24 pages • 48 minutes read
Robert A. HeinleinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrator, a time-traveling agent from the Temporal Bureau, kidnaps Jane’s infant daughter in 1945 and places it at an orphanage in Cleveland. It’s filled with loneliness, anxiety, and cruelty, and especially for a bright, sensitive kid: “you learn fast in an orphanage” (4). The child grows up to be Jane herself. Around age 18, she leaves to work as a “mother’s helper” while she attends night school.
Pop’s Place is a small bar somewhere in New York City; the bartender-narrator works there while he waits for the Unmarried Mother to arrive for a drink in November 1970. During the story, the bar has only a few patrons served by a second barkeep; the narrator focuses his attention on the Unmarried Mother. The bartender is a time-traveling agent who’s real purpose is to meet and talk with the Unmarried Mother. The storeroom in back houses a small inner room that contains the narrator’s time machine.
Hidden in a bunker deep inside the Rocky Mountains, the Temporal Bureau—a military organization dedicated to protecting humanity from problems in the timeline of history—sends time agents to different years to correct temporal problems. The story’s hero must correct imbalances in his own timeline so that he, and the time-altering work he already has performed, can still exist.
The bartender controls “a U.S.F.F. Co-ordinates Transformer Field Kit, series 1992, mod. II” (10), a time machine that permits him to travel to different years. He uses the machine to maneuver events across time so that his own infant female self is properly ensconced in an orphanage and that his older, post-sex-change male self encounters his betraying lover—who turns out to be himself as a time traveler—and understand the complex process so that he will join the Temporal Bureau and perform the above actions and complete the time loop.
As a young woman named Jane, the protagonist joins the “Women’s Emergency National Corps, Hospitality & Entertainment Section” (5), also known as “Space Angels” from the acronym A.N.G.E.L. for “Auxiliary Nursing Group, Extraterrestrial Legions” (5), and later known as “Women’s Emergency National Corps, Hospitality & Entertainment Section” W.H.O.R.E.S.) (5). W.E.N.C.H.E.S. is a women’s military auxiliary that helps astronauts relieve sexual tension on long space flights. Jane realizes that, as an applicant, she has a hiring advantage because she’s a virgin—“they liked to train them from scratch” (5)—and most other applicants worked previously as prostitutes.
The acronyms make light of military naming conventions; Heinlein was a Navy officer who respected the military but lampooned some of its conventions. The W.E.N.C.H.E.S. side story pokes fun at the biases surrounding sexual mores whereby the military frowns upon women who offer themselves professionally for sex out of wedlock.
By Robert A. Heinlein