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Herman MelvilleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
While discussing Claggart’s personality, the narrator examines the nature of passions. He writes that an intense passion can result from minor events that are disproportionate to their result. For instance, Claggart’s initial dislike for Billy intensifies into hatred after Claggart irrationally decides that Billy spilled his soup on purpose to distress him. Claggart is not overly social, but he does have one friend, a sailor named Squeak, who dislikes Billy. Squeak encourages Claggart, falsely telling him that Billy mocks him in private. Claggart embraces the lie, and his hatred grows.
Billy dozes on deck when a figure wakes him. An anonymous sailor asks Billy to meet him on a higher deck. When they meet, Billy sees that the man is the ship’s afterguardsman, another sailor who was forced into service. The man vaguely asks if Billy might be interested in joining a potential mutiny, should one occur. Billy doesn’t understand the question. When the man offers Billy two coins as clarification, Billy threatens to throw the man into the ocean if he doesn’t leave him alone. Frightened, the man obeys. Billy stutters while he orders him away, which alerts the forecastleman to his distress. Billy tells the man that he sent a trespasser back to his station. Another forecastleman appears to say that Billy should have been sterner, but Billy convinces them that he was severe enough.
Billy’s conscience troubles him, as he has no experience with guile. The bribe of the two coins confuses him, and he doesn’t know where the man came by the coins at sea. He is so confused that he believes the situation is wholly evil, and because of this, he wants to avoid it entirely. The next day, Billy thinks he sees the afterguardsman, but can’t be certain that it’s the man he spoke with in the night. The man nods at Billy. Two days later, he greets Billy again. Surprised, Billy doesn’t return the greeting. When Billy tells the Dansker about his situation, he says that Claggart wants Billy to fall, but refuses to elaborate.
Billy naively refuses to suspect Claggart of malicious intent. The narrator then characterizes unsophisticated sailors as immature beings, similar to children. He implies that if Billy had even a small proclivity for darkness, he would not be surprised by the corrupt actions of others. He writes that on land, people naturally learn to distrust others, to the point that it becomes so natural that people would be surprised if anyone mentioned it. Distrust is taken for granted in most human interactions.
Claggart continues his campaign, although there is a lull in the crew’s persecution of Billy. Claggart is pleasant to Billy’s face but vicious behind his back. Billy remains clueless, accepting whatever Claggart says as the truth. Most sailors have enough ill-temper in them to recognize false cheer, but Billy doesn’t. He doesn’t suspect people of dark motives because he has none. The armorer, the captain of the hold, and two officers who know Claggart all begin to suspect and dislike Billy.
The Bellipotent encounters an enemy ship, which is small enough that its captain flees. After they stop chasing the ship, Claggart requests a talk with Vere, which is unusual. This makes Vere uneasy, but he accepts. Claggart claims to have heard rumors of a mutiny and reminds Vere of the Nore Mutiny. Vere doesn’t appreciate how tactless and familiar Claggart is, particularly when discussing a subject as sensitive as the Nore Mutiny. When pressed, Claggart names Billy as the key conspirator. This surprises Vere, who knows that the crew members love Billy. Claggart claims that Billy’s pleasantness is a ruse to hide his darker intentions.
Vere suspects Claggart of embellishing the situation. When he asks for evidence, Claggart says that he can provide it and more. Vere hesitates and sends a boy to bring Billy to him without telling him the reason. He sends Claggart below deck while he waits, instructing him to return when Billy is present.
Billy meets in the cabin with Claggart and Vere. When Vere tells Claggart to repeat his accusation, Billy is stunned at the articulation and conviction of Claggart’s lies. He is so surprised that he doesn’t defend himself when Vere asks for a response. Vere remembers Billy’s stutter and relents in his questioning. Billy shakes and contorts as he tries to respond. Overcome with frustration and rage, he hits Claggart in the forehead with his fist. Soon, Claggart dies of the wounds sustained from the blow and from the impact of his head hitting the ground. After the surgeon’s pronouncement of death, Vere claims that Claggart was killed by the judgment of an angel, but now the angel must die.
After having Claggart’s body removed, Vere orders the surgeon to tell the lieutenants and the captain about the incident but to keep quiet otherwise. With anxious reluctance, the surgeon agrees.
The surgeon worries about Vere’s mental state. He thinks that Vere is being hasty and irrational. He would prefer to hold Billy captive until the admiral—Vere’s superior—can hear the case. Unfortunately, the surgeon’s rank is too low for him to openly question Vere’s orders. When the surgeon tells the lieutenants and captains what has happened, they share his opinion and would also prefer to wait for the judgment of the admiral.
In these chapters, Claggart’s obsession with Billy Budd escalates and results in his own death. Claggart begins his campaign against Billy in earnest as his dislike becomes an obsessive hatred. The incident with the soup suggests that Claggart is incapable of seeing a mere coincidence when he could create distress instead. Again, he masks his contempt with false cheer, because “[a]n uncommon prudence is habitual with the subtler depravity, for it has everything to hide” (43). “Envy” is what Claggart feels toward Billy Budd, another element of the biblical allegory since it implies a power struggle between the Jesus and Satan figures. Instead of emulating his goodness, Claggart chooses to attempt to destroy Billy Budd’s goodness by framing him with mutiny.
A queer studies lens is often applied to the relationship between Claggart and Billy Budd, interpreting Claggart as romantically infatuated with Billy. He notices his good looks, a point that the narrative describes as “envy.” He also feels aware of Billy’s nature “magnetically.” This “magnetic” infatuation with Billy can be read as suppressed romantic feelings in many passages, additionally encouraged by Melville’s effeminate descriptions of Billy Budd, despite Melville’s statement in Chapter 2 that this story is “no romance.”
During the encounter with the anonymous afterguardsman who attempts to bribe Billy, the man asks his questions in vague ways that seem tailored to confuse Billy. It is possible that he is in league with Claggart, and that his meeting with Billy is reconnaissance, rather than an actual attempt to recruit a new mutineer. Billy doesn’t understand what is being asked of him. He has a dim awareness that the conversation has a shady subtext, but it doesn’t bother him to the point that he reports it to a superior. Indeed, Billy’s bewilderment about how the man would even find coins at sea is childlike: “A child’s utter innocence is but its blank ignorance, and the innocence more or less wanes as intelligence waxes” (50). The fact that this conversation leads to his death highlights The Vulnerability of Innocence and Naivety. Despite reaching adulthood, Billy does not have the intelligence or wisdom that typically accompanies experience. The narrator refers to Billy’s reaction as that of a novice. As always, “[i]nnocence was his blinder” (52).
Melville (via the narrator) counts the ability to recognize evil as a great asset, and he compares Billy, the Dansker, and Claggart to reinforce this point. He doesn’t portray the Dansker’s unwillingness to talk about evil as a fault. Instead, Melville implies that the Dansker’s cynicism is well-earned and he assumes that speaking out against evil on the ship would do potential harm to the Dansker, without solving the underlying problems. The Dansker is unwilling to identify and publicly prosecute evil. Billy, in contrast, is incapable of seeing evil. Claggart is willing to show a positive face, while seeking to do harm without detection. These three characters portray different attitudes to evil.
These attitudes build toward the climactic moment of the book, which is Billy’s attack on Claggart. Billy’s reaction to Claggart—throwing a blow—is portrayed as unpredictable and violent. When Captain Graveling told the story about Billy exchanging blows with the sailor known as Red Whiskers on the Rights-of-Man, the reader learned that Billy was capable of hasty, impulsive, reactionary violence. Claggart is the closest character to Satan in an allegorical Christian reading of Billy Budd. When Billy retaliates against Claggart, Claggart dies.
Claggart’s accusation alludes to that which Pontius Pilate and the Roman empire leveled against Jesus. Jesus was also accused of starting a seditious conspiracy, and he also paid for it with his life. Billy and Christ both faced self-serving accusers and were betrayed by people who shared their circle. Melville’s satanic portrayal of Claggart is reinforced when the narrator describes handling his corpse as “like handling a dead snake” (62). In a Christian allegory, a serpent represents Satan. Claggart represents an ageless evil that has existed as long as Satan has nursed a grudge against God. Vere’s shout—”Struck dead by the angel of God! Yet the angel must hang!” (63)—reinforces the association of Billy with Jesus.
By Herman Melville