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61 pages 2 hours read

Paula Hawkins

A Slow Fire Burning

Fiction | Novel | Adult | Published in 2021

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Chapters 9-18Chapter Summaries & Analyses

Chapter 9 Summary

A short excerpt from a novel titled The One Who Got Away describes an unnamed man reflecting on the surprising circumstances in which he has met a pretty girl, whom he has driven somewhere. The excerpt alludes to interactions between them.

The narrative shifts back to the main plot and resumes in the aftermath of the murder investigation. Miriam works at a rundown bookshop located in a houseboat on the canal. One morning, as she prepares to open the shop, she is surprised to find Theo waiting for her. Theo tells Miriam that he wants her to leave his family alone; Miriam coldly explains that she was questioned about Daniel’s death and threatens to tell the police that Theo has come to talk to her. It is not clear what connection Theo has to Miriam, but during their interaction, she reflects that “this […] is what power feels like” (74).

Later, back at her home, Miriam takes out a letter that she keeps safely stowed away in a box. The letter comes from a lawyer acting on behalf of Theo and his publishers. They want Miriam to officially deny her claim that Theo plagiarized her memoir in his novel The One Who Got Away. They acknowledge that she did give Theo a copy of her memoir to read, but according to them, the manuscript was placed in a suitcase that was misplaced while Theo was travelling, and he never read it. They do not think the similarities in the narratives are substantial and discourage her from taking legal action.

Shaken, Miriam puts away the letter; it still makes her angry that Theo’s power and wealth make him invulnerable to her claims of plagiarism. Miriam keeps the letter with Laura’s key, a cross that was a gift from her father, a pair of earrings belonging to someone named Lorraine, and a dog tag with the name Dixon on it.

Miriam looks at the bloodstained key and feels sorry for Laura. She feels an affinity for Laura, who is also often dismissed and whose poverty makes her vulnerable. Miriam calls the police and leaves a message, explaining that she has remembered something: Miriam initially told the police that she saw an older woman, identified as Carla, visiting Daniel’s boat a few days before he was killed. Miriam now states that she misremembered and actually saw Carla at Daniel’s boat on Friday. Miriam deliberately lies to raise suspicions about Carla being involved in the murder in hopes that this will distress Theo.

Chapter 10 Summary

Another excerpt from the novel describes a young girl squeezing her way out of a broken window in order to escape from someone. Outside, she thinks about her friend, who is still inside with the man who has abducted them. The girl considers going in and trying to help, but she does not think she will be able to do anything and is terrified of the man. She begins to run away into the night.

Carla is at the police station, having DNA samples taken. Carla preemptively explains to the police that they will most likely find her DNA on Daniel’s boat: She admits that she previously lied and that she did, in fact, visit Daniel on his boat. Carla notes that since the police decided to collect her DNA, someone must have seen her. She visited Daniel twice on the boat (she is unsure of the exact dates), and lied because she did not want to admit to seeing Daniel in front of Theo.

Carla elaborates that, ever since Ben’s death, she has kept her relationship with Angela and Daniel secret since Theo blames them for Ben’s death. The police find this explanation surprising and ask whether Carla is frightened of Theo. Carla thinks of the period after Ben’s death, recalling that Theo would imply that Angela subconsciously left the door to the balcony open because she was envious of them for having a better son (Ben and Daniel were around the same age). Because of Theo’s animosity towards Angela, when Carla began to visit her, she lied and told Theo that she was going to yoga classes instead.

Carla went to visit Angela every week, trying to forgive her and maintain their relationship. She noticed that Daniel was unhappy and wondered if Angela could be physically abusing him. Carla was surprised when Angela told her that she was going to send Daniel to boarding school, asking “Ang, are you sure about this?” (90). Angela explained that Daniel had begun acting out, and she suspected that Daniel may have witnessed Ben’s fall. She also thought Daniel blamed her for his cousin’s death.

Chapter 11 Summary

Theo is also having DNA samples collected by the police. He reflects on his love for Carla and thinks about the terrible grief he felt after their son died. Theo was working on his third novel when Ben died, and after his death, he was unable to continue writing. He and Carla drifted apart and eventually divorced although she moved only a short distance away from him. Growing increasingly desperate about his career, Theo wrote a crime novel, The One Who Got Away, published under a pseudonym. The plot was nonlinear and gave considerable insight into the killer’s perspective. Theo was quickly outed as the author, and though some critics and readers disliked the novel, it broke Theo out of his writer’s block and ensured his literary career would continue.

Back in the present, Theo prepares to go for a walk and thinks mournfully of his missing dog, Dixon. He notices that the dog’s leash is not in its usual place and wonders if the house cleaner moved it. On his walk, Theo passes the murder scene and runs into a young police officer with whom he stops to chat. The officer recognizes Theo as the author of The One Who Got Away and praises the book. Since the officer is chatty, Theo asks about the current investigation. The officer explains that the police are focusing on testing blood-stained clothing; Theo infers this must be the clothing Laura was wearing when he saw her.

Theo asks the officer if he can provide any information about Laura, claiming that he is worried about his own safety and whether Laura might be targeting his family. The officer confides that Laura does have a history of violence and is unstable. The investigation is currently focused on locating the murder weapon, since “once we’ve got that, an arrest has got to be imminent” (98).

Back at home, Theo looks through some letters he has received from fans of his books. One of the letters, from someone named Henry Carter, praises The One Who Got Away and asks about Theo’s inspiration, as well as his decision not to give names to any of the characters. Looking up from the letter, Theo thinks he sees Miriam standing outside his window. He rushes out, but Miriam is no longer there, and Theo wonders if he merely imagined her.

Chapter 12 Summary

In an excerpt from the novel, the killer spots two girls sitting at a pub; he finds one of them attractive, but she mocks and dismisses him.

Miriam flees from Theo’s yard in a panic; she was indeed standing outside when he saw her. Miriam has grown impatient since she phoned the police to tell them she saw Carla at Daniel’s; she doesn’t know if the investigation has changed and wonders if the police ignored her tip.

Miriam reflects on her past. Years ago, when she first began working at the bookstore, Theo was a regular customer who knew the owner. Since Miriam was familiar with his books, she was curious about him. One day, he confided that he was trying to work on a crime novel, which surprised Miriam. Shortly thereafter, Miriam delivered a book to his home, and Theo invited her to chat. Miriam then brought Theo a copy of her memoir manuscript. Looking back, she regrets this.

Miriam recalls a different memory: As a teenager, she and her friend Lorraine skipped school and were picked up while hitchhiking. The man who picked them up was named Jeremy; rather than driving them into town as they asked, he drove them to an isolated farmhouse, claiming he wanted to get cigarettes. Miriam was frightened and uncomfortable, but Lorraine reassured her. As Jeremy led the girls inside, Miriam and Lorraine realized that they were in a very dangerous situation: “this felt like the kind of thing that happened in a horror movie” (109).

Chapter 13 Summary

In an excerpt from the novel, a girl wakes up alone with her hands bound and her mouth gagged. She can hear her friend in a different room with the man who is holding them captive. She is locked in the room, but there is a single window, which the girl thinks she could potentially break and escape through.

Laura wakes up in her apartment; there is a message from Deidre on her phone. Deidre coldly tells Laura that she and Laura’s father will not be sending her money as they think that Laura should be more responsible and not create problems for herself. Disappointed, Laura goes to see Irene. At Irene’s house, Carla coldly greets Laura and lets her in; Carla and Laura have never met and don’t know each other. After Carla leaves, Irene explains who Carla is, and Laura realizes her connection to Daniel. Laura buys groceries for Irene, as she typically does, but she also steals money from her.

As Laura is leaving Irene’s home, she notices that the door to Angela’s house is ajar. She can see several bags belonging to Carla just inside the door; Carla is continuing her work of cleaning out Angela’s home. Laura steals the bags; she later sees that they contain a ruby ring and a Saint Christopher’s medal for an infant bearing the initials BTM. Laura feels ashamed for stealing and is increasingly overwhelmed by her life. She reflects bitterly on her accident, the injuries, and an undisclosed betrayal that followed it, noting, “is it any wonder, you might say, that you are quick to take offense? That you’re angry?” (199).

Chapter 14 Summary

The man narrates an excerpt from the novel. He is driving with two girls he has picked up on the highway. He is annoyed by the presence of the girl he finds unattractive as she reminds him of his mother.

Laura leaves Irene’s home, and Irene worries for the young woman: She can tell that Laura is distressed and anxious. Irene has become very fond of Laura, especially since losing Angela; both Angela and Laura treated Irene as an equal, not as a dotty old woman. Ever since Irene’s husband, William, died six years ago, she has periodically experienced periods of depression and disorientation. Her friendship with Angela was sustaining for her, as “Irene no longer had too many people around who’d known her her whole life” (123).

Angela confided many things to Irene, especially when she had been drinking. Carla and Angela grew up in a well-off family; Angela inherited the home next to Irene from her late father, but since she had very little money, the house gradually fell into disrepair.

Angela got pregnant unexpectedly when she was young as a result of an affair with one of her professors. Daniel’s father was never involved in his son’s life, and Angela struggled with life as a single mother. Sometimes, when Angela was drunk, she confided to Irene that she regretted having children, and Irene also overheard Angela telling Daniel she wished he had never been born.

Chapter 15 Summary

Carla wanders aimlessly around Angela’s home and thinks about the time, years ago, when she received a phone call from the police station to go and pick up her sister: Angela had been taken into custody after being drunk and causing an altercation at a taxi stand. Carla brought her sister home and was shocked by Angela’s condition. She spent the night with Angela, and in the middle of the night, still drunk, Angela revealed new information about the night that Ben died. The man Angela was dating came to the house. Angela thought the children were asleep, but Daniel interrupted her while she was having sex with her boyfriend. Daniel became angry; preoccupied with sending her boyfriend away and soothing Daniel, Angela neglected to close the door to the study, which led to the balcony.

Chapter 16 Summary

Laura waits on hold after calling the court to respond to a summons about a previous charge. Months ago, Laura had been dancing at a nightclub, alone and drunk. She began removing her clothes, and a man groped her. Laura responded by stabbing him in the hand with a cocktail fork. The man charged Laura with assault, even though she insisted that she was defending herself. Even some people who were sympathetic observed that “You can’t just stab people in the hand with a fork. It’s disproportionate, innit?” (139)

Chapter 17 Summary

Theo has become concerned after not hearing from Carla for several days: She has not responded to messages or answered her door. Theo goes to Angela’s house, thinking that Carla might be there, and bangs on the door. Irene comes to tell him that Carla isn’t there and claims to recognize Theo. She says that he is the man whom she saw arguing with Angela shortly before her death; Theo denies this, but Irene insists, saying that he had a little dog with him when she saw him. Theo hurries away.

Shaken by the encounter, Theo stops at a bar. He is concerned that Irene, having recognized him, will tell Carla that he was with Angela. He hopes that Carla won’t believe Irene since “didn’t she think the old dear was losing her marbles?” (143).

Theo thinks back to his encounter with Angela. Theo had been in contact with Daniel, who had asked to borrow money. Theo lent him money, and then a few weeks later, Daniel came back and left a message. The message prompted Theo to look for Daniel, which brought him to Angela’s house. Angela was distressed about her son, claiming that Carla was the only person to whom he listened. Angela began to cry as she and Theo stood outside together; neither of them realized that Irene was watching them. Theo left quickly; this was the second-to-last time that he saw Angela.

Chapter 18 Summary

Irene wakes up in the middle of the night, convinced that she hears a strange sound outside. She believes she hears someone moving around inside Angela’s house. She calls the police, but when they arrive, they find no evidence of a break-in. Irene tries to explain her suspicions about Angela and Daniel dying so soon after one another, and that she was suspicious when Theo came to the house and denied having been there before. Irene is startled when Carla opens the door after the police officers knock.

After the police leave, Carla and Irene linger together. Carla explains that she sometimes doesn’t sleep well and finds it productive to work on tasks at Angela’s house when she can’t sleep. Carla eventually explains that she has misplaced some items that were in a bag when she was working at Angela’s house; the items, her mother’s engagement ring and her late son’s christening medal, have sentimental value. Carla is distraught about losing the items so soon after the deaths of family members: She brought them to Angela’s house because she wanted something comforting with her. Carla breaks down, admitting that she was even considering taking her own life. She brought the leash (belonging to Theo’s missing dog), thinking she might use it to hang herself. Irene comforts her, reminiscing about how much kindness and comfort Angela brought after William passed away: “[Y]ou can’t think straight when you’re grieving. I was the same when I lost my husband” (151).

As Carla prepares to leave, Irene mentions that Theo came looking for her and that she recognized Theo from having seen him with Angela. At first, Carla is insistent that Theo would never have come to see Angela, but she is taken aback when Irene describes a dog that Theo had with him. Irene confirms that she only saw Theo and Angela together once, a week or two before Angela died.

Chapters 9-18 Analysis

In this section, Hawkins introduces an important structural feature: the novel within a novel. Excerpts from Theo’s novel, The One Who Got Away, begin to be interspersed with the main narrative at the beginning of some chapters. This structure adds complexity to the primary plot and builds suspense by slowing down the unfurling of the murder investigation. Readers are offered another suspenseful plot to follow and tantalized by having the primary plot repeatedly interrupted. Due to the fragmentary nature of the excerpts and the nonlinear structure of Theo’s novel, the plot emerges gradually. It features traditional crime-novel tropes: Two adolescent girls are targeted and then abducted by a violent and sadistic man. He holds one captive while torturing and killing the other; the girl who is being held captive is able to escape but leaves her friend to perish. The novel also highlights the theme of The Consequences of Being Obsessed with the Past.

The use of a fictional text within a text allows an author to introduce elements of metafiction, commenting on the norms of the genre and the experience of readership while replicating those experiences in the secondary text. The text within a text can add suspense to a mystery plot; for example, Shakespeare’s play Hamlet famously features a play within a play (“The Murder of Gonzago”), which Hamlet uses to try to ascertain whether his uncle is guilty of murdering his father. Likewise, Hawkins uses a novel within a novel to add suspense and complexity to the primary plot: Theo’s novel is thematically connected to A Slow Fire Burning through its exploration of violence, crime, and suspense. The One Who Got Away is significant to the primary plot as it explains why Miriam has a grudge against Theo and is trying to get revenge. It also sets the stage for a secondary storyline about Miriam’s abductor when he reappears later in the novel.

The One Who Got Away contrasts tonally and structurally with A Slow Fire Burning. While also narrated from multiple points of view (including that of the killer), The One Who Got Away focuses on the specifics of a violent crime, rather than the investigation of a crime. It has a limited cast of characters rather than the sprawling ensemble present in Hawkins’s plot, and the violent events occur in a traditionally isolated and foreboding location whereas many domestic noir narratives like Hawkins’s situate crime in traditionally safe and peaceful locations.

Theo’s novel allows for an interesting exploration of gender dynamics within and around crime fiction. Theo writes the novel under a pseudonym that implies the author is a woman. His agent’s comment that “women love crime […] they enjoy the catharsis of victimhood” (100) winks to the widespread commercial success of true-crime and crime fiction among female audiences. Theo’s novel presents the common crime narrative of a male killer and two young female victims with whom he has no relationship but targets out of a sadistic lust to kill. The first time he sees the two young women, the killer observes that the more attractive girl is “wearing a skirt […] and no bra and she’s beautiful” (101). Theo introduces a literal male gaze into his novel while obscuring his role (and gender) as the author. In contrast, Hawkins’s plotline revolves around a male victim, who seems almost certainly to have been murdered by someone—possibly a woman—with a distinct motive, not simply a desire to kill.

Theo doesn’t simply ventriloquize an experience of feminine vulnerability and victimhood, he takes it from a woman who has actually lived through that trauma. Miriam’s fixation on getting revenge against Theo comes from the compounded trauma of having another man violate her trust and take away her agency. Miriam trusted Theo with an extremely vulnerable aspect of her past, and he betrayed her: “[I]n an affront that felt like violence, he wrote Miriam out of her own story” (103). By comparing Theo’s plagiarism to violence, Hawkins makes explicit the parallel between Theo’s actions and those of the man who hurt Miriam and killed her friend.

Miriam’s choice to take action against Theo reveals the competing loyalties between the different female characters. Miriam can’t link Theo directly to Daniel’s murder, but she is willing to offer Carla as collateral damage, even if it means Carla could go to prison for life: “[I]n any sort of conflict, there were bound to be innocent casualties” (79). These lines reveal Miriam to be somewhat callous and unsympathetic because of the suffering she has endured. Miriam also seems to accept the possibility that Laura might be guilty and will go free due to Miriam’s tampering in the investigation. Miriam identifies with Laura, seeing her as a fellow victim and marginalized woman, and Hawkins hints that Miriam understands why Laura might have committed the crime.

Meanwhile, as the investigation into Daniel’s death develops, themes around motherhood and femininity become more prominent. Angela has already been stigmatized and ostracized because of her drinking problem, and this section explores how she struggled with motherhood and having a difficult relationship with her son. While characters like Miriam and Irene are shown struggling with isolation and social stigma because they didn’t have children, Angela’s storyline adds complexity to the novel’s exploration of motherhood by showing that women can also by unhappy due to having become mothers. Carla was happy as a mother but suffered a tragedy for which she feels partly responsible. Laura has a fraught, mistrusting relationship with her stepmother and has come to view Irene as a motherly or grandmotherly figure. These instances highlight the theme of The Effects of Parental Rejection and Betrayal.

Ben’s death reveals multiple forms of maternal neglect: Angela was drunk and focused on her own sexual gratification rather than looking after the children in her care. Both Angela and Carla accept that Angela’s negligence led to Ben’s death; Angela laments that, “I never went back downstairs […] I never went back down to close the door” (135), showing that she is wracked by guilt due to what she perceives as her own failure. In a parallel storyline, readers learn that Laura’s trauma is not simply a result of the accident: Laura’s mother was having an affair and was preoccupied with protecting her lover over caring for her daughter.

Both Laura’s mother, Janine, and Angela are shown as causing indirect physical harm to children when they chose sexual gratification over the traditional maternal role of nurturing and caregiving. The narrative is clear in showing how both Janine and Angela wanted more out of their lives, and their backstories address the social expectations placed upon women, particularly mothers.

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