52 pages • 1 hour read
Marie-Helene BertinoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Yolanda K. encourages Adina to push herself. Adina finds that life in New York City continues despite Toni’s death. Adina’s faxes grow contemplative, but her superiors continue their silence. The funeral reception for Toni is held at Toni’s mother’s house. Dominic gives Adina a box that Toni left for her. Adina feels perplexed by what has changed from her childhood. Beautyland has been renovated, but Adina finds the same items for sale. She buys her mother control-top pantyhose, but her mother has stopped wearing them. Adina takes her clothes from the funeral to the dry cleaner, and then gives them away. She opens the box that Toni gave her and finds a phone with the Twitter app. Adina enters a weeping season and spends days in bed. She sees specialists for help and counseling but decides that she prefers exercise classes with Yolanda K.
Adina realizes that she has started using “we” in her faxes about humans. With no response, she wonders what it is she’s supposed to be doing. She thinks that “[h]er superiors have always been a religion she was forced to believe in without seeing” (289), and she wonders if something wiped out their planet. When Adina does receive a fax, it is a business letter from a tanning salon in Minnesota.
Adina looks online and finds discussions about her book and her. She’s disheartened when people tell her that she is not alone. Adina thinks that “[t]o be told she is not alone denies what she knows. Alone is not the bad news. Alone is reliable. Alone has been loyal to her” (291). At least she still has her little dog in the freezer. In this period, she takes long walks and listens to Philip Glass’s album Glassworks. In a conversation one day, Adina’s mother corrects her on what she recalls of her childhood. Finally, she sends the dog’s body with the veterinarian.
Toni’s boss keeps asking Adina if she’ll give another reading; her book continues to sell out. One day, she faxes her superiors to ask if they can come and get her. She learns that she is experiencing hearing loss, though she is only 40. She tells the doctor that her heart is broken but is encouraged to learn a word that describes her condition of feeling adverse reactions to certain sounds: misophonia. Spring comes, and Adina is still grieving.
Astronomers at the University of Hawaii identify the first interstellar object found within the Milky Way. They name it Oumuamua, a Hawaiian word for messenger or scout. Adina asks her superiors if they sent it. In the city, Adina’s neighbor receives a letter complaining that she hasn’t updated the attire of her geese. Adina visits home and remembers how, as a child, she couldn’t blow her nose. When she and her mother visit RadioShack, all the fax machines awaken and spurt out blank pages.
Adina hopes that grief is loosening its grip. In a walk through Central Park, she sees a bird in a tree. She realizes that she is done living in New York. Astronomers continue to debate Oumuamua and suggest that it is a probe from an alien civilization. Adina is convinced that her home planet is dead and Oumuamua was a craft meant to retrieve her. She thinks, “No one is coming to get her. She is like everyone else. On her own” (310). Finally, one day, she wakes in a white room facing a movie screen, with Solomon beside her. They watch a film of Johnny Carson interviewing Carl Sagan in 1978. Solomon communicates that Adina’s people have left their solar system and have come to Earth. It is time for Adina to deactivate.
Adina receives a fax instructing her to summarize Earth in one word, then deactivate. She says that she wants to stay. Voyager I becomes the farthest human-made object from Earth, and its systems shut down to conserve energy. Adina’s mother graduates with a master’s degree in education and is promoted to vice president at her job. She shows Adina her garden. Adina gives another reading, and her mother brings Charles. Adina reflects, “I was sent here to report on the human experience and have failed. I haven’t used my life enough” (316). Members of the audience hold up placards with their slogans or beliefs.
Adina logs onto Twitter and sees that she has hundreds of thousands of followers. She types hello, then thank you, then turns off the phone. She faxes her one-word transmission to her superiors. She thinks of the coat that her mother wore throughout Adina’s childhood. She reflects on what she has loved: her mother, her friend, her dog. Adina imagines that she will ride the Staten Island ferry to the middle of the harbor. She will miss Earth and the people she loves and imagines that “[a]s her star’s point of view dims, there will be a sensation of one light joining many. A glittering, infinite expanse” (322). She’ll say hello, and “we” will say, welcome home.
These chapters capture Adina’s progress of aging and death. She is young in terms of the lifespan of the average American—only 40—but her losses weigh on her. The analogy of the Voyager spacecraft emerges again as Adina imagines them both shutting down in middle age. Though she has moments of feeling able to return to life, her decision that she is done living in New York City is as sudden as her decision to move there. Adina doesn’t imagine a life for herself beyond the city, suggesting that New York City has been all along a microcosm for humanity as a whole.
Part of Adina’s disconnect is not only from losing Toni but also from perceiving how much has changed or become unfamiliar about the landscape of her childhood. The landmarks have shifted, represented by the renovation of Beautyland. She can find the same products, but her sense of the place is different. That Toni has died before her frequently ill mother seems another indication of wrongness. That her mother no longer wears the pantyhose Adina bought her is another mark of how she has grown away from the place she knew as home. Adina’s mother has expanded her life, acquiring a graduate degree, a new job, and a partner, all represented by her ever-growing garden. Adina’s life, in contrast, has continued shrinking, as she loses more things, like her hearing.
The discovery of Oumuamua, which actually took place in 2017, becomes the last and most meaningful in the sequence of astronomical discoveries that have structured Adina’s life. Her interpretation that this is a ship sent to collect her highlights The Desire for Belonging. Her opportunities in the human world haven’t fulfilled this need. When she gives her reading to an enormous audience, Adina feels intimidated that the evening is not actually about her, her work, or her ideas, but a platform for others to communicate their ideas and beliefs—a broadcast, not an exchange. Likewise, Twitter, a popular social media platform at the time, doesn’t offer the kind of communication or exchange that Adina is looking for. Unable to find a way to connect or belong on Earth, despite the opportunity granted her by her popular book, Adina comes to terms with the supposed directive from her superiors that it is time to deactivate. How Adina summarizes Earth remains a mystery for the reader to guess, thus thwarting a clear sense of resolution and characterizing the human experience itself as an unknowable mystery.
The final scene, like all of Adina’s experiences as an alien, has both a literal and a speculative premise. In a literal sense, the narrative implies that Adina will die by jumping off the Staten Island ferry into the harbor. However, in her imagination, she is deactivating her human life and returning to her people. The final “we” overwrites her use of “we” to refer to a human collective in her faxes, as she instead envisions rejoining the collective of her extraterrestrial people, finding the belonging she has yearned for her entire life, and vanquishing her sense of isolation.