logo

53 pages 1 hour read

E. M. Forster

A Room with a View

Fiction | Novel | Adult | Published in 1908

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

The Arno and the Sacred Lake

In A Room with a View, two bodies of water have significant symbolic meaning. The River Arno that runs through Florence plays an important role in Lucy's story. It is the view of this river that leads to her first conversation with the Emersons, when they offer to swap rooms with her so that she can see the Arno.

For Lucy, the Arno is closely associated with George and his challenge to the social norms of the era. After Lucy witnesses a stabbing, George helps her. She walks with him alongside the river, and the narration notes the rushing waters that are passing nearby. The rush of the Arno reflects the churning emotions inside Lucy: Like the river itself, George is a powerful force of nature who is not tamed by social etiquette and systems of manners. The river exists beyond the boundaries of human demands, much like the emotions that Lucy is beginning to experience and that society encourages her to hide.

In England, a second body of water also plays an important role in Lucy's life. Near her family home is a small pond that the Honeychurches jokingly refer to as “the Sacred Lake.” The joke is an echo of similarly delusional sentiments in the Summer Street community. Many of the middle-class residents consider themselves to be above working-class people. They possess delusions of grandeur, believing themselves to be more important or significant than they really are. After visiting Italy, Lucy comes to realize that the community is a prison as much as anything else. The Honeychurch family mocks the pond in a self-aggrandizing fashion by referring to it as the Sacred Lake, yet they cannot see those same delusions of grandeur that blight their quasi-pastoral middle-class lives.

At the same time, events in the Sacred Lake reflect the looseness with which characters adhere to the rules of social etiquette. George, Freddy, and Mr. Beebe profane the Sacred Pond with their display of naked horseplay, which is then compounded by the arrival of two women and another man. The pond becomes a scene of social profanity, in which George's ability to transgress the social norms becomes clear to Lucy. She remembers the incident, contrasting it with Cecil's attempts to kiss her beside the same pond. The contrast between George's raw, rebellious nakedness and Cecil's reserved, dull refinement is made clear in their relation to the body of water. While Cecil skirted around the edges, George embraced his passions and impulses and dove in. For Lucy, the two men's proximity to the lake and to social profanity become an important reminder of what she wants and who is best equipped to provide it for her.

The View

The idea of “a view” gives the novel its title. At the same time, these “views” have an important symbolic meaning. The novel opens with Lucy's disappointment with the current view from her hotel room and her existence under Charlotte’s stultifying chaperoning. There is a world beyond the one Lucy knows, but Charlotte's behavior is keeping it from her. This is symbolized by the view: There is the view of a beautiful city available to Lucy, but it has been denied to her by circumstance. Even when Emerson offers to swap rooms with Lucy, Charlotte intervenes. The dictation of social rules and etiquette threatens to rob Lucy of the view she wishes to enjoy and, by extension, of the experiences that might change her life.

Lucy eventually attains her view and, almost immediately, the horizons of her world expand. She begins to spend more time outdoors, either alone in the city of Florence or with others on a countryside trip to Fiesole. At these times, Lucy is exposed to new views. These views are not necessarily always pleasant: In the city, she sees a man stabbed to death in the city's main square. In Fiesole, her appreciation of the natural world is marred by annoyance with her cousin. On both occasions, however, George makes his presence felt. He helps Lucy to recover from the sight of the murder, and then he kisses her while surrounded by violets. In her mind, Lucy comes to associate the broadening of her horizons with George. Whenever there is a new view to be seen, George is present. In a symbolic sense, he is also showing her a completely new view of the world.

Lucy associates George with the broadening of her views, but the symbolism can also be inversed. If George is always associated with the kind of radical outdoors that Lucy craves, then Cecil is decidedly traditional and decidedly indoors. Cecil lacks a view, which Lucy admits when she tells him that she associates him in her mind with a drawing room “with no view” (114, emphasis added). The horizons of Cecil's world are restricted and stuffy. There is no excitement, beauty, or adventure in his life, at least from Lucy's perspective. Only by transgressing social norms through swapping Cecil for George is Lucy able to attain the kind of “view” she wanted from the very first pages of the novel. 

Music

Music is an important motif in the novel, granting an emotional outlet to characters when they are under pressure to repress their feelings, and giving them a sense of agency. Music is an escape for Lucy. When she sits down at the piano, she enters into her own world. Since Lucy is not permitted to speak freely, the piano is a liberating tool of expression. By playing the piano, she is defying expectations and setting the emotional tone of a moment on her own terms. When Mr. Beebe first hears Lucy play, he is struck by her spontaneity and liveliness, and says he hopes she will one day apply the same to the rest of her life—his remarks foreshadow the greater freedom and emotional authenticity Lucy will seize for herself at the novel’s end.

Music also permits Lucy to act defiantly in the face of male expectation. During their brief engagement, Cecil hears Lucy play on several occasions. As he talks with his mother, he notes how he recommended that certain pieces by certain composers be played at certain times. He believed that his intellectualism and knowledge of music would allow him to select the perfect piece to play to any given audience. Lucy did not listen to him. Much to Cecil's surprise, she selected her own pieces to play, defying his request.

To Cecil's further surprise, Lucy’s choices were inspired and far better than his own. In her small way, Lucy is exerting agency over male expectation. She is showing Cecil that she will not always obey him and that, in certain ways, she is his superior. Music offers Lucy an opportunity for self-expression and agency that she is otherwise denied by Edwardian expectations of gender roles.

blurred text
blurred text
blurred text
blurred text