59 pages • 1 hour read
Philipp MeyerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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As Harris drives to Grace’s house, he thinks about all the times he’s pulled strings to keep Virgil and Poe out of trouble, partly out of his feelings for Grace and partly out of respect for Virgil’s pride. Everyone in town has been reduced to something less than they were, and Harris feels obliged to acknowledge that. He pulls up to Grace’s trailer with a bottle of wine. Despite Grace’s romantic overtures—dinner, perfume—Harris insists on talking about the case. He keeps his emotional guard up. They debate the case: Grace clings to the hope that Isaac was involved, but Harris reminds her of her son’s history. Grace cries hopelessly. Harris’s attempts to comfort her turn intimate. He reassures her that “[i]t’s early in the game” (239) and tells her not to lose hope until Poe talks to a lawyer. After dinner, they make love. Harris feels happy for the first time in a long while.
Isaac wakes from a dream to find the Baron stealing his cash. He chases him past the trailer park and along a four-lane roadway. Although Isaac has his knife, he knows he won’t use it. A police officer sees the chase and pulls his car across traffic and up onto the curb ahead of them, yelling at them both to stop. The Baron stops, but Isaac hops a fence and keeps running.
Clovis escorts Poe out to the yard where Black Larry and Dwayne warn him that, without their protection, Poe is as good as dead. They retrieve Poe’s “charge sheet” (first-degree murder) and ask if he can “roll over” on anyone, but Poe claims he alone is responsible. They pass a bottle of pruno (prison wine) around, and Poe gets drunk and falls asleep in the yard. Dwayne wakes him up, and Black Larry asks for a “favor”: beat up a guard who’s cheated them out of provisions. Poe protests that it would damage his chances of acquittal, but Black Larry tells him that prison is his new home and they are his new family. Poe is noncommittal, but they threaten to lift their protection if he doesn’t comply. He finally agrees, and Dwayne gives him a sock full of batteries to do the job.
Isaac retreats into a stand of trees, trying to evade the police who saw him—a man armed with a knife chasing another man—and he decides the most prudent course of action is to leave the money and his backpack behind. He regrets the choices that have led him to this moment but tries to stay focused on getting away. Despite the swarm of police cars canvassing the area, Isaac stays calm and manages to walk away unnoticed. He catches a bus and rides it to the last stop, just trying to put distance between himself and the police. He gets off in an upscale neighborhood and walks aimlessly, trying to figure out where he is and where to go.
By evening, he is walking along a state highway, hungry and shivering (he ditched his coat earlier to avoid being spotted). He sees lights ahead and heads toward them, hoping to find shelter and food.
All of Buell knows about Poe now, and Grace tries to stay focused on work. At home, she thinks of her father, who left her mother when she couldn’t handle all the plant shutdowns and the boarded-up houses. She thinks of the men in her life and evaluates their trustworthiness, and she always circles back to Harris (despite the persistent rumors that he’s killed people in the past). The thought nags at her until she gets restless and has to get out of the house. She goes to a bar where the bartender, who’s lost a son of her own, commiserates. Soon, friends join her. They try to comfort her but are soon reduced to gossip and small talk. Grace, for her part, tries to put on a brave face.
Poe’s cellmate, who’s been in solitary confinement, returns, reiterating to Poe the importance of him following through on his promise. Later, Poe tries to sleep, pondering the complex web of alliances within the prison. If he goes through with the beating, he makes an enemy of the guards; if he doesn’t, he makes an enemy of everyone else. As he thinks of the events leading to this moment, he decides he is fated to be here. He gets out of bed to use the bathroom which leads to an argument with his cellmate, Tucker. It soon escalates into a brawl with Poe banging the smaller Tucker’s head against the floor. The guards burst in, pepper spray him, and lock him in solitary confinement.
Wanting to take it slow with Grace, Harris instead meets some friends for a drink after work. They discuss the local economy, and his friends ask about Grace. He tells them, “That fizzled out a long time ago” (275). The conversation turns to Poe and to the overall crime problem in the Valley. The word around town, they report, is that Harris should have let Poe be convicted for the beating incident a year ago rather than pulling strings for him. They worry about Harris’s reputation and his career.
Things go from bad to worse for Poe and Isaac. Poe finds himself on thin ice with his gang of protectors. As a “fish” (newbie prisoner), he can’t afford the luxury of his own choices. Prison rules are draconian and rigid, and any attempt to weasel out of his responsibility could result in a shank in his back. Whether getting locked up in solitary will save him remains unclear, but it appears to be a temporary reprieve at least. Meyer is careful to shade Poe—and all the characters—in nuanced tones. He is innocent of this particular crime, but his temper is most definitely a problem. Harris’s conversation with some of the locals suggests that is, in fact, widely considered a bad seed who’s finally gotten his due. However, Poe’s anger is bound up to his circumstances—the failing economy and the lack of jobs, the feeling that his best days are behind him, and the desperate need to find dignity in the most undignified environment.
Isaac, meanwhile, isn’t faring much better. Even though he’s been on the run and living an itinerant life, he’s always had the safety net of the stolen cash. When the Baron robs him, however, he finds himself with nothing. Once again, Isaac seems not to think through all the possible solutions to his problem; without so much as trying to communicate with his family, he further commits himself to extreme measures of escape, not even making a simple phone call that might help him. The narrative is a testament to how quickly events can spin out of control, how one mistake builds on another until Meyer’s protagonists are so deeply in trouble that any attempt to rectify the situation seems far out of reach.
Isaac, filthy and bruised from his life on the street, gets suspicious looks everywhere he goes, even in places where economic devastation has created a vast underclass of people who are facing the same circumstances. These judgmental onlookers have no idea whom they glare at: an academically promising young man who just wants his fair shake at an education and a career. Every person living on the street has a backstory. This continues the novel’s theme that despite a capitalist society’s illusions of itself as a meritocracy, even those with “merit” can be derailed and trapped by external forces. The narrative further suggests an irony: It is, in some ways, because of his merit that Isaac is in trouble. He had the courage to defend Poe from assault, and he wants to pursue education—but a combination of shortsightedness and misfortune converge into a catastrophe, and he struggles to navigate the consequences.