88 pages • 2 hours read
Pam Muñoz RyanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The novel’s second half begins with a brief prologue called “A Passel of Todays.” Like the prologue to Part 1, this prologue reads like a journal entry or an interview with an older Naomi reflecting on the events that occurred on her first trip to Mexico.
With Baby Beluga attached to Bernardo’s truck, the family makes their way from San Diego, California to Oaxaca, Mexico. As they get closer to their destination, Owen becomes antsy. Naomi entertains him by asking him to add to her list of things that they’ve seen in Mexico over the past few days. When they arrive in Oaxaca, Naomi catalogs the sights and sounds she has never seen before. From the way the city looks sitting atop a plateau snuggled beneath the mountains to the cobblestones that pave the streets, Naomi takes in the new setting and surroundings in awe. When they arrive at Fabiola’s sister’s house, everyone welcomes the Outlaws like family. Fabiola’s sister Flora, lives with her husband Pedro, their adult daughter Graciela, and Graciela’s seven-year-old son, Rubén.
Naomi notices the modest home’s placement behind walls, nestled among trees, making use of outdoor living space, and it reminds her of her home in Lemon Tree. As they settle in, Naomi and Bernardo sit outside to create art. Bernardo carves and paints on wood, and Naomi carves her soaps. Bernardo shares that he will team up with his cousin Beni and his brother-in-law Pedro, to enter La Noche de los Rábanos carving competition. Naomi breathes a sigh of relief and laughs at her own delight as she carves in peace.
Naomi goes to the market with Fabiola, Flora, and Gram. She expects a grocery store like the ones she’s used to in the United States. Instead, they visit a bustling open-air market. The women visit the cheese lady who Flora hopes might be related to someone who knows Naomi and Owen’s father. The woman shares that she’s married to a León and will ask about Santiago when she gets home.
At the market, Naomi starts two new lists. One list records the things that she knows about her father, because she hopes to learn more about him at the market. That night, Bernardo’s cousin Beni comes over. The men argue passionately about what should carve for La Noche de los Rábanos because they only have a week until carving starts. After dinner, the cheese lady calls to say that she doesn’t know anyone who knows Santiago León. When Naomi suggests they start calling people in the phone book, Gram becomes agitated. She tells Naomi that calling from the phone book is the last resort; saying “there are four pages of Leóns and no Santiagos” (160).
Because of Gram’s disposition, Naomi and the children wait until the adults are busy to call every León in the phone book. They develop a system where Naomi dials the phone numbers that Owen reads out of the phone book, and Rubén talks to anyone who will listen to their story. Naomi worries about Rubén giving his phone number to strangers, but the children are desperate and hopeful.
When seven-year-old Rubén gets a phone call, the adults find out about the secret phone calls. Although they get chastised for making expensive phone calls without the adults’ permission, the children’s sneaky behavior pays off. The caller shares a phone number and address for Santiago’s aunt Teresa. Graciela calls to arrange a visit.
Before they go visit Teresa, Naomi admires herself in the mirror. She wears typical Mexican clothing: an embroidered “blouse with puffed sleeves” (169) and “a pair of slide-in sandals called huaraches” (170). At Teresa’s, the family learns that carving is a deeply ingrained family tradition. Aunt Teresa shows them a room filled with carvings that Santiago makes out of wood and sends to Teresa to paint, which is also a tradition. Santiago’s carvings are all animalitos, or little groups of animals, just like Naomi’s carvings. León family participation in La Noche de los Rábanos goes back 100 years, so Teresa expects Santiago to show up for the festival even though she hasn’t heard from him in a few days.
Teresa gives Naomi and Owen a picture of their father. He stands beside their grandfather and some carvings that they created together. In the picture, Santiago is the same age as Naomi. Everyone marvels at how much Naomi and her father look alike. Santiago has two more days to register for the radish night, and his favorite holiday, Las Posadas, begins that very evening, so they hope that he will arrive in Oaxaca City soon. On the way home, Naomi adds two more things to her list of things that she knows about her father: 1) that “he loves Las Posadas,” and “2) that [she] look[s] just like him” (177).
Three days later, Santiago León still has not arrived in Oaxaca City. Bernardo goes to the town hall to see if he has registered to carve in the contest because the deadline has passed. When they return, Naomi learns that they did not find his name on the registry. That night, the entire family goes out to celebrate Las Posadas. In the Las Posadas celebration, each neighborhood has a ritual where the people walk from house to house the same way that the Holy Mother and Joseph walked from inn to inn seeking shelter. The ritual overwhelms Naomi with what Graciela calls “a joy and a sadness in the heart at the same time” (184).
After the festivities, the family walks home together happily. Gram, Flora, and Fabiola walk up front, forming what Naomi calls, “three links in a chain” (186). The children and Graciela walk in the middle. The men walk behind them, completing a protective bubble around the children. Later that night, Naomi can’t sleep. She sneaks to get the last bit of hot chocolate from the stove. While she drinks Naomi plays around with a tree branch and her carvings. Outside, the men argue about their scene for the carving competition. Beni takes a break, finds Naomi in the kitchen, and sees her carvings around the branch.
At breakfast the next day, the men wait for everyone to gather before announcing that Naomi gave them the idea to recreate a tree full of animals for the carving contest this year. The radishes arrive later that day. Beni unloads a truck filled with radishes in all different shapes and sizes.
Naomi spends the next three days with the men, carving animalitos out of radishes. The men reserve the final piece for Naomi. To thank her for the idea, the men ask Naomi to carve the lion that will sit at the top of the tree.
The next evening, at La Noche de los Rábanos, the Outlaws walk from booth to booth, admiring the intricate and detailed carvings on display. At each booth, they ask about Santiago León. Many of the people know him, but they have not seen him this year. As they get closer to their booth, Gram begins to give up hope, and Naomi knows they are running out of time.
Part 2’s Prologue marks a shift from the Outlaw children learning about their disorderly and disruptive past to making sense of who they are in the present. A passel is a large group, and today is another word for the present.
The second half of the novel expands on themes around family, security, and identity. As soon as they arrive in Oaxaca, the Outlaws feel right at home. Flora and her husband Pedro’s home feels like Naomi’s home in Lemon Tree. Its surroundings of trees, including an outdoor living space, and the large wall separating them from the outside world all give Naomi a sense of peace. Her sigh of relief and surprise laughter at the end of Chapter 12 signal that she will relax and be present.
After they arrive in Oaxaca, Naomi notices that Gram feels unsure about her plan. Naomi wonders where all Gram’s positive thinking has gone. Gram’s positive thinking philosophy starts to falter because she struggles to face the potential outcomes of taking Skyla to court for guardianship. She shares her worries with Naomi, who doubles down on her promise to herself that she will “latch onto every positive, forward-thinking, universe-tilting notion” (138) she can if it means finding her father. When the children enact the phone book plan, Naomi’s desperation and determination to find her father is revealed; “the sooner, the better” (163). Worry that they might be separated from Gram and determination to prevent that outcome drive the León children throughout their journey to Mexico.
The visit with Aunt Teresa helps the Outlaw children to connect with their Mexican heritage. From Naomi’s outfit to the photograph of her father, to the carvings that they see at Teresa’s house, the Outlaw children are now fully in touch with their Mexican side of the family. Naomi’s hope and self-confidence rise as she continues to have faith that her father will appear. As she grows more connected to him and her heritage, Naomi becomes increasingly optimistic that they will find him.
When hope wavers, Las Posadas restores Naomi’s drive. Experiencing it for herself helps Naomi understand why it’s her father’s favorite holiday. Both the joy and the sadness of the ritual touch her heart and make her feel closer to him. The walk home on Las Posadas night signifies the sense of safety that Naomi experiences in Oaxaca. Holding Graciela’s hand, she imagines her ideal family. In another example of dramatic irony, Naomi is surrounded by adults who love and care for her on all sides—the fantasy family that she desires is right there in Oaxaca, Mexico. Mrs. Maloney has even been an extension of Gram’s wall of protection even while she remains in San Diego. She waters Gram’s plants, collects the mail, and tells Skyla that the family is on vacation without telling them exactly where they went.
At La Noche de los Rábanos Naomi steps into her full inheritance as a León. That evening, she wears the outfit that she wore to visit her aunt Teresa. The shirt and sandals make her look like a local girl, which makes her happy. She spends three days doing what she loves the most: carving animalitos.
As Naomi and Gram trade roles, the transformation each member of the Outlaw family experiences during their time in Oaxaca is illustrated. Gram becomes the worrier, and Naomi becomes the positive thinker. Owen blossoms and shines, finding acceptance and love for who he is wherever he goes. The children dive in and take charge of the search for their father, while Gram struggles to keep a positive attitude. Even though she doesn’t notice it right away, Naomi finds the family she’s been wishing for is the one she has had all along, both in Lemon Tree and in Oaxaca. These role reversals and fulfilled wishes in Oaxaca echo Bernardo’s description of Oaxaca as a “city of magic and surprises” (153).
By Pam Muñoz Ryan
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