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63 pages 2 hours read

Reyna Grande

A Dream Called Home

Nonfiction | Autobiography / Memoir | Adult | Published in 2018

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Book 2, Chapters 19-23Chapter Summaries & Analyses

Book 2: “The Home I Carry”

Chapter 19 Summary

Reyna recalls her romance with Eddie, a member of Los Mejicas. Eddie is a Mexican immigrant and Reyna’s only steady college boyfriend. He is a good dancer, seductive, funny, and popular with women without being macho. In other words, he is unlike the men she normally dates. At 22, Eddie is still a virgin. His commitment to saving himself until marriage makes Reyna ashamed of her sexual history.

Eddie invites Reyna to his hometown in Mexico. Reyna assumes he wants to take their relationship to the next level, but on the bus ride from Guadalajara to his sister’s house, he tells her he just wants to be friends. Despite her broken heart, Reyna spends the following days exploring the area with Eddie and his relatives, crying herself to sleep at night. After a few days, she makes the 13-hour trip to Iguala. Reyna’s aunt plays love songs to comfort her, while Abuelita Chinta shares the story of her first love. When she was young, Abuelita Chinta ran away with a peasant named Eliseo, but her father and brothers dragged her home and threatened to kill him if she went back. As punishment, they sent her to work at her brother’s cantina where she met her husband, an older man who put a knife to her throat and threatened to kill her if she didn’t “become his woman” (148). Reyna doesn’t know why Eddie ended their relationship, but her grandmother’s story puts her heartbreak in perspective.

Chapter 20 Summary

In the months after finishing college, Reyna moves in with Carlos, Norma, and their young daughter Natalia after returning from Mexico, promising she will only stay a month. However, she soon realizes how little she knows about publishing. Her courses at UCSC focused on the craft of writing. They did not teach her how to approach literary agents and publishers. Reyna scours the classifieds for work, only to come up empty handed. A college friend working as a teacher encourages her to apply for a job with the Los Angeles Unified School District (LAUSD), but Reyna declines, insisting she wants to write.

By the summer’s end, Reyna is unemployed and broke, owing thousands in student loan debt. She feels badly for not contributing to Carlos’s household expenses, though he claims her help with Natalia is payment enough. She also misses Santa Cruz, especially the sense of community and the redwoods. Norma urges Reyna to apply for a job in a clothing store during a visit to the Pasadena Mall. Reyna protests, but Norma reminds her that the position is only temporary. The following week, Reyna starts her new job at the store, working side-by-side with high school students. Norma and Carlos tease Reyna for working for minimum wage. Reyna continues to write in this period, starting a second collection of short stories title, The Shopping Cart Chronicles, inspired by the homeless in East Los Angeles. 

Chapter 21 Summary

In December, Reyna’s first student loan payment is due. With her debt weighing on her, she applies for a teaching job with the LAUSD, landing a position as a remedial English and ESL teacher at a middle school in South Central Los Angeles. Reyna recalls how close she and Mago used to be during a shopping trip for a work wardrobe. The rift between them began when Mago moved out of their father’s house and grew after Reyna left for university. Reyna misses their former closeness, but Mago’s priorities changed after becoming a mother. Reyna buys a new car to get to and from work, adding to her long list of debts.

Her first day on the job is challenging. Most of her students are Latinos with bad attitudes. Reyna reminds herself that support can make a difference in students’ lives and vows to make her classroom feel like a home. Despite her best intentions, the first day is a disaster. Reyna meets other teachers in the cafeteria who assure her the job gets easier. Reyna soon realizes how wrong they are. A visit to Ms. Hoang’s well-run classroom is an eye-opening experience. Ms. Hoang encourages Reyna to control her students with drills and humiliation, and by inviting their parents into the classroom. 

Chapter 22 Summary

Reyna moves into her own apartment in Boyle Heights with her rescue kitten, Saudade. Although Reyna is pleased to have her own space, the apartment stretches her modest teaching salary. More important, teaching is so wearing that Reyna has little energy or desire to write. Reyna takes on more responsibilities at work, volunteering to teach students folklórico for a Cinco de Mayo event. Her confidence as a teacher grows when the students listen to her and work hard to master the dances. A student asks Reyna to form a permanent folklórico group. Reyna seeks help from a dance group in El Sereno where she meets Francisco, the codirector of the group. He gives her advice about how to start a folklórico group and offers to teach her dances. The private lessons end when they start having sex. Carlos and Mago disapprove of Reyna’s new relationship, claiming she can do better than Francisco, an older truck driver in the midst of a divorce. He also has four children with four different women.

Reyna’s birthday dinner sends her into a downward spiral. Carlos and Mago joke about who will pay, tossing the check back and forth until Reyna finally puts it on her credit card. She goes home with Francisco feeling more alone than ever. Her loneliness prompts her to forgive Francisco when he cheats on her. A bright spot in the relationship is Francisco’s spontaneity, particularly their impromptu trip to the Grand Canyon. 

Chapter 23 Summary

Reveling in the joy Natalia brings Norma, Reyna wants to start a family. Moreover, she is deeply moved by the birth of Mago’s third child. Although Reyna craves the unconditional love of a child, her dreams of being a writer outweigh her desire to have a baby. She travels to Europe with Francisco, where she is struck by the beauty and familiarity of Madrid. The architecture and cobblestone streets remind her of Taxco, a town near Iguala. After two days of exploring, however, Francisco announces that his wallet was stolen, leaving a skeptical Reyna to pay for their expenses. The incident puts a damper on the rest of the trip. Reyna is too distracted by her dwindling bank account to enjoy the beauty of Venice, Rome, Pisa, and Paris. She ends her relationship with Francisco the moment they return to the US.

Weeks later, Francisco calls and offers to help find Saudade, who has gone missing. They find the cat running in an alley behind Francisco’s building, a mile away from Reyna’s apartment. Reyna suspects Francisco used her spare key to steal her cat to get back into her life. Despite her suspicions, they rekindle their relationship. Reyna learns she is pregnant soon after. She feels guilty for not taking her birth control pills and for saddling her unborn child with a deadbeat father. Mago suggests an abortion, but Reyna chooses to have the baby. She gives Francisco the news before breaking up with him once and for all.

Book 2, Chapters 19-23 Analysis

The cycle of domestic violence is a recurring theme in Reyna’s memoir. This theme comes into sharper focus in Chapter 19, during Reyna’s impromptu visit to Iguala. Reyna’s aunt and grandmother strive to comfort her after Eddie announces he is not interested in a romantic relationship. Abuelita Chinta shares a story about her first love, which puts Reyna’s heartbreak into perspective and provides insights into her family’s long history of domestic abuse. Abuelita Chinta tells Reyna she fell for a young man named Eliseo, but her father and brothers disapproved because Eliseo was a poor, simple peasant. Determined to be with the man she loved, Abuelita Chinta ran away from home and moved in with Eliseo. Her father and brothers were so infuriated they threatened Eliseo and forcibly brought her home: “[M]y father and brothers came looking for me, and they grabbed me by the hair and dragged me out of his house. They threatened to kill Eliseo if he came near me again, and that was the end of our relationship” (148).

Breaking up with Eliseo did not mark the end of Abuelita Chinta’s abuse. Reyna is startled to learn that her grandfather forced Abuelita Chinta into a sexual relationship: “One day, after work, he waited for me to come out of the bar and he pushed me against the brick wall and put a knife to my throat, threatening to kill me if I didn’t become his woman” (148). Abuelita Chinta had no interest in her future husband, who was 20 years older than her and an alcoholic, but her family refused to help her fend off his advances. Reyna knows Abuelita Chinta’s experiences are in no way unique, yet she finds the story of forced marriage impossible to believe. Hearing about the violence her grandmother experienced infuriates Reyna, who places the blame squarely at the feet of machismo Mexican culture: “And I suddenly hated her father and her brothers. I hated my grandfather for what he did. I hated my culture for breeding these men who would treat women as if they were merely objects to be used and abused” (149).

Reyna repeatedly pursues unhealthy romantic relationships, a problem that stems from being abandoned and abused by her father. Indeed, Reyna spends much of young adulthood trying to fill the void her father left. Her relationship with Francisco is a case in point. Carlos thinks Francisco is a bad choice for his sister because he is fifteen years her senior and drives a truck for a living. Mago reiterates her husband’s opinion: “I don’t trust him. Nena, after you worked so hard for an education, how can you end up with a truck driver?” (174). Reyna continues the relationship, despite Francisco’s shortcomings, which are far more substantive than his age and career choice. Francisco is impatient with Reyna, especially when he tries to teach her new dances. In addition, he cheats on her with other women. She stays with him, in large part, because he reminds her of her father:

So the truth was that I was once again trying to find his replacement, and Francisco–with dark skin the exact shade as my father’s, hands just as rough and calloused, and breath that smelled of beer–was the perfect substitute. Like my father, Francisco spoke broken English. He had been born into a poor family in Mexico and had to toughen up to survive. He immigrated to search for a better life in the U.S. and had found work as a cement truck driver (174).

Reyna does not lack self-awareness. She knows her relationship with her father impacts her choice of romantic partners. She falls for Eddie in college precisely because he is the opposite of her father: “I was ready for a different kind of love–a guy who didn’t remind me of my father for a change” (142). Eddie’s rejection hurts Reyna in part because she so badly wants a healthy relationship: “I wanted to have a relationship without the turmoil, drama, and psychological trauma of my abusive upbringing getting in the way” (146).

Deprived of love by her parents, Reyna seeks it elsewhere. In Chapter 23, she describes her impulse to have a baby, a desire fueled by a visit to Mago at the hospital. The lonelier Reyna feels, the more appealing motherhood becomes: “Motherhood is exactly what you need, the little voice inside me insisted. A baby would love you like no one else has loved you. With a baby, you could make a family and not be alone anymore” (180).

Reyna incorporates imagery into her writing to highlight her emotions. In Chapter 19, for example, she describes Eddie’s hometown in vivid terms that mirror her growing feelings for him: “His hometown was so beautiful […] There was color everywhere: houses painted in bright green, yellow, and hot pink; the redness of the earth; the electric blue of the Nayarit sky. It was idyllic. The perfect place for falling in love” (145). By contrast, Reyna’s experience of Europe is colored by her deteriorating relationship with Francisco: “Gaudí’s church La Sagrada Familia seemed like an ice cream cake left to melt in the sun” (182). Not even the sites of Rome and Paris are enough to snap Reyna out of her funk. When she sees the Colosseum, for instance, she wishes it still hosted gladiatorial shows so she could “throw [Francisco] to the lions” (182). The Eiffel Tower fares no better. Rather than seeing it as a feat of engineering or a symbol of love, Reyna describes Paris’ iconic monument as “a big hunk of metal” (182).

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