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68 pages 2 hours read

Ruta Sepetys

Between Shades of Gray

Fiction | Novel | YA | Published in 2011

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Chapters 53-57

Part 2: “maps and snakes”

Chapter 53 Summary

Some time later, Andrius finds Lina in her shack after work, and warns her that the NKVD guards are coming to get her. The commander wants her to draw his portrait. Andrius urges her to make the portrait “flattering” (211), because the commander is an “egomaniac” (210). They discuss what she should ask for in return, but all Lina can think about is how she will make the portrait flattering when all she sees in her mind’s eye is “a nest of wicked snakes sprouting out of his neck, or a skull with hollow black eyes, smoking a cigarette” (211).

Chapter 54 Summary

In the commander’s office, Lina is warming her hands at the fire when the commander arrives wearing a “spotless” uniform. He sits close to her, so they are almost touching, and tells her to take off her coat. She refuses, saying she is cold, and he asks how old she is in a leering way. She sees snakes slithering out of his collar then, and thinks of Munch’s advice to “[p]aint it as you see it” (213), but knows that she cannot. She has to finish the portrait in an hour and the commander takes many breaks. Towards the end of the session, he goes outside and returns with Kretzsky. He gives him a command, and Kretzsky leaves, returning with a file that the commander studies. He asks Lina if she has been drawing since she was a child and who her favorite artist is. She tells him, but he doesn’t know Munch. She finishes the portrait and gives it to the commander who is pleased. She sees the file lying open on the desk and thinks there must be something in it about her father. The commander tells Kretzsky to give her bread and leaves. She protests, saying that she has earned more than bread. Kretzsky just tells her to hurry up and leaves. Jonas is waiting outside for her, and he tells her that Kretzsky said for them to go to the kitchen door and wait. Lina is angry, and after Kretzsky is gone, she grabs the file from the commander’s desk, along with her drawing paper, and hides it in her coat.

Chapter 55 Summary

Lina and Jonas wait at the back door to kitchen, and suddenly a loaf of bread comes sailing out of the door, then potatoes, and then a tin can hits Lina in the forehead and she feels blood dripping down her face. More food and garbage comes flying out, one sack hitting Jonas and knocking him over. Lina wants to leave, but Jonas realizes that it is food and tries to gather as much as he can. Then Kretzsky comes out and threatens to report them for stealing food, calling them “fascist pigs” before slamming the door. They are gathering as much as then can, even empty cans and rotten potato peels, when Andrius arrives to help them carry it all back to their shack.

Chapter 56 Summary

Jonas runs ahead at Lina’s request, and Lina tells Andrius about the file. He tells her that he cannot steal it for her, but she tells him that she already has it. She just needs his help reading the Russian and for him to put it back when she’s seen what’s in it. He is shocked that she took such a risk and reluctant to get involved, but he reads enough to learn that her father is in Krasyonarsk prison. He is unable to translate the word that tells them what he has been charged with, though, and he is angry that Lina has put them both at risk. He takes the file from her to return it, and she thanks him several times, but he leaves with only a nod.

Chapter 57 Summary

Back at their shack, Lina and her family eat most of the food, including the tin of sardines she was hit in the head with. Lina cannot understand why her mother shares the food with Ulyushka, who “ate egg after egg in front of” (222) them and “never shared her food” (222).  Lina worries about Andrius and wonders what her father was charged with. She wants to tell her mother where her father is, but can’t do so without telling her what she did to put them all in such danger. Later that night, she takes one of her last pieces of paper and begins to draw the commander with the snakes coming out of his collar, but then she scratches it out. The next afternoon she sees Andrius, who signals to her that he was able to return the file. That night, she decorates a “thin, flat piece of birch” (223) with “Lithuanian embroidery patterns” (223) and “a picture of their house in Kaunas” (223), and writes on it “Deliver to Krasyonarsk Prison. With love from Miss Altai” (223). She passes it on to the grouchy woman to deliver to the village.

Chapters 53-57 Analysis

This section describes another key event in Lina’s development and her relationship with Andrius, who delivers the news that she is to draw a portrait of the commander and who begs her to make it “flattering,” for her own sake as well as for the sake of her family. Because she believes in Munch’s aesthetic imperative—to draw what she sees in her mind’s eye, rather than what is objectively there—she finds it difficult to draw a flattering portrait of the commander. When she looks at him, she sees a nest of snakes where his head should be, or a skull smoking a cigarette, neither of which is particularly flattering. She makes the choice, however, to compromise her artistic integrity, a choice that likely saves her lives and perhaps the lives of her family as well. Later, when she returns to her shack, she begins to draw the picture she wanted to draw of the commander, but even then she scratches it out and, the following night, draws a message to her father on a piece of birch bark. In these artistic choices, we see Lina honoring the commitment she has made to use her art as a form of communication with her father as well as a way to keep an account of what is happening to them.

The occasion of the commander’s portrait also causes a crisis for Kretzsky, who is called in to supervise and pay Lina once the portrait is complete. The commander tells him to give her bread, nothing else. Kretzsky’s response is curiously cold. He tells her and Jonas to wait at the back door to the barracks kitchen. When they arrive, instead of giving them bread, he pelts them with food and garbage, making it into a kind of game for his colleagues. Though Lina experiences it as an attack, it is also one of the few ways he can provide her with the food she needs and deserves without endangering himself. Lina and Jonas go home with more food than they’ve seen in weeks, and eat most of it in one sitting. Though the method of its delivery was unkind at best, the fact that they have it at all is a warped expression of Kretzsky’s underlying compassion. The food also provides Lina’s mother with another opportunity to practice kindness with Ulyushka, much to Lina’s dismay.

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