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60 pages 2 hours read

Hafsah Faizal

A Tempest of Tea

Fiction | Novel | YA | Published in 2024

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Part 3Chapter Summaries & Analyses

Part 3: “Act III: A Fire in Slumber”

Part 3, Chapter 43 Summary: “Jin”

Back at Spindrift the next morning, Jin wakes up with the sense that something is wrong. He realizes that Flick is gone and goes to find Arthie, who warns him to get everyone to Penn’s home on Imperial Square before the Ram can exact revenge. Jin and Arthie usher everyone out, telling them to leave in groups and sending someone to get Matteo. However, before they can put this plan into action, a window shatters, and a gang called the Plodders attacks. They quickly get into a fight with the gang, as Jin and Arthie refuse to leave each other, but soon they hear the sound of someone starting a fire. Jin begins to panic, but Arthie steadies him and gets him out of the burning building. Everyone except Arthie manages to escape before Spindrift explodes.

Part 3, Chapter 44 Summary: “Arthie”

Arthie grieves as Spindrift burns, feeling like “all her life she’d spun a slow dance through a burning room, and the inferno had caught up to her at last” (277).

Part 3, Chapter 45 Summary: “Jin”

Panicking, Jin overcomes his fear of fire and pushes his way back into the burning building, desperate to save Arthie. He finds her trapped under a bookcase, but before he can reach her, she frees herself, only to collapse in his arms. He drags them both out of Spindrift, imagining Flick guiding him to safety.

Part 3, Chapter 46 Summary: “Jin”

Jin wakes up outside Spindrift and realizes that Flick was actually there, guiding him to safety. She helps to carry Arthie into a carriage and gives Jin water. As Flick tenderly cares for him, Jin breaks down crying; she embraces him and cries as well. Jin wipes away her tears with his hand, and she tells him to not overthink matters. They draw closer, almost kissing, until the driver opens the door and tells them that they have reached the Athereum.

Part 3, Chapter 47 Summary: “Arthie”

Arthie wakes up hungry and angry; she is devastated by Spindrift’s loss. She takes her pistol and tries to prepare herself but drops to her knees on the bedroom floor and begins to cry. She glimpses a strange flower and then a person, and to her confusion, Laith approaches her. She asks if he is here to kill her, and although he wishes he could, he admits to yearning for her too much to do so. He then forgives her, raising Arthie’s suspicions. When he claims that he no longer works for the Horned Guard, Arthie questions why he cannot move on and seek peace. He insists that he cannot live without vengeance, then draws closer, promising her that he wants to help her and knows what she is. As he opens his shirt, Arthie loses control at the scent of his blood.

The narrative flashes back to the past, when Arthie’s mother sought a miracle to save Arthie’s life. The healer gave Arthie his blood, transforming her into a half-vampire. Arthie, dazed and bloodied, ran for a boat on the water to escape the violence of Ettenia’s colonization. She glanced back to see her parents lying in pools of blood, and instead of feeling grief, she was overcome by hunger. The other survivors on the boat restrained her, but during the journey to Ettenia, she eventually ate all of them.

Later, Arthie found her way to Penn, starving and furious. The housekeeper let her stay in exchange for work, but Penn found her and took her in as his daughter because she was a half-vampire like “him.” (The narrative implies that he was the Wolf of White Roaring.) Arthie’s hunger eventually overtook her, compelling her to devour the maid and to hunt others in the household. Without Penn there to shepherd her in that moment—due to his busy life—she fled the house, vowing never to drink blood again. She later found Jin, who unknowingly allowed her to sate her thirst for blood via the use of coconut.

Part 3, Chapter 48 Summary: “Arthie”

The narrative returns to the present. Arthie tries to tell Laith that she is dangerous, but Laith refuses to listen, even though Arthie knows that she could kill him from hunger. He begs her to destroy him, and she tries to refuse, demanding to know why. He explains that she is his mirror and that they experience the same pain. Arthie finally succumbs and bites him, drinking his blood but taking command of herself in the process. They passionately, sensually grip one another, but because the presence of blood has made Arthie more alert, she notices Laith’s hand wandering toward Calibore. When she realizes that Laith’s lost “artifact” is Calibore itself, she understands that she has always been his true target. She throws Laith against the wall and presses claws to his throat, telling him that she could kill him. He states that they have only ever used each other. She tells him to leave.

Part 3, Chapter 49 Summary: “Arthie”

Arthie mourns the fact that she has broken her own oath and lost Laith. She leaves the room and runs into Matteo, who immediately realizes that she has fed and asks her why, looking horrified and betrayed for reasons that she doesn’t understand. He points out that he always knew the owner of Spindrift to be a vampire, which she rejects. He then says that Spindrift was her tether to control; when she lost Spindrift, she gave in to her bloodlust. He asserts, “Embracing and giving in are not the same thing” (299) and encourages her to stop punishing herself and to accept what she is. She suddenly realizes that he truly understands her. He touches her cheek, and she leans into the touch, then apologizes to him. He jokes about calling “the presses” for her apology, and his comment makes her realize that the next step to their plan should be to use the press to take down the Ram.

Part 3, Chapter 50 Summary: “Jin”

When Arthie rejoins them in Penn’s office, Jin notices that she looks more like herself than she has in months. She hugs him and tells him that Laith is gone; Jin wonders what happened, since Penn had arranged for Laith’s release. Arthie tells Penn that they will arrange for the press and the Ram to “meet” without knowing it, thereby incriminating the Ram and the EJC in the process. They arrange for the Ram to meet them in the Athereum’s meeting hall after the press have arrived. Even if people do not care about vampires, Arthie hopes to incite widespread fury through the revelation that the Ram arranged for the Wolf to rampage in White Roaring. Arthie tells everyone to look their best so they’re respectable for the big event.

Part 3, Chapter 51 Summary: “Flick”

Flick arranges for a new gown for herself, and on her way out, she spots Arthie in a shop that sells beautiful saris. Flick goes to her mother’s house again, determined to defend her new family and demand answers from her old one. She reassesses her mother’s behavior, realizing that their apparent closeness had always been a form of control. She gets past the maid, then goes to her mother’s office. Flick tells her wary mother that she originally intended to give her a good story to repair the damage that her own forgeries had done to the family, but now, she notices that her mother’s tension comes from fear, not guilt. Lady Linden, in turn, claims that she was forced into making dealings that she dislikes. She states the distance between them was due to her efforts to repair her company. Believing that she sees penitence on her mother’s face, Flick softens. She gives her mother the invitation for the press, telling her to come to the meeting hall to make things right.

Later, Flick reassures herself that she made the right call as she prepares for the party in the Athereum. Clad in a beautiful sari that makes her look deadly, Arthie helps Flick to lace up her own dress. Arthie then checks that Flick gave her mother the envelope. She reassures her that she made the right choice and urges her to find a sense of self that transcends her mother’s influence.

Part 3, Chapter 52 Summary: “Arthie”

Arthie contemplates her subtle manipulations of Flick. Soon, Penn approaches her, apologizing for making her join the fight against the EJC. He tells her that Matteo told him about her interaction with Laith, and he reminds her that, as a half-vampire, she operates on different rules but does not have to succumb to her own urges. He tells her that she and Matteo have much in common, and she laughs at this idea. Penn then promises to take her and her crew to his home and make it their home again. As he kisses the top of her head, she allows herself to feel comforted, however briefly.

The others enter the office and are immediately surprised by Arthie’s beauty. Matteo is starstruck into silence. However, instead of telling her that she is physically beautiful, he tells her that she is dazzling because of her brain: a compliment that flatters her and scares her.

Part 3, Chapter 53 Summary: “Jin”

Flick and Jin find each other in the Athereum and awkwardly compliment one another on their outfits. Flick briefly contemplates her own grief, then backs Jin into a wall and kisses him. As they kiss each other, Jin finally calls her Flick rather than her full name. The clock strikes nine.

Part 3, Chapter 54 Summary: “Flick “

Flick is delighted by the kiss and is thrilled that Jin has finally used her chosen name. She gathers strength from the knowledge that Jin loves her as she is. They gather with the rest of the group, watching the press uneasily gather near them, and Flick finds Laith’s kitten and picks it up. She wonders where Laith might be and questions why he would have returned in the first place. Suddenly, the Ram appears, and Flick glimpses her mother’s bright eyes behind the Ram’s mask.

Part 3, Chapter 55 Summary: “Arthie”

Hearing Flick’s gasp, Arthie realizes that the Ram is Lady Linden and knows that the group has lost the element of surprise. Penn tries to reassure her, but she points out that the Ram could just have the press murdered. As she tries to sound the alarm, men—not guards, but armed men in black—storm in and begin to massacre the guests. The others jump to defend the crowd. Arthie shoves the ledger into Flick’s hands and orders her to protect it.

As Arthie fights, she hears Laith taunt her from behind, and he grabs Calibore before she can resist. He aims the gun at her but hesitates, and she tackles him, flashing back to their intimate moment. Laith gets the gun again, but before he can shoot, Penn jumps in front of her and shields her.

Part 3, Chapter 56 Summary: “Jin”

Jin hears Calibore fire and knows that Arthie lost control of the gun. He runs for Arthie, but before he can reach her, the Ram reaches him, cocks a revolver, and fires.

Part 3, Chapter 57 Summary: “Arthie”

Arthie grieves as Penn lies dying on her lap. He looks at her with love, promising her he’ll be all right, and tells her, “Family isn’t who we live with but those we would die for” (327). He touches her hair and tells her to stay brave, then expires. Arthie hears Flick scream and stands up.

Part 3, Chapter 58 Summary: “Jin”

Shot in the heart, Jin collapses, thinking about how much he loves Arthie and worried that she doesn’t know. Matteo appears and offers to save Jin’s life. Jin groggily agrees as Flick appears, sobbing. When Arthie arrives, Jin knows that he can die peacefully, but Arthie tells him to “look sharp.” As Jin dies, he tastes blood, and he opens his eyes to see Arthie with fangs in her mouth. He realizes that she has been a vampire all along. He puts together his memories of her drinking coconut water and knows that his father had been right—vampires can subsist on coconut. Jin fully awakens, starving for blood, and makes eye contact with Arthie, who looks utterly broken.

Part 3, Chapter 59 Summary: “Arthie”

Heartbroken, Arthie leaves Penn’s body and Jin behind and runs to Laith’s apartment. Inside, she finds him in his armchair, holding Calibore with a look of shock on his face. She tells him that he is the reason his sister died, not the king. As she relives all the ways that he has protected and controlled her, she draws Penn’s gun. She and Laith simultaneously fire their guns at one another and collapse, both fatally wounded.

Part 3, Chapter 60 Summary: “The Wolf”

The Wolf of White Roaring finds Arthie bleeding in Laith’s apartment. He cryptically promises her that they will burn “her”—someone other than Arthie—to the ground, then carries Arthie away.

Part 3 Analysis

As Spindrift goes up in flames, marking the lengths to which the Ram will go to maintain power, this section of the novel represents a major turning point in the character arcs of Jin and Arthie, who have long viewed the teahouse as a symbol of safety and security. Although both characters pretend to shrug off the loss, their shifts in behavior prove that they are still grieving this sudden change in their lives. Arthie immediately loses control of her vampiric needs and feeds on Laith, while Jin pursues Flick more seriously even as his relationship with Arthie grows more distant. With these dynamics, Faizal makes it clear that Spindrift’s significance runs far deeper than that of a simple teahouse; instead, it has protected Arthie and Jin and safeguarded their former identities within this oppressive society. When Spindrift is destroyed, Jin and Arthie lose their home for a second time, and the backlash of this bereavement fully changes their concepts of themselves and of each other. Spindrift’s destruction marks the true beginning of Arthie’s war against Ettenia, but it also leaves her group adrift, separated from one another and lacking a central haven.

The characters’ shifting sense of identity is visually represented through their unique clothing choices in preparation for the climactic event. For example, Arthie symbolizes her own internal change by wearing a red sari that indicates her renewed claim on her heritage—both as a person from Ceylan and as a half-vampire. Similarly, the amorous shade of Jin’s lilac suit is chosen explicitly because of his love for Flick, while Flick’s sober dark green outfit symbolizes her growing maturity and her new understanding of her place in the world. By essentially reversing styles, Jin and Flick obliquely indicate that they are ready to pursue one another wholeheartedly. The narrative emphasis upon clothing also suggests that all three characters have moved on in the wake of Spindrift’s destruction and have become new versions of themselves. While their changes have yet to be revealed as either positive or negative, these internal shifts reflect a more nuanced version of The Impact of Colonialism on Personal Development.

By employing vampires as a metaphor for the fact that the colonized can also become the colonizers, the author uses the final section of the novel to complete the argument that colonialism is, to an extent, inescapable. Specifically, Arthie’s fear of consuming human blood is thematically tied to her past experiences with the brutality of colonialism. Her entire childhood was shaped by having things taken from her, including her humanity, and she now believes that taking blood for her own benefit merely a perpetuation of the very cycle of violence that she is desperate to escape. At the same time, vampires need blood to be truly themselves, and this point suggests that merely living in the world is an inherently selfish act—if a necessary one. Yet Arthie’s uncompromising view of the world is tempered by Matteo’s, as he still drinks blood yet gently guides her to embrace her nature rather than giving in to it. By making this subtle distinction, Matteo ultimately argues that, like vampires, all people must accept that living in a world that benefits from the suffering of other people is inherently selfish; however so, all people must do what is necessary to survive. Rather than giving in and harming others, Matteo counters that Arthie should accept her nature and then seek to minimize the harm she causes without harming herself in turn.

In addition to the resolution of this personal conflict, the climactic scenes also provide a broader commentary on the impact of colonialism by focusing on Laith, whose complexity highlights the difficulty of his existence. Most notably, his need for vengeance conflicts with nearly everyone else in the story—both individuals and regimes—and culminates in his belief that he loves Arthie yet needs to kill her. Laith’s destructiveness extends far beyond Arthie into the conflict between his homeland and Ettenia; he has no loyalty to either country yet loves them both, and even so he is willing to see them both destroyed in order to attain his goals. Laith’s driving need for revenge highlights his ruinous selfishness; he cannot conceptualize a greater good, but can only conceive of small, personal pains. In this way, Arthie’s apparent murder of Laith marks her acknowledgement of her own flaws, and if she survives her wounds, she may gain the space to grow past her issues and find ways to contribute positive things to the world instead of inflicting pain.

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By Hafsah Faizal