64 pages • 2 hours read
Douglas WesterbekeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When Aubry is five years old, her mother reads to the children from Around the World in Eighty Days. Sylvie complains that Phileas Fogg is not traveling if he never stops to see anything. Aubry says that it does not matter because as girls, they are going to be stuck at home having babies and could never travel like that anyway. Aubry’s father says that sometimes the act of movement is what is most important. He states, “[T]hings that never move are only half of what they can be” (329).
Aubry wakes up. The roots of the jungle hang above her, and around her are thousands of books on shelves carved into tree trunks and branches. She tries to find a way back up to Marta but fails. She resents the library for its exclusivity and now sees the library as another kind of exile. She wanders until she finds a room with a chair and a table. On the table sits a bowl of fruit with a note that reads “FOR THE NEXT” in her own handwriting (331).
Aubry wanders the library for years. She moves from room to room, each different from the last. Some are like grasslands, with shelves hidden in the tall grass. Some are like ancient ruins, mosques, an Egyptian tomb, or a Chinese imperial court. Food and clothes appear when she needs them.
After a while, she realizes that she never falls ill anymore, though she has not left the library in months or years. The sickness replies that she is where it wants her to be: “at home with the history of the world” (335). The voice adds that it wants to brag about things sometimes. Eventually, reading becomes an obsession for Aubry. She reads thousands of books without pause until she is old, with gray hair and wrinkles.
She hears a noise and goes to investigate. She finds a room like the ruins of Pompeii, with bridges over lava, and realizes that she has seen this room before. Across the lava, she sees herself, much younger. She shouts to her younger self that her mother is dying, and then she runs.
Over time, she hears more voices in the distance, sometimes muffled and sometimes clear. She now realizes that it is her own voice. Finally, she finds a blank notebook on a table with a pencil. She understands that these items are for her.
The voice of her sickness tells her to start the story at the well because that is where they first met. Aubry draws elaborate pictures across the pages of her notebook. She draws for days. One day, she draws the image of herself leaving her exhausted mother. When she finishes that page, she cries and does not draw again for weeks. Eventually, she draws the Calanshio Sand Sea and the Russian train. As she draws, she asks if Marta survived, and the voice tells her that she stumbled out of the jungle half-starved but alive and wrote a book about Aubry.
When she completes the book, she walks into the endless books and slides hers in with the rest. She wonders if anyone will ever see it. She thinks that even the books she has read do not tell her a single name. She believes that every death is anonymous and that hers will be the most anonymous of all.
Aubry finds a room with a sofa, lies down, and does not move for months. The voice of her sickness cajoles her to keep going, but she says that she has nothing left. The voice tells her to be grateful, but Aubry is exhausted. For the first time, the voice sounds sorry, admitting that it stole her childhood and everyone she has ever loved. She looks out into the dark corridor beyond her room and sees a vague shape. She says that she can almost see the sickness there. Then, the voice thanks her for the journey and says goodbye.
Aubry lies in the dark. Then, she hears a loud noise in the corridor. She finds a single book on the floor, as if someone threw it off the shelf. She opens it to see ink drawings about a young man who finds a library and reads every book. Eventually, he goes blind. Then, Aubry turns a page and sees color as the man escapes the library and finds his family again, his sight returning. Aubry turns the page again, and the colors begin to glow and move on the page, rushing toward her.
Aubry’s perception fractures. She sees people, light, shapes, and color. She hears singing and voices telling stories. She feels a presence behind her and all doors everywhere opening. Eternity stretches out before her, and she feels herself turning to ash and scattering on the wind.
Aubry is outside. The air is humid, the sun is bright, and the jungle rises around her. She knows that the library is gone forever. With no other options, she starts to walk. Eventually, she finds a small village by a river. She suspects that she is somewhere in the Amazon.
She falls asleep at the edge of the village and wakes when a man approaches her. She panics, and he runs away. Aubry walks into the village and finds a merchant selling paper. Then, she finds a quiet spot to sit and draw. Blood drips onto the paper, and she freezes. It has been so long since her sickness struck that she panics. She rushes through the village asking for a boat until she collapses. She thinks that this is as good a place as any to die. Then, arms lift her and carry her to a canoe. A voice asks her where she is going, but she passes out.
Aubry wakes in a boat that is packed with supplies. The man piloting the boat is old, with leathered skin and silvery hair. He asks who she is and if her illness is contagious. She notices that he has an accent and is clearly not a local, and she makes a wild guess that he is on the run from the law. The man laughs and says that he is from Patagonia and merely ran away from his wife.
His name is Vincente Quevedo. His wife kicked him out of his home because they could not have children. Vincente says proudly that he walked all the way from Patagonia, through Uruguay, Colombia, and Venezuela before stopping here. Aubry stares at him with reverence. He explains that he had to stop because everywhere he went, children followed him. Every night, more children would appear.
Aubry asks how he finally got rid of them. Bashfully, Vincente says that they were young, some could barely walk, and others were sick. So, he made a camp. Aubry finally understands that he has kept them all. The boat pulls up to shore, and 23 children emerge from a large camp to greet them. The children call him Grandpa, and he treats each with gentle calm and seriousness. One child asks how Aubry can contribute to the group, and she offers to hunt.
Aubry and one boy, Ollie, fish in the river. They return to the camp with a large catch, and the children are delighted. As they cook and eat around a large fire, the children tell her stories about their lives. Aubry goes to sleep that night feeling happy. She wakes up in the morning to screaming.
The screaming comes from a little girl who has fallen and broken her leg. Aubry says that they need to find a doctor, but the oldest girl says that Grandpa can handle it. Vincente calmly resets the bone while the girl screams, and then he wraps it in bandages. Aubry again insists that they find a doctor, but Vincente dismisses the suggestion.
The next morning, Aubry wakes with Ollie curled up beside her. Later, Vincente sees a tiny raft floating toward them on the river. He pulls it to shore with a four-year-old girl on board. The girl, Kuliki, explains that a big storm shook her house until it fell down with her parents inside it. She followed fireflies to find this camp.
Aubry wanders down the riverbank and finds Vincente tending to a tomato garden. He explains that they have the room for Kuliki because two of his older children have recently grown up and moved on to other places. He does his best to teach them what he can and let them go when they are ready.
The children ask about Aubry’s travels. One child asks if she has seen everything in the world, and she pauses, unsure of how to answer. In awe, Vincente speculates that she truly has seen everything there is to see. Another asks if Aubry has suffered and if it was worth it. She says yes to both. The next morning, Aubry wakes up with five children curled up beside her.
Vincente unwraps the little girl’s broken leg, and it is healed. The girl walks and then runs with the other children. Aubry says that it is impossible. The oldest girl states, “Impossible things in your world […] are inevitable in ours” (380). Then, Vincente says that he wants to check for donations, explaining that nearby villages sometimes leave gifts at a drop-off spot. Aubry offers to join him.
As they walk, Aubry asks how Vincente healed the girl’s leg. He responds that he has learned not to ask such questions. Then, Aubry realizes that this is her fifth day here and she has never stayed so long in one place before. Vincente suggests that she can stop counting, and Aubry cries.
They reach the drop-off spot, and Aubry freezes. It is a stone well with a carved bearded face. A girl climbs into a bucket, and Vincente lowers her into the well and then lifts her out again. The girl reveals a handful of treasures: Chinese gold coins, a piece of amber, a big tooth on a cord, and other things including Aubry’s puzzle ball.
Aubry recalls the pattern that Marta drew on the globe, and suddenly she knows how to open the puzzle. The ball twists open, revealing a piece of paper inside. It is a painting of a black river surrounded by thick jungle, painted by Qalima, with a birthday message on the back. Aubry feels sudden shock and gratitude for “the miracle of her being” and for where she has ended up (388). Vincente says that it is time to go home, and Aubry agrees. They walk back to the camp together, and Aubry tosses the puzzle ball to the oldest girl, who takes it with a curious smile.
The final chapters of the novel are set almost entirely within the library, where Aubry at last confronts her sickness, the true strangeness of the library, and the purpose of her life. Previously, Aubry stayed in the library for relatively short periods of time. Now, the sickness states that she is where it wants her to be, implying that she has seen all there is to see in the world and should now use the library to explore the world’s history.
Slowly, the library’s nature unravels before her, revealing that it exists not only beneath and outside the geographic space of the world but also outside of time. In this way, the library resolves The Tension Between Exploration and Rootedness: In the library, Aubry can explore the entire world, across space and time, while remaining physically in one place. The first clue to this appears when Aubry finds the same note she wrote in Chapter 52. The fruit placed by the note is still fresh even though it has been decades since she left it there, indicating that time has not passed in the library as it has outside. This suspicion is confirmed when Aubry sees her younger self and realizes that she is the old woman who warns her younger self that her mother is dying. Finally, the voices she often hears in the distance make sense. They are all her own voice, with each moment in time layered on top of the others.
The library reinforces the pattern of stories within stories. Each book that Aubry reads represents an individual’s life, all of them as strange and inexplicable as her own, just as the library symbolizes the history of the world. The voice of her sickness confirms this, which also confirms the Prince’s theory that Aubry’s purpose in life has been to bear witness to the wonders of the world.
Not only does the voice confirm the Prince’s theory, but it also expresses regret for the first time. Previously, the voice had prodded Aubry to be impressed and grateful. Now, it acknowledges the things she has lost along the way. These moments further suggest that the sickness is sentient; however, it continues to resist explanation or labeling. Whether the sickness is a malevolent being, an extension of the world’s will, or something else entirely remains an unanswered question.
In Chapter 84, when Aubry reads the story about the hunter who slowly goes blind, her perceptions change and expand in concert with his, and the book’s language reflects this change in perception. As Aubry reads the book, the images begin to glow with color, and then her perception fractures into a series of increasingly strange images and abstract ideas. She sees suns and moons “unspool across the sky, and the libraries unspool too” (350). She hears spirits singing songs to scribes. In this passage, the prose itself fractures as well, first into sentence fragments and then into single words scattered across the page. Aubry wakes at the beginning of the next chapter outside the library, exiled once again. Through her connection with the library and thus with the blind hunter, she experienced the world unmediated by the sense of sight. As before, the strange moment defies rational or scientific explanation. Both Aubry and the reader must simply experience and accept it without comment.
This may be the greatest lesson of the novel, reinforced by the oldest of the children Aubry meets in Vincente’s camp. After all the impossible things that Aubry has witnessed in her life, she is still shocked by Vincente and his children. In particular, she is struck by the impossibility of the little girl whose leg heals in a day. In response, the oldest girl states, “Impossible things in your world […] are inevitable in ours” (380). Later, Aubry asks Vincente how he healed the girl, and he responds that he has stopped asking such questions and merely accepts that it works, encapsulating the novel’s attitude toward The Limits of Scientific Rationalism.
Vincente is the final significant character in the novel, and the life he has built in the Amazon jungle appears to be Aubry’s reward for her struggles. She has tried many times to stop before—for Pathik, for the Prince, even in a way for Marta—but this time, it works. She is unsure that it is over until she confronts the mysterious well for the third and final time. Here, the pieces of her life converge. Each item that the little girl pulls up from the well represents a moment of human connection and impact in Aubry’s life, ending with the puzzle ball and the painting from Qalima, whose true significance now becomes clear. The painting and the birthday message imply that Aubry’s traveling is complete and that she has at last found a home.