41 pages • 1 hour read
Gary PaulsenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sixteen-year-old Brian Robeson, the novel’s protagonist, is not an average teenage boy. Instead of spending his time gaming, playing sports, or hanging out with friends, he prefers living alone in nature. When Brian was 14, the small plane he was taking to visit his father crashed in the northern Canadian woods. Brian had to survive on his own with nothing but a hatchet. He eventually found a Cree trapping family, the Smallhorns, who helped him return to his family. Brian had a hard time adjusting to life back in civilization, however, and returned to the woods on his own a few times with his parents’ permission. This time, Brian arranged with his school to study on his own for a year while in the woods. He promised to return to take a test at the end of the school year.
Brian loves simplicity, shown by his choices of minimal supplies and traditional weapons. He has a connection to the outdoors and feels that modern equipment and teDYchnology interrupts that connection to nature. Because of the time Brian has spent in the woods before, he is knowledgeable and experienced in hunting, fishing, survival skills, and reading his surroundings. He has keen observational skills and instincts that serve him well in anticipating danger and understanding his environment. Brian’s wilderness knowledge surpasses that of nature television shows and magazines because his knowledge comes from personal experience. Paulsen argues that those who teach others about nature or write about nature are often not as knowledgeable and experienced as Brian because, unlike Brian, they learned about nature from books instead of experience.
Brian begins the novel in conflict with society and finds himself in a conflict against nature by the end. Brian’s inability to come to terms with modern civilization contextualizes the novel within the series and his coming conflict with nature and the bear. As a coming-of-age series, Brian is faced with making a choice about who he wishes to be as an adult. In previous books, Brian has tried to have the best-of-both-worlds by taking temporary trips into the wilderness; he has delayed deciding between the wilderness and civilization. In Brian’s Hunt, he makes his choice and chooses the wilderness. He does so by taking the initiative on his education and committing to educating himself within the environment that feels like home to him. His conflict with the bear arises from that choice, and his ability to successfully hunt and slay the bear symbolizes that he belongs within the world that he has chosen.
Brian is exceptionally mature for his age. He has seen and done many difficult things in his young life, and his past experiences prepared him to take on other challenges. Brian demonstrates maturity when he must tell Susan Smallhorn that both her parents died from the bear attack. Even though he has never met Susan before, he stays with her and holds her while she cries. Another example of Brian’s maturity is his choice to hunt and kill the bear that attacked the Smallhorns. The Canadian rangers claim that they would not be able to find the exact bear responsible, but Brian’s tracking experience tells him that finding the correct bear will not be a problem. Brian courageously sets out to do what the adult rangers cannot, symbolizing his coming into adulthood at the end of his coming-of-age saga. Paulsen writes Brian as an example to young readers, encouraging them to follow one’s passions and to take on challenges and difficult situations.
The dog is a type of dark-haired malamute kept by Cree trappers as a companion and to pull sleds when necessary. She is exceptionally tough and calm, demonstrated when she lays calmly while Brian stretches her skin and gives her stitches. The dog is never hostile towards Brian, even when he hurts her with stitches, and she seems to trust that Brian is taking care of her. She also seems to know that she needs medical attention and provision from a human, because she seeks out Brian and relies on his care for healing and food. The dog shows many signs of feeling comfortable around humans, including jumping into Brian’s canoe. Her behavior foreshadows her origins with the Smallhorns and escape from the bear.
Brian quickly develops a bond with the dog and wonders how he lived without a dog for so long. He learns about her by observing her and starts to depend on her reactions to warn him of nearby danger. Brian finds that having the dog fills a need for companionship that he didn’t know he had. Just as Brian develops sensitivity to the dog’s mannerisms and warning signals, the dog develops sensitivity to Brian’s mood. She senses his urgency to move north and sends her own signals of agitation as they draw near to the island where the Smallhorns’ camp is located. Brian’s discovery of the dog serves as the inciting incident for the novel’s conflict. The dog’s presence and unexplained injuries create tension that moves the plot forward as Brian follows his instincts to move north. The dog also shows the bond possible between humans and dogs and highlights the basic human need for companionship.
Dog companions are a genre staple for coming-of-age stories. Dogs have a long history as companions for male protagonists within the genre. Often, they become injured, sick, or die in order to force the protagonist to reckon with mortality as they become an adult. Brian’s malamute dog survives the encounter with the bear, but her injuries allow Brian to mature in other ways. Brian must care for the dog and nurse her back to health, demonstrating an adult-like approach and competency to other living beings.
Kay-gwa-daush, or Susan Smallhorn, is the 16-year-old daughter of David and Anne Smallhorn, the Cree trapper family who Brian found his during first time in the wilderness. The Smallhorns welcomed Brian into their home for three weeks and helped arrange transport for him to return to his family. Although Susan was not present when he stayed with the Smallhorns, Brian saw her picture and learned about her from her family. Susan’s Cree name, Kay-gwa-daush, means the “attempter” (6). Her parents gave her this name because she wasn’t afraid to try anything, similarly to Brian. Susan is a little shorter than Brian, has almond-shaped brown eyes, long black hair and a full mouth. Brian thinks of her often even though they have never met, and he is attracted to her. He hopes to eventually meet her when he stops by her family’s summer camp as he makes his way north.
Although Paulsen does not share much about Susan’s response to her ordeal and the loss of her parents, he suggests that she is strong and resourceful. Because of her upbringing, she is likely similar to Brian in his love for the outdoors and connection to nature. Brian and Susan make plans to meet in the future, which suggests that their relationship is just getting started. Kay-gwa-daush fulfills a typical role in coming-of-age fiction. The coming-of-age male protagonist is often given a love interest for the future, after the events of the novel end. The implied future romance between the two is a hallmark in Brian’s entry into adulthood after he slays the bear.
The bear that attacks the Smallhorn family has many distinct characteristics. It is missing a claw on its left front paw and has a broken claw on its right front paw, which makes it easy for Brian to identify its footprints. Brian also learns that the bear is lazy, choosing to circumnavigate mountains instead of climbing them. The bear is exceptionally cruel. It attacks the Smallhorns and Brian without provocation. The bear kills three dogs and two humans—David and Anne Smallhorn. However, these kills do not seem to stem from the bear’s need for food. The bear does not eat the people and dogs that it kills, leaving their bodies after mangling them.
Susan warns Brian that the bear is a “devil bear” before they part ways, reinforcing the cruelty of the bear (88). The bear is a foil to the dog and demonstrates that nature and animals are not always kind. They are wild, unpredictable, and deserve both respect and fear from humans. The bear acts as an agent of the darker side of nature and places humans back in the food chains and hierarchies of nature. The bear shows that humans can always become part of the predator-prey cycle, and not always as predators.
By Gary Paulsen