22 pages • 44 minutes read
Elizabeth BishopA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In “Arrival at Santos” the speaker focuses on some of the most uncomfortable aspects of travel. They are at sea for eighteen days, which they call “suspension” (Line 12). The passengers must finish their breakfast quickly to get ready for the tender. When they descend the ladder, they do it “backward” (Line 19). The boy who is meant to help is careless with the boat hook, which catches Miss Breen’s skirt. Postage stamps are slipping from envelopes. The speaker does not know if those at the port will speak English or allow them to keep their bourbon and cigarettes. Everything has weak colors, which the speaker compares to soap. These carefully chosen details show the reader how physically uncomfortable the experience of travel is for the speaker. They point to a psychic discomfort the speaker projects onto the landscape. The speaker hoped the country would provide a deeper understanding of life and the world, which implies that prior to this trip, they felt emotionally unsettled and were searching for meaning, rootedness, and connection. This traveler's inability to feel physically comfortable indicates they are having trouble adjusting not only to a new country but being in the world. Entering a new environment can throw a person out of their “comfort zone,” and when the speaker hopes that they will be allowed to keep their “bourbon and cigarettes” (Line 31), they reveal how they want simple, familiar comforts. Those comforts are meant to distract and numb, as alcohol and nicotine are both narcotics that dull the mind. The “interior” (Line 40) of the final line is a double-entendre. The passengers literally enter the interior of the country, but they also enter a greater level of self-awareness, confronting uncomfortable feelings that arise now that they are away from the dulling niceties of their normal lives.
The speaker of “Arrival at Santos” appears to be sincere in their disclosures, but the writer leaves them open to critique and even mockery. The way the speaker views the country around them displays self-indulgence and ignorance that is narrow-minded. The speaker arrives at a new country, an experience some might consider a luxury, yet their only thoughts are complaints. The strongest example is when they speculate that the postage stamps slip from the envelopes because the glue is “very inferior” (Line 38). In fact everything, from the scenery to the churches and the color of paint to be inferior, yet, they also offer that the stamps may be slipping “because of the heat” (Line 39). This gives the reader a second explanation that is less judgmental, leaving it up to the audience to ask why the speaker automatically assumes that the country’s glue is inferior and only as an afterthought considers the geographical reason why the stamps may be slipping.
The speaker also treats the American passengers differently from those who are tasked with helping them travel. Bishop here inserts this bit of dialogue: “Please, boy, do be more careful with that boat hook” (Line 23). “Boy” is often treated as a derogatory term, infantilizing grown men by referring to them with this appellate instead of the more polite “sir” or “mister.” The speaker presumes to tell him how to do his work, treating this employee of the ship as their personal servant. This snobbery emphasizes a feeling of being other and outside the realm they have just entered.
The speaker is perhaps masking their own feelings of discomfort by treating each new experience with hostility and the assumption of cultural supremacy. For instance, they do not know Portuguese, so they hope others will speak English. They do not know why the postage stamps are slipping, so they assume the glue is inferior.
Notice that after the introduction of Miss Breen the speaker starts using “we” to describe their experience, for example, “we are driving to the interior” (Line 40). Here the speaker begins dividing the memory of their experience into “us” and “them.” This indicates the speaker wants to remain part of a group and is claiming the other passengers as their new community, while distancing this community from the Brazilians.
The fact, the speaker writing letters from the boat suggests a longing to be in contact with the familiar. Postage allows one to send communication to friends and family. If the stamps won’t cling to the mail, that disrupts the traveler's ability to stay in contact, emblematic of ther slipping connection to home.
Faced with a new country, where the speaker finds themselves ill-prepared, the speaker relies on class position to bolster and bully their way through.
In this internal monologue, the speaker introduces several characters, including the “boy” and the customs officials, but the only one who gets a name or any real consideration is Miss Breen.
Miss Breen acts as a foil to the narrator, and they seem have a lot in common. They are likely women traveling alone from the Atlantic Northwest (the narrator is not identified as a woman, though it is likely given the context of the poem and Bishop's own life experience). Presumably she and the speaker do not know one another very well, indicated by the fact the speaker calls her by her last name, yet it is apparent the speaker has some affection for Miss Breen. The speaker describes her as having “beautiful bright blue eyes and a kind expression” (Line 27). The younger traveler takes care to look after Miss Breen as well, warning the “boy” to “be more careful with that boat hook!” (Line 23), showing concern as her skirt is caught.
This attention to the older woman indicates the speaker is hungry for companionship, yet there are limits to their connection. Miss Breen never speaks in this poem, and the speaker only focuses on surface details of her and her life.
By Elizabeth Bishop