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59 pages 1 hour read

Daniel Silva

A Death in Cornwall

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapters 13-23Chapter Summaries & Analyses

Part 1: “The Picasso”

Part 1, Chapter 13 Summary: “Fondamenta Venier”

Gabriel works on the restoration project at the church of Santa Maria degli Angeli. He listens to classical music and opera while gently swabbing the painting with solvent. He has lunch at the Bar al Ponte. After finishing his work for the day, he gets a drink at Bar Cupido to spy on the bartender, Gennaro. When Gabriel gets home, he jokes with Chiara about Gennaro. Chiara makes dinner, and Irene talks about how she is sponsoring a tiger through the World Wildlife Fund. After Irene leaves the room, they talk about how she looks like Naomi. Gabriel explains the €1,000 he withdrew in Paris to pay Papa Diallo for the dead man’s phone.

Part 1, Chapter 14 Summary: “San Polo”

After dinner, they go out on the balcony and debate whether Amadou Kamara can be trusted as a source, given his arguably dishonest work selling fake luxury handbags. Chiara suggests that Gabriel work with Anna Rolfe, whose father bought paintings that were stolen from Jewish families. They plan for him to paint six forgeries, which Anna will sell to Ricard.

Ten days later, Gabriel talks to Adrianna Zinetti about Gennaro as they leave the restoration site at the church. Adrianna texts Chiara, but Chiara doesn’t mention it over dinner. The next day, Gabriel takes his son, Raphael, to his math lesson. Raphael is much better at math than Gabriel or most other people. Gabriel hopes that Raphael will want to paint someday, but Raphael is intimidated by Gabriel’s talent for art. After the restoration project is finished, Gabriel travels to Austria and calls Anna.

Part 1, Chapter 15 Summary: “Philharmonie am Gasteig”

Gabriel, traveling under the name Johannes Klemp, picks up VIP access tickets at the titular Munich theater. As he is led backstage to Anna’s dressing room, he thinks about their brief love affair and her subsequent divorces. As she warms up on her violin, Gabriel asks for her help, and they agree to talk about the details over dinner at Anna’s hotel suite after the performance. Anna gives Gabriel a ride to her hotel.

Part 1, Chapter 16 Summary: “Altstadt”

After Anna and Gabriel get to the hotel, they watch a news story about the resignation of Lord Michael Radcliff. The story notes that Hillary Edwards is also planning to resign over the Russian financial contribution. Anna and Gabriel reminisce, drink, and flirt. Eventually, Gabriel tells her about the stolen painting and her part in the plan to recover it: She is supposed to find six paintings (which Gabriel will forge) in her father’s collection and sell them to Ricard. He will send along a woman to act as Anna’s assistant during the dealings with Ricard.

Part 1, Chapter 17 Summary: “Mykonos”

Ingrid Johansen, a thief and a hacker, arrives in Mykonos to meet with Gabriel. As they drink together in a villa, Gabriel tells her about his history with Anna and their plan for the paintings. Ingrid is to work as Anna’s assistant during the sale of the forged paintings. Ingrid suggests robbing the Geneva Freeport, but Gabriel says that it is impossible. They reminisce about a case at the Finnish border that they worked on together.

Part 1, Chapter 18 Summary: “Great Torrington”

Timothy Peel investigates another murder by the Chopper near the Black Horse pub. There are footprints from a pair of “Hi-Tec Aysgarth walking boots” at the scene (111). Timothy interviews a hatchet owner, Neil Perkins, who claims to wear Wellingtons, not Hi-Tecs, and gives his hatchet to Timothy. Timothy takes it to the police station and writes a report on it. When he has to turn over the case to the Metropolitan Police, Timothy lies and says that Charlotte’s yellow legal pad has gone missing.

Part 1, Chapter 19 Summary: “Cork Street”

Timothy holds on to Charlotte’s legal pad for Gabriel. Gabriel meets with Nicholas Lovegrove and asks him to be Anna’s art consultant. He also tells him about the forgeries, and Lovegrove asks about the Picasso painting. Gabriel agrees to restore Lovegrove’s Gentileschi at a heavily discounted rate, and Lovegrove sends him the money. Gabriel begins forging the six paintings by finding age-appropriate canvases to strip. He also calls Naomi and asks for fake provenances for his paintings. He forges a Cezanne first, and it takes him two attempts to get it right. Chiara mentions that his uncanny gift for forging is what keeps their son from learning to paint. After Naomi sends him the fake documentation for this painting, Gabriel calls Ingrid. She is getting along with Anna better than Gabriel thought she would.

Part 1, Chapter 20 Summary: “Venice-Zurich”

Next, Gabriel forges a Van Gogh, and Naomi sends him forged documentation for it. Third, he paints the Modigliani. His fourth forgery is a Renoir, and the fifth is a Monet. Gabriel’s sixth forgery is a Toulouse-Lautrec. Chiara is the model for this final painting. After they are complete, he sends them to Anna and meets with Nicholas Lovegrove. He points out many holes in the provenances but thinks that the poor reputation of Anna’s father will make Ricard more likely to believe that the paintings are real. Then, Lovegrove calls Ricard and arranges for a meeting.

Ingrid arranges for Lovegrove to travel to Zurich to meet Anna. Gabriel is also at the meeting and points out the real paintings that Anna owns, like a Raphael and a Rembrandt. The Raphael is what brought Gabriel and Anna together; he cleaned it for her father. Lovegrove gossips about the deaths of Anna’s parents as she rehearses on her violin. After her practice, Anna cooks dinner, pretending to cut one of her precious fingers as a prank on her guests. Gabriel explains to Anna that he has Ingrid’s phone set up as an audio listening device so that he can hear what goes on inside the Geneva Freeport. They reminisce, unhappily, about Anna finding a picture of her father with Hitler.

Part 1, Chapter 21 Summary: “Geneva Freeport”

As Lovegrove, Ingrid, and Anna drive though Geneva together, Ingrid recalls past scores and is excited to steal again. When they arrive at Ricard’s gallery, he is thrilled to meet the famous violinist Anna. Lovegrove shows Ricard photos of the forgeries and their forged paperwork. Ricard mentions that Anna’s father’s reputation will lower the price he can get for the paintings. They discuss trading her paintings for a painting from a more reputable collection and keeping the painting in Geneva to avoid taxes. Ricards assures Anna that her name will not be associated with the paintings while they are at the Freeport. They make arrangements to ship the paintings.

Part 1, Chapter 22 Summary: “Geneva Freeport”

Once the paintings arrive at the Freeport, Ricard has them examined. Gabriel’s forgeries are approved by experts; his work is excellent. Then, the negotiations for the trade begin. Ricards offers a variety of paintings, but Lovegrove mentions his preference for contemporary art, which skews the offerings. Eventually, Anna corrects Lovegrove’s mistake and asks to see the Picassos that Ricard can trade. Ricard shows her a number of paintings, but she holds out for the one Gabriel is looking for: “a portrait of a woman, oil on canvas, painted by Picasso in […] 1937” (139). Its owner requires the Modigliani, Van Gogh, and Cezanne in exchange. Then, they negotiate that Gabriel’s other forgeries be exchanged for a Pollock. After the deal is done, Gabriel buys a new phone.

Part 1, Chapter 23 Summary: “Venice-Geneva”

Ricard and Lovegrove finalize the exchange. In Venice, Gabriel and Chiara discuss the resignation of Prime Minister Hillary Edwards. She will stay on until a new prime minister is selected. Chiara thinks that the likely candidate is Hugh Graves. Gabriel plans to destroy his forgeries after recovering the stolen painting and giving it to the rightful owners. Gabriel flies to Geneva. However, Ricard doesn’t answer when they reach the gallery. Gabriel picks the lock to the gallery. His forgeries are there, but the Picasso they are looking for is missing. After picking the lock to Ricard’s office, Gabriel discovers that Ricard has been shot.

Part 1, Chapters 13-23 Analysis

As in the previous section, Silva primarily narrates from Gabriel’s perspective but will occasionally offer the reader another character’s point of view. For instance, in Chapter 18, Silva uses Timothy’s perspective as he investigates another case, the case of a serial killer known as “the Chopper.” Like many classic mystery novels, A Death in Cornwall follows two interrelated cases. The Chopper is initially blamed for Charlotte’s death, but Timothy brings in Gabriel because he doesn’t believe that the Chopper killed her.

As a middle-class police officer, Timothy is personally unaffected by The Destructive Influence of Extreme Wealth. He has little apparent interest in the luxuries that define Gabriel’s life, let alone the private jets and superyachts that characterize the novel’s ultrawealthy antagonists. As such, he represents the ordinary people who are most directly harmed by the schemes of these antagonists. One of Gabriel’s informants, Amadou Kamara, lives at an even greater distance from the ruling class. Chiara, Gabriel’s wife, says that she sees the vendors “every day in San Marco with their blankets and their handbags, the wretched of the earth. The way the police chase them away is disgraceful” (86). Chiara’s ability to empathize with those who have little sets her apart from the mostly nameless figures behind Harris Weber’s shell companies, who care only about increasing their own already vast wealth.

One extremely wealthy character who does possess a conscience is Anna Rolfe. She is an heiress who inherited over $2 billion from her family’s banking fortune. This fortune came from unethical means; her father was friends with Hitler and participated in the theft of paintings from Jewish people during the Holocaust. Anna tries to redeem herself through art—by being the best violinist in the world and helping Gabriel with cases that seek to return the artworks to their rightful owners. Like Chiara and Gabriel, Anna cares more about helping oppressed people than working within the legal system.

At Gabriel’s request, Anna participates in The Commodification of Art, but like Gabriel, she does so for an ethical purpose. Gabriel forges six paintings, his friend Naomi forges provenances for them, and Anna plays the role of selling the paintings. This is all part of his scheme to uncover Charlotte’s killer, but Gabriel is an incredibly talented forger. Art dealer Lovegrove says to Gabriel, “You are truly a dangerous man with a paintbrush in your hand” (123). Gabriel’s work could pass for the real thing, but he has no desire to profit from his forgeries and only uses this gift to solve art-related crimes. Anna gets a look at the inner workings of the Geneva Freeport. The gallery owner, Ricard, is structuring the transaction of Anna bringing in the forged paintings and exchanging them for other art “in a way that it takes place offshore and anonymously. Here in the Geneva Freeport, such sales are, as the Americans like to say, par for the course” (133). The Freeport is well practiced in money laundering.

Lastly, Silva develops the symbol of the stolen painting and includes allusions to various real-life artists. Gabriel discovers that the stolen Picasso painting that Charlotte was killed for researching is in the Geneva Freeport. He structures the fake sale through Anna and Ricard to obtain the stolen painting. The fake sale includes allusions to paintings by Modigliani, Van Gogh, Renoir, Cezanne, Monet, and Toulouse-Lautrec. Gabriel’s massive artistic talent is seen in his ability to imitate all these famous impressionist and post-impressionist artists. For instance, there is a traveling immersive Van Gogh exhibit that features projections of his paintings on various surfaces, and there are many objects with Van Gogh’s paintings on them, from clothing to dishes. This means that many people know what these paintings should look like, which makes their forgery even more impressive.

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