insists that she admit, blood spurting from the chest of her fatal wound, that Nazneen killed her son by robbing him of his choice. The dream reveals an inner crisis precipitated by her ingrained stoicism bumping up against her newly realized desire to be proactive.