45 pages • 1 hour read
Khaled HosseiniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story really begins with the separation between Abdullah and his sister, Pari. Hosseini establishes a deep closeness between the two, as Abdullah was more of a fatherly caregiver to Pari. The “selling” of Pari and subsequent separation sets the unfolding of the generations and connected people that follow. Young Abdullah is a sensitive boy, sensing the truth of his sister’s sacrifice even before it happens. His devotion to his sister is proven in a few instances. He refuses to obey his father and return home (and not follow them on their trip to Kabul), despite being struck several times. He collects feathers for Pari throughout his youth, even after she is gone, hoping to give them to her again someday because he knows she loves them.
After the separation of Abdullah and Pari, we do not really hear of him again until near the end of the novel. He is in his late sixties and is suffering from dementia. He has a daughter he has named after his sister, and this loss seems to have been transferred to his daughter. She describes his devotion as a father much like a smothering— – “either you tore free or you stayed and withstood its rigor even as it squeezed you into something smaller than yourself” (367). He lamented deeply about Pari going away to college, possibly reminiscent of a sense of abandonment he felt when he lost his younger sister. The painful (or blessed) irony of losing his memory is revealed when he is finally reunited with his sister, even though he does not remember her. While the reader may long for a celebratory reunion, both Abdullah and Pari are somewhat blissfully ignorant, perhaps to save the both of them from the pain and anger at all of the time lost. Abdullah does not recognize Pari (because of his dementia), and Pari does not fully remember him and does not understand the feather collection he kept for her. This loss of memory for the both of them brings the story full circle, as they both experience the fabled father’s , Baby Ayub, memory loss from the fable.
The key to Pari’s character is a strong sense of absence in her life, that which she does not realize, until she is much older, is connected to her brother. Her mother, Nila, is not really her mother, and there is a is a palpable misunderstanding and disconnectedness that the two experience over the years. There are a lot of pieces missing in her life, and this is that is partially reflected in her interest and love of mathematics for to her, “There was comfort to be found in the permanence of mathematical truths, in the lack of arbitrariness and the absence of ambiguity. In knowing that the answers may be elusive, but they could be found” (204). Much of her life experience that is revealed in the grand narrative is her searching for permanence in her own life, a grounding and a full understanding of herself and her life story.
Although her presence in the novel is not as large as other characters, she is a central figure, as she represents the missing “piece” that helps bridge the disjointed family come back together. She is also one of the characters that sacrifices many of her own personal desires (art school) to take care of her ailing parents: first her mother, then her father. Thus, she is also the missing piece that solves Hosseini’s problem of the link between duty and obligation and family. Other characters over the generations have been placed in the caregiver role, and either they are not suited for it (despite being blood) or are not blood related. Pari is the only character in this story that is a blood relative that takes on family duty, and in a way, is “rewarded” and/or is the solution to bringing the family connectioned back.
Despite not being a “blood relative” to this large family tree, Nila is still the best “mother” role for Pari. Pari’s real mother died in childbirth, and her stepmother (Parwana) did not seem to have the same love and affection for her as a real mother would. However, Nila’s “forced” role of motherhood (Pari is purchased, not “born” of her) never quite adequately fills the absence in Pari’s life. As well, Nila’s purchase of a child never fills the void in her life, either. In an interview later in her life, Nila tells of her sickness in India, how she “had left something vital of [herself] behind” there (214). Perhaps, after marrying Suleiman, she searched to fill this void by acquiring a child, even though she physically could not have children. She also tells the interviewer that she believes her daughter is her “punishment.”. This may be Hosseini’s way of suggesting that people cannot be forced to fit in to the story/puzzle of a person’s life. Nila had struggled for something to fulfill her for years, and it was never foundshe never found it. She is truly lost, and it is not surprising that she commits suicide.
Nabi’s character seems to represent the epitome of the caregiver that is not blood related. He serves Mr. Wahdati for approximately fifty 50 years, firstly because he wanted to escape Shadbagh, and later, because he knew nothing else. Even though he is indirectly related to Abdullah’s family (brother-in-law to his father, Saboor) he serves as the lynchpin and as both part of the cause and solution to the story’s central problem: the selling of Pari. It was his idea that set the transaction in motion, and he is also the keeper of this truth, which he then passes on to Markos, who contacts Pari (Abdullah’s sister) later on.
By Khaled Hosseini