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44 pages 1 hour read

Becky Chambers

A Prayer for the Crown-Shy

Fiction | Novel | Adult | Published in 2021

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Background

Series Context: The Monk & Robot Series

A Prayer for the Crown-Shy is the second book in the Monk & Robot series. The first book, A Psalm for the Wild-Built follows Dex, a restless monk living in an inner-city monastery in Panga’s only city, who ultimately leaves their life to travel to a remote mountain range in search of cloud crickets and an abandoned hermitage.

On their journey, Dex meets a robot called Mosscap. Robots and humans have not had contact since the Parting Promise hundreds of years earlier, whereby robots gained consciousness and moved into the wild part of Panga, and humans vowed not to intrude on their space. Mosscap is on a mission from the robot population to ascertain the well-being of the human population since the robots’ departure. Mosscap and Dex end up traveling together and discussing their lives and beliefs. Mosscap helps Dex several times, although Dex is uncomfortable accepting Mosscap’s help because they feel that this contradicts the terms of the Parting Promise.

Dex and Mosscap finally reach the hermitage, but Dex feels unsure what to do next. Mosscap suggests that no greater purpose is needed in life; that it is enough to exist in the world and appreciate its beauty. They drink tea and listen to the crickets in companionable silence. 

A Psalm for the Wild-Built centers on the search for meaning, and The Search for Existential Purpose is a similar focus of A Prayer for the Crown-Shy, as Dex and Mosscap continue their literal and metaphorical journey toward understanding what makes life worth living. The first book also foregrounds the importance of ecological sustainability, featuring settings, including Panga’s populated city, that are designed to incorporate natural elements and be sustainable. A Prayer for the Crown-Shy continues this line of thought by examining The Balance Between Nature and Technology.

Authorial Context: Becky Chambers

Chambers, and American science fiction writer, was born in 1985 in California to an astrobiology educator and an aerospace engineer. Growing up, she was a Star Trek fan and a video game player. After studying theater arts in San Francisco, and after working in that field for several years, she self-published The Long Way to a Small and Angry Planet (2014). This book garnered high critical praise and was republished by Harper Voyager in 2016. It was also the first volume in the Wayfarers series, which won the 2019 Hugo Award for best series.

Chambers lived in Edinburgh, Scotland, for several years with her wife Berlaug Amundsdottir. The couple subsequently moved to Iceland, Amundsdottir’s home, and lived there for five years before moving the Humboldt County, San Francisco. The two originally met on a Star Trek roleplaying forum, and Chambers has acknowledged and expressed her love for her wife in each one of her books. In an interview with Jason Kehe, Chambers expressed that she worried early on of being “pigeonholed as a gay author,” but now it is “something [she is] more comfortable being honest about” (Kehe, Jason. “Is Becky Chambers the Ultimate Hope for Science Fiction?Wired, 2021).

Rather than plot-driven, high-action science fiction, Chambers’s work tends to focus on characters and their search for self-fulfillment. Her outlook throughout her work is generally optimistic and hopeful as opposed to dark and grim. Philosophically and creatively, she images worlds that demonstrate The Balance Between Nature and Technology. Moreover, rather than focusing on discord and violence, she offers stories of interconnectedness, problem solving, and love. The Role of Mutual Exchange and Reciprocity also appears thematically in her other novels as characters learn to depend on and take care of each and their environments.

Literary Context: Science Fiction and the Rise of Solarpunk

Chambers’s Monk & Robot series is widely regarded as one of the best literary examples of solarpunk, a social and aesthetic movement associated with environmentalism and ecocriticism. The trajectory and growth of this movement as a genre can be traced through its connection with science fiction.

Science fiction has long used imaginary worlds to make cultural and philosophical comments about the real world. By setting their stories in fictional cultures, authors often explore difficult ideas that they might not be able to approach as effectively in realistic fiction. For example, in the Star Trek episode, “Let That Be Your Last Battlefield,” broadcast in 1969, the writers confronted the irrationality of racism. Likewise, Octavia E. Butler‘s 1979 novel Kindred confronts the legacy of slavery in the United States.

While the term “science fiction” did not become common until the 1920s, many earlier works such as Mary Shelley’s Frankenstein (1818), Jules Verne’s 20,000 Leagues Under the Sea (1870), and H. G. Wells War of the Worlds (1898) were later classified under this title. By the 1970s, a new kind of pessimistic and dystopian science fiction gradually surfaced. Many recognize William Gibson’s 1981 short story “Johnny Mnemonic,” published in Omni magazine, as one of the first examples of a science fiction subgenre labelled “cyberpunk,” a phrase coined by writer Bruce Bethke in1983. The word “cyber” implies stories about humans with mechanical or computerized parts, while the word “punk” conjures edgy, nihilistic youth culture. By 2000, fiction and film firmly established cyberpunk in the world of science fiction. Cyberpunk envisioned a negative dystopian future where humans struggle for existence in a ruined environment.

About the same time, however, a literary and aesthetic movement began in Brazil that offered a more optimistic vision of the future. The term “solarpunk” was first coined in 2008 and has steadily gained ground. As journalist Olivia Lai writes, “Amid rising climate anxiety and an intensifying climate crisis, solarpunk offers an unapologetically optimistic vision of the future that imagines a radically different societal and economic structure in harmony with nature” (Lai, Olivia. “Solarpunk Is the Future We Should Strive For.” Earth.org, 2022). Thus, solarpunk fiction often creates utopian societies that have learned to use renewable energy and green technology. As a movement, solarpunk writers believe that with hard work, humans can overcome the environmental problems the Industrial Age introduced. Proponents say that they actively search for solutions rather than engage in unremitting despair. While cyberpunk literature is generally cynical and often asserts that life has no meaning, solarpunk values honest emotion, human connection, and existential meaning in cooperative endeavors. A Prayer for the Crown-Shy makes clear that although not all questions can be answered, the journey to find out is worth the effort. The solarpunk world of this novel values mutual exchange for common benefit and places personal connection and reciprocity between beings as the highest good.

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