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21 pages 42 minutes read

Oliver Goldsmith

An Elegy on the Death of a Mad Dog

Fiction | Poem | Middle Grade | Published in 1766

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Symbols & Motifs

The Dog

Goldsmith offers very little information about the titular “mad dog.” The only description the speaker offers is that the dog is “found” (Line 13) in town, just like the “many” (Line 14) other stray dogs in Islington. The poem’s title characterizes the dog as “mad,” as do the neighbors who swear the dog “lost his wits” (Line 23) and went “mad” (Line 27) before biting the man. However, the final twist of the poem implies that the dog was actually innocent and was instead poisoned from biting the inwardly corrupt man.

With so little information provided, the dog serves more as a symbol than a clearly defined character. The dog represents and demonstrates how human beings interpret the world around them to fit their preconceived notions. The neighbors know that the dog and man “at first were friends” (Line 17) and that a “pique” (Line 18) or irritation between the two occurred before the bite. However, the neighbors conclude the dog must be “mad” because he bit “so good a man” (Line 24), without ever questioning whether the man caused the disagreement. The dog thus exposes how people are blind to their own biases and how they construe reality as they wish to see it.

The Neighbors

Although the neighbors do not directly speak or interact with either the man or the dog, they still play a key role in the poem. Together with the speaker, the neighbors frame the audience’s understanding of the poem’s events and the dog’s character, but they also demonstrate Goldsmith’s theme that appearances can be deceiving. The speaker describes them as the “wondering neighbors” (Line 22) who run to others, gossiping or recounting details of the dog and man’s confrontation. They are described as both having a “Christian eye” (Line 26) or perspective and as being “rogues” (30) that lie. While they may seem like good Christian people that sorrow over the man’s “sore and sad” (Line 25) wound, they too are dishonest and inwardly corrupt, just like the man who the dog bit.

Islington

Islington, the setting of the poem, is a district in the Greater London area. It became the home to Goldsmith in 1762 after a couple of years of writing professionally for magazines. While the information on Goldsmith’s living situation in Islington is minimal, literary critics and historians know that Goldsmith began composing The Vicar of Wakefield during that year in Islington, and some believe that the poem “An Elegy on the Death of a Mad Dog” was also written while he lived there, as Goldsmith set much of his poetry in places he had lived.

In his poem, Goldsmith briefly characterizes Islington as a town of “many” (Line 14) stray dogs of every “degree” (Line 16), ranging from “low” (Line 16) mongrels or mutts to hounds and puppies. Considering Islington was known for its scenic residential buildings and gardens in this era, it is noteworthy that Goldsmith depicts the town as home to roaming “curs of low degree” (Line 16). In keeping with his argument that appearances can be deceiving, Goldsmith emphasizes the less attractive underbelly of Islington, focusing on rabid dogs and hypocritical human beings.

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