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57 pages 1 hour read

David Sheff

Beautiful Boy

Nonfiction | Autobiography / Memoir | Adult | Published in 2007

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Key Figures

David Sheff

Sheff is a journalist and the author and narrator of the book. Divorced from Nic’s mother, Vicki, he marries Karen, an artist, with whom he has two children, Jasper and Daisy, Nic’s half-siblings. When Nic is younger, Sheff has an incredibly strong relationship with him. Because of this, he “naively believe[s] that if Nic were tempted to try [drugs], he would tell me” (59), something that proves to be devastatingly inaccurate. This begins a pattern of denial that characterizes much of his initial response to Nic’s addiction, but is gradually eroded by the evidence of Nic’s prolonged addiction and numerous relapses. 

As Nic’s addiction worsens and he spends months and years in and out of rehab, Sheff is desperate to help him. At the same time, Sheff struggles with his own codependency issues, relentless self-blame, and his damaged relationships with family and friends. 

Over the latter portions of the book, he learns to address these issues, finding some separation from Nic’s addiction and learning that he is powerless to help his son. Instead of trying to save Nic, he finds himself watching “the weeks and months of his recovery from afar” (236). Suffering a brain hemorrhage helps Sheff reevaluate his life and this aspect of his relationship with Nic, allowing him to learn “that I am all but irrelevant to Nic’s survival” and that “his fate—Jasper’s and Daisy’s, too—is separate from mine” (295). With this, he is finally able to “step back, be supportive, but let Nic’s recovery be his recovery” (350), bringing him a measure of peace and an opportunity to focus on himself and the rest of his family.

Nic Sheff

Nic is Sheff’s son from his first marriage. His struggle with drug addiction is one of principle focuses of the story, alongside Sheff’s efforts to respond to the problem. When the reader first encounters Nic, he is a young child. Sheff’s divorce from Nic’s mother shakes him, but he largely remains happy, intelligent, creative, and charismatic. As he grows, a teacher reports that Nic is sometimes “a little depressed” but is generally “energetic, involved, fun—a leader in class” (31). Sheff is particularly “proud of his confidence and individuality” (29) and his ability to “detect, before most kids, upcoming waves of popular culture” (30). This restless search for new things, reflected in the way Nic, as he grows older, is always “into the edgiest music and then grows bored with it” (54), can be read as foreshadowing his search for experiences and sensations that ultimately culminates in him taking meth for the first time and feeling “better than ever before in my life” (180).  

Once Nic encounters meth, his deterioration accelerates, leading to his physical and mental decline. When even hospitalization does not stop Nic—he simply removes the tubes and hospital apparatus and “check[s] out against doctor’s orders”—Sheff despairs that “if this overdose isn’t enough to stop him, nothing will” (231). However, despite more relapses, by the close of the book, Nic is back in recovery. Sheff is more detached at this stage, less directly involved in his son’s recovery, but notes that “[a]s far as I know, he’s a year sober again” (354).

Karen

After Nic copes with a string of Sheff’s girlfriends, Sheff’s new wife, Karen, is a more stable influence in Nic’s life. They enjoy playing word games and drawing together, Karen encouraging Nic’s artistic side. As Karen begins to take on a more maternal role in his life, Nic comes to call her “Mama or Mamacita or KB” (42). However, the relationship is not always easy and Karen is “frequently reminded that a stepmother is not a mother. She has much of the responsibility but not the authority of a parent” (42). 

As Nic grows older and develops his addiction problems, his drug use greatly affects Karen, putting a far greater strain on their relationship. This is highlighted in the rehab educational sessions where Sheff learns that, on the mobile of the “addicted family,” the “figures dangling off to the side represent the kids and Karen, in the periphery, helpless, but inextricably tied to the moods and whims and drug-taking of the central figure” (174). Sheff’s own enabling behavior exacerbates the problem, most obviously when Nic tries to forge one of Karen’s checks. Sheff notes that Karen “dearly loves Nic, and she is stunned and wounded and fuming” (215). Although they will eventually reconnect, Karen and Nic’s relationship deteriorates so much that, having pursued Nic in her car after seeing him drive past the house, Karen admits that “I wanted to tell him to get help, but mostly I was chasing him—chasing him away from our house—from Jasper and Daisy” (258).

Jasper and Daisy

Jasper and Daisy, Nic’s younger half-siblings, are also traumatized by Nic’s addiction. Their understanding of events is confused but they see Nic arrested, they know that he disappears for weeks without calling, and they see him return home looking sick and deranged. Jasper even has to cope with Nic stealing his savings. Sheff manages to “never fall apart around Jasper and Daisy” (136) and believes that he and Karen find “a delicate balance” with their children because they “don’t want to scare them, and yet at the same time, we don’t want to pretend that everything is fine when they know—how can they not?—that it isn’t” (136). Nevertheless, the experience is deeply troubling for them, not least because they not only witness Nic’s decline but also the terrible pressure it puts on their father. As Sheff finally begins to let go of his codependent obsession with Nic, the family—minus Nic—begins to attend therapy together and Jasper and Daisy open up about their experiences with “a cautious sense of relief” (337). Once it becomes clear that the children are upset by how much phone calls distress Sheff, he actually starts putting their interests first and changing his behavior. Recognizing the needs of his other children is a central aspect of Sheff’s recovery from codependency and enabling behavior.

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