52 pages • 1 hour read
Jodi PicoultA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Unsurprisingly for a novel that takes place at a women’s health clinic, a central theme of A Spark of Light is the personal and societal impacts of abortion. Picoult uses characters on both sides of the abortion rights debate to illustrate the wide range of ideas about the morality of abortion, and reproductive care (or a lack of it) affects many characters deeply. For example, Janine is an anti-abortion activist and was raised in a Catholic household: “[S]he knew from the time she was a young child that a baby was a baby the moment it was conceived. At the very least, it was a human person in progress” (51). Despite this upbringing and her beliefs about abortion, she terminated a pregnancy after a sexual assault. She has spent her life wracked with guilt, in large part because of the divide between her beliefs and her actions; she interprets the events depicted in the novel as a form of punishment for her earlier act. Bex is also a character raised in a conservative Catholic household, and she chose to give birth to Hugh and allow her parents to raise him as her sibling. Though she did not terminate the pregnancy, she thinks that she “had still lost a potential life that day—her own” (349). Her decisions to keep Hugh and later to raise him when her mother could not mean that she missed out on art school and other important dreams. Though she thinks that she “would not have changed a thing,” she still feels “the question rise high in her throat, […] like she [i]s choking” (349). Both women have complicated feelings about their decisions even though the outcomes of the pregnancies were different.
Characters in the novel who are determinedly in favor of abortion rights also experience a range of emotions about the procedure. Joy is bitter that her lack of healthcare access and wealth forces her to be at the clinic that day, rather than having an easier and cheaper operation earlier. Vonita, the clinic owner, had an illegal abortion as a young woman. Later in life, Vonita “thought it was her personal calling to create a place where a woman could safely get an abortion if she needed one, a place where a woman could be supported and not judged” (207). Despite this calling, she tells Louie “that she herself dream[s] of the baby she didn’t have” (207). Even though she believes that she made the correct decision, she still feels the personal impact of it. Louie also understands that the women who come to see him have many different reasons for being there and that it is not an easy decision for any of them. He urges people to look past the hot-button debate issues and instead think of the personal and societal costs of forcing women to bear children against their will, including the fact that some of the women are children themselves. A Spark of Light emphasizes that abortion is a complicated issue and that there are a range of feelings and stories on both sides of the debate.
Though the plot of A Spark of Light is centered around an act of partisan violence, a key theme of the novel is the role of empathy in understanding contentious issues. When lying on the floor of the Center, Bex has an epiphany about the women at the clinic with her: “There were a hundred different paths that led to the corner of Juniper and Montfort […] Here was the one thing all these women had in common: they hadn’t asked for this moment in their lives” (173). Understanding the different stories enables her (and readers) to have more empathy in seeing why someone might make a particular choice. Louie also emphasizes the importance of kindness in understanding people he disagrees with. He performs abortions for everyone, including protestors who gather outside his clinic. Rather than calling them “hypocrites” and giving into anger, he hopes that “empathy w[ill] spread, an invasive weed of compassion” (189-90). He sees this reluctant growth of compassion as the only way forward. He cautions Izzy that she should not only think of Janine and other opponents as the enemy: “Like it or not, you’re in this fight together” (131).
Indeed, this theme is especially apparent in the conversations between Joy and Janine, who are often at odds about the issue of abortion. Though they are initially hostile, they form a fragile friendship because of the hostage situation. When Janine is knocked unconscious, Joy cradles her head in her lap. Janine weeps over the circumstances of Joy’s childhood and tells her, “I’m sorry you didn’t feel safe. Just because you didn’t get that protection doesn’t mean you were born any less than perfect” (145). Joy disagrees with Janine’s ideas but realizes that they have the “same strength of conviction,” and she wonders “if the only way any of us can find what we stand for is by first locating what we stand against” (37). Ultimately, the book emphasizes that polarization without compassion will solve nothing. George looks at Hugh and thinks, “You and I, we’re not that different […] We are all drowning slowly in the tide of our opinions, oblivious that we are taking on water every time we open our mouths” (44). The characters who grow the most in the novel are the ones who realize that empathetic listening might be the only way forward.
Two father-daughter pairs are at the heart of A Spark of Light, and Picoult uses them to exemplify the complexities of those relationships. The relationships between George and Lil and between Hugh and Wren act as foils for one another, illustrating the love that fathers might have for their daughters as well as the ways that love might not find healthy or full expression. Both George and Hugh are single fathers to teenage daughters. Both of them love their daughters deeply and reflect on the heavy responsibilities of parenthood. Hugh thinks that “parenthood [i]s like awakening to find a soap bubble in the cup of your palm, and being told you ha[ve] to carry it while you parachute[] from a dizzying height, climb[] a mountain range, battle[] on the front lines” (195). Much of his experience of fatherhood involves his love for Wren as well as his fear that he will not be adequately able to protect her, despite the fact that he is a police officer by profession. George also experiences love for Lil but fears no longer being seen as her hero: “What twisted deity would grant you the superpower of fatherhood to protect someone who, one day, would not need you?” (203). The tension between controlling a child and allowing them to flourish and leave is one that both men struggle with.
George thinks that he has committed the shooting because of his love for Lil: “He loved her so much that he had come here to make things right, even though it seemed impossible” (102). He wants to be a superhero and an “avenging angel for her suffering” (102). However, he also commits the murders because he needs to believe that Lil has been manipulated by staff at the Center: “She was a good girl, because he had been a good father. If the first half of that statement wasn’t true, didn’t it negate the second half?” (255). His ideas of righteousness and “manhood” are tied up in control of Lil and expectations about her behavior. This control leads him to the clinic shooting and his eventual death without ever reconciling with Lil. Though Hugh experiences a desire to protect Wren, he does not try to control her and thinks that he would have taken her to the clinic for birth control had she asked him to. At the end, he kills George to save his daughter. Though Wren watches the death and realizes that her father has killed a man, she still views him with love and respect, finally understanding that “[c]hildren [a]re told what to do. Adults ma[k]e up their own minds, even when the options [tear] them apart” (355). Making this realization allows her to come of age and still maintain a relationship with her father, even though he has had to make difficult decisions.
By Jodi Picoult
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