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45 pages 1 hour read

Masaji Ishikawa, Transl. Martin Brown, Transl. Risa Kobayashi

A River in Darkness: One Man's Escape from North Korea

Nonfiction | Autobiography / Memoir | Adult | Published in 2000

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Symbols & Motifs

Rebirth

Rebirth serves as powerful motif in the memoir, highlighting the overwhelming adversity Masaji encountered throughout his lifetime. Each of the four distinct instances he experiences—his relocation to North Korea, his attempt at death by suicide, his escape across the Yalu River, and his return to Japan—serve as transitional markers in Masaji's life, signifying periods of profound change where the potential for new beginnings coexists with the culmination of intense pain, despair, or hardship.

Masaji's move to North Korea, far from heralding a new beginning, is initially met with a sense of dread and apprehension. Even before the physical relocation, his internal monologue reveals a churning mix of emotions as he grapples with anger, shock, and a gnawing apprehension about the uncertain future. This impending upheaval, while involuntary, sets the stage for a life irrevocably altered, marking the first chapter in his ongoing struggle for survival.

Masaji's attempt at death by suicide embodies the dual symbolism of rebirth in its most profound form. At the precipice of despair, he experiences a literal death and rebirth, emerging from the brink with a renewed perspective on life. The experience prompts a primal instinct that propels him forward, a turning point where the prospect of reuniting with his family becomes his primary motivation, transforming a moment of utter despair into a catalyst for renewed hope.

Masaji's daring escape across the Yalu River represents a literal and metaphorical rebirth. Having defied the oppressive grip of the North Korean regime and risked his life, he enters a new world with the promise of freedom. This liberation, however, is tinged with the bittersweet realization of the sacrifices made and the uncertainty of the future. The escape symbolizes a shedding of his old life, marked by fear and oppression, and his hope of an emergence of a new, or former, sense of self.

Finally, Masaji's return to Japan, once envisioned as a haven, brings a sense of loss and uncertainty about his place in the world. While physically removed from the horrors of North Korea, he finds himself adrift in a world that is both familiar and alien. The Japan he returns to is a stark contrast to the idealized homeland he once imagined, leaving him grappling with a profound sense of displacement. This rebirth is marked by a poignant juxtaposition of hope and despair, as the freedom he experiences is overshadowed by the emotional and psychological scars of his past. Masaji's sense of incompleteness is palpable, as he is haunted by the absence of his family, a constant reminder of the sacrifices he made.

Language

Language emerges as a potent motif, shaping identity, power dynamics, and social exclusion throughout Masaji's memoir. In Japan, the dominant role of Japanese language underscores the marginalization of the Korean minority. Do Sam-dal's Korean name serves as a constant reminder of his “otherness,” a linguistic marker that ostracizes him from mainstream society. The limited use of Korean outside designated schools reinforces this linguistic segregation, hindering the integration of Korean communities and fostering a deep-rooted sense of alienation.

Masaji’s family’s relocation to North Korea presents a dramatic shift. Korean, once a marker of exclusion, now becomes the language of power and belonging. Do Sam-dal's initial relief upon speaking Korean highlights the profound connection between language and cultural identity. However, for returnees like Miyoko and Masaji, the forced assimilation into North Korean society through language mandates reveals the coercive power of language. The state's insistence on name changes and the suppression of Japanese underscores its role as a tool of control, designed to erase cultural heritage and enforce conformity.

The motif is also a fundamental part of state propaganda and ideology. The regime employs euphemisms and terminology to distort reality and manipulate public perception. Ordinary activities are reframed as “battles” or “marches,” instilling a sense of constant struggle and unwavering loyalty to the state. Oppressive policies are masked with benign terms like “liberation” and “freedom,” obscuring their true purpose and fostering a culture of forced acceptance. Furthermore, a segregationist ideology seeps into daily exchanges. Masaji is shocked to hear Japanese citizens casually referred to as “bastards,” in a nonchalant manner that underscores the deep-seated animosity and prejudice directed towards returnees. The casual use of such derogatory language reveals the effectiveness of state propaganda in fostering hatred and division.

The Yalu River

The Yalu River appears in the memoir as a potent symbol of Masaji’s journey to freedom. As a geographical barrier, the river physically separates North Korea from China, and by extension, represents the difference between the totalitarian state and the outside world, emphasizing its isolation. There is a clear understanding that returning to North Korea is not an option, so the river becomes a symbolic boundary, a line that severs ties to his past life and family. The finality associated with this act underscores the sacrifices Masaji has made in his desperate bid for freedom.

For Masaji, the Yalu River embodies both the immense risk of escape as well as a potential path to freedom. The threat of North Korean patrols and the harsh consequences of capture are ever present, making the river a symbol of danger and uncertainty. The treacherous currents and freezing water remind Masaji of the risks involved. Despite the inherent risks, successfully crossing the river also signifies a decisive break from the totalitarian regime. The river becomes a symbol of liberation, a path towards a future filled with unknown possibilities, however daunting they may seem.

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