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73 pages 2 hours read

Sarah J. Maas

A Court of Thorns and Roses

Fiction | Novel | YA | Published in 2015

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Chapters 1-11Chapter Summaries & Analyses

Chapter 1 Summary

Content Warning: This section of the guide includes depictions of graphic violence and sexual coercion.

Nineteen-year-old human Feyre Archeron (pronounced “fay-ruh”) hunts near the border between the mortal and faerie realms. Five centuries before the events of the novel, enslaved humans waged war against their faerie overlords. The ancient treaty from this war divided the world with a magical wall, and all humans now live cramped into the southern portion of the world. Feyre’s village lies at the southern tip of a massive island. The majority of the island is north of the wall and separated into seven faerie courts collectively known as Prythian. Humans still hate and fear faeries, and there have been recent reports of enormous wolves in the woods near the border wall, potentially faeries in disguise.

Desperate to feed her impoverished family, Feyre hunts despite the rumored danger, and, while she is tracking a doe, she encounters an unnaturally large wolf. Feyre debates the possible consequences for killing a faerie; she fears that her family will starve if she is killed. Feyre shoots the wolf with an arrow made of ash wood. Faeries are immortal but can be killed, and ash slows their supernatural healing abilities. Feyre kills the doe, then shoots a second arrow through the eye of the wolf, “just in case [it was] of the immortal, wicked sort” (7). Feyre skins the wolf and heads home with the hide and the doe.

Chapter 2 Summary

Feyre returns to the cottage where she and her family have lived in poverty for the last eight years. Feyre’s father was once a wealthy merchant but lost the family fortune and had his kneecaps broken by creditors. Ashamed and permanently injured, he spends his days making small wooden carvings. Feyre’s eldest sister, Nesta, is vain, bitter, and unhelpful. The middle sister, Elain, prefers tending her flower garden to helping with chores. Feyre, the youngest, is the sole provider for the family. Nesta and Elain argue over what to purchase after Feyre sells the doe and wolf skins. Frustrated, Feyre remembers promising their mother on her deathbed to take care of the family. Promises are sacred in Feyre’s world, as only the promise of the High Fae, powerful humanoid faeries, enforces the ancient treaty between faeries and humans.

Feyre reflects on the decorations she painted around the cottage, and she dreams of marrying her sisters off well and becoming a painter. Feyre is illiterate, as her mother neglected her education before she died. Nesta wants to marry Tomas Mandray, the woodcutter’s son. Feyre tells Nesta that they cannot afford a dowry. Angry, Nesta taunts Feyre for her loveless sexual relationship with Isaac Hale, a wealthy young villager, saying no one cares about Feyre. Feyre’s father says that the family needs hope to cling to, but Feyre is dismissive.

Chapter 3 Summary

Feyre, Nesta, and Elain go to the village market to sell the hides. The sisters are confronted by an acolyte of the Children of the Blessed, a zealous group obsessed with the High Fae who reject the belief that faeries are evil. Nesta insults the acolyte and waves her iron bracelet, meant to repel faeries.

A mercenary buys the hides for a high price in an act of goodwill. Feyre assumes the mercenary must make a lot of money, as the mercenary is so close to the border wall. The mercenary describes several violent encounters with faeries, shows off her scars, and warns Feyre that more faeries are starting to cross the wall and attack humans. Feyre gives her sisters some money and leaves to meet Isaac for a tryst. Later, during dinner at the cottage, an enormous beast bursts through the door.

Chapter 4 Summary

Feyre recognizes the beast as a faerie “as large as a horse” (33) with elk horns, “golden fur,” and a combination of lion, wolf, and bear features. The faerie, later revealed to be Tamlin, demands to know who murdered his friend, another faerie in the form of a wolf. Feyre admits that she killed the wolf, and she asks that her family be spared. Tamlin tells Feyre that Feyre must either live the rest of her life in Prythian or be killed, according to the ancient treaty. Feyre questions why he gives her the option of living at all, but she believes him because it is said that faeries cannot lie. Feyre’s father tries to negotiate, but Tamlin threatens him. Feyre agrees to go live at Tamlin’s estate. Feyre warns her father to spend the remaining money from the hides wisely and to ask Isaac to teach him how to hunt. Feyre tells Nesta not to marry Tomas Mandray, because Tomas’s father abuses his mother. Feyre’s father tells her to leave and never return, saying she was “always too good for here” (41). Feyre follows the faerie outside.

Chapter 5 Summary

Tamlin gives Feyre a white mare, and they travel toward the border wall. Feyre contemplates her decision, worries for her family, and wonders what life will be like in Prythian. Feyre asks Tamlin what his name is, but he refuses to tell her. Feyre smells a “metallic tang” and falls asleep. She wakes up two days later as they reach Tamlin’s estate, realizing that what she smelled was magic.

Chapter 6 Summary

Feyre is terrified and in awe of Tamlin’s estate in the Spring Court of Prythian, where it is always springtime. She feels too weak and hungry to risk escape since faeries are much stronger and faster than humans. Feyre enters and finds the dining room, where she sees Tamlin change from his beast-form to his humanoid form. Tamlin is one of the High Fae, the faerie world’s “ruling nobility: beautiful, lethal, and merciless” (50). Other types of faerie are known as “lesser faeries.” Tamlin wears a masquerade mask decorated with emeralds. He invites Feyre to sit and eat, but she refuses, believing that the faerie food will be lethal to her. Tamlin explains to Lucien, another High Fae and Tamlin’s emissary, that Feyre killed their friend Andras in the form of a wolf. Lucien also wears a mask, in the shape of a fox. Lucien taunts Feyre but stops when Tamlin scolds him. A faerie named Alis escorts Feyre to her room to change. As she leaves, Feyre hears Lucien tell Tamlin that they should kill her and abandon their plan, but Tamlin insists that Feyre remain unharmed.

In her lavish room, Feyre feels guilty about living in luxury while her family remains poor, and she worries that she is being tricked. Alis tells Feyre to be careful and try to settle in. Feyre notices that all of the faeries of the Spring Court wear masks.

Chapter 7 Summary

Feyre returns to the dining room. Lucien reveals Tamlin’s name when he teases him for his diminished flirting ability. Feyre wonders how old the immortal Lucien and Tamlin really are. Feyre begs Tamlin to let her return to care for her family. Tamlin assures Feyre that he has already arranged for her family’s care. Tamlin says that Feyre can leave the estate, but he threatens to stop taking care of her family if she crosses the wall out of Prythian. Feyre gives in and eats, surprised to find the faerie food similar to human food. Lucien questions Feyre sarcastically about her love life. Tamlin excuses Feyre to rest, and she wonders at his generosity. Tamlin explains that Feyre is too insignificant for him to kill. Ashamed, Feyre leaves.

The next morning, Feyre wonders if some loophole in the treaty might allow her to return to her sisters and fulfill her promise to her mother. Alis gets caught in a trap Feyre set the night before and good-naturedly scolds Feyre for thinking that she could fight or escape a faerie. Alis warns Feyre that Tamlin’s protection is limited. Feyre explores the estate and admires the paintings. Feyre asks Tamlin why Andras crossed the wall on the day she killed him. Tamlin explains that there is a “blight” on magic in Prythian, and Andras was searching for a cure. The blight affixed the masks to everyone’s faces after a party 50 years ago, and this is the reason why the Spring Court is largely deserted. Feyre wonders if the blight is dangerous to humans.

Chapter 8 Summary

Feyre wanders the estate gardens and decides to convince Lucien to help her escape, since he seems to detest her. Feyre steals a knife from dinner that night and contemplates Lucien, noting that one of his eyes is false and his face is scarred. Lucien notices Feyre looking at his sword, and Tamlin mentions that Feyre likes to hunt. Feyre insists she only hunted out of necessity. Feyre remembers her dream of being a painter. Tamlin asks Feyre what her mother told her about faeries, and Feyre explains that her mother died when she was eight. Tamlin apologizes, and Feyre storms out.

Chapter 9 Summary

The next day, Tamlin invites Feyre to go riding, but she declines. Instead, Feyre follows Lucien to the stables and accepts his invitation to hunt as he patrols the estate. Lucien is filling in for Andras, who usually patrolled the grounds, and Feyre apologizes for unknowingly killing his friend. Lucien tells Feyre that he cannot persuade Tamlin to let her go, guessing at her reason for riding with him. Lucien tells Feyre that Tamlin is more powerful than regular High Fae. Tamlin can shape-shift, which is why his court wore animal masks to the doomed party 50 years ago when the blight began. Lucien reveals that the blight started with a mysterious “she.” Lucien tells Feyre that Tamlin replaced his eye with a magic one after he lost it, but he doesn’t explain further. Feyre asks if there are any faeries who will actually answer her questions, and Lucien tells her about the Suriel, a kind of faerie who is lesser but still very dangerous. Lucien senses something in the woods and warns Feyre to keep still and stare ahead.

Chapter 10 Summary

Feyre feels a coldness and hears whispered threats, but she keeps her gaze straight ahead. Once the danger passes, Lucien explains that they just encountered a Bogge, a terrifying, lethal kind of faerie that becomes real only if acknowledged. Tamlin and Lucien banter amiably.

At dinner, Lucien tells Tamlin about the Bogge. Tamlin leaves dinner immediately to find and kill the evil creature. Later, as Feyre watches from her bedroom window for Tamlin’s return, she notices her father standing in the garden below.

Chapter 11 Summary

Feyre hurries to her father in the garden but is stopped by Tamlin in the corridor, just returned from unsuccessfully hunting the Bogge. Tamlin tells Feyre to look again, and what she believed was her father is revealed to be a puca, a kind of lesser faerie that lures its human prey by imitating their desires. Feyre begs again to go home, telling Tamlin about her promise to her dying mother. Tamlin insists that by staying in Prythian, Feyre fulfilled her promise because Tamlin made sure her father and sisters are “fed and comfortable” (98). Feyre asks why there are no sentries at the estate, and Tamlin claims that they are unneeded as long as he is home, and so they are patrolling his borders. Tamlin expresses regret that the blight has allowed deadlier faeries to roam free.

Over the next few days, Tamlin tracks the Bogge, and Feyre continues to hunt with Lucien, though she refuses to kill anything. Lucien worries about Tamlin, and Lucien explains that Tamlin is disturbed by his failure to keep the deadly lesser faeries out of the Spring Court. Feyre has a nightmare in which she holds Andras’s human-form skin instead of his wolf skin. She wakes and feels regret for the murder.

Chapters 1-11 Analysis

Maas opens A Court of Thorns and Roses with several markers of the high fantasy genre, then quickly establishes several Hidden Truths and Subverted Expectations in the narrative. Unfolding in a close first-person narration from Feyre’s perspective, the novel invites the reader to take on Feyre’s role in the story, a common feature of romance novels intended to create a sense of emotional immediacy. As Feyre is quickly displaced from the world she knows, so the reader is introduced to the world of the novel and to Prythian. The map of Prythian and the surrounding regions that precedes the first chapter signals to the reader that this novel departs from reality to hold its own internal logic. The first two chapters then deliver heavy exposition, grounding the reader in Feyre’s understanding of faerie lore and the surrounding circumstances of the novel’s inciting incident: Feyre’s killing of Andras, in disguise as a wolf.

Maas borrows heavily from two classic fairy tales: the 16th-century Scottish ballad of Tam Lin, and Gabrielle-Suzanne Barbot Villeneuve’s classic, Beauty and the Beast. In the ballad of Tam Lin, a young maiden is impregnated by a shape-shifting knight at his estate, and she then must rescue the father of her child from an evil faerie queen by holding onto him as he takes different forms. In A Court of Thorns and Roses, the High Fae Tamlin becomes the eponymous cursed knight, though his shape-shifting is a power rather than a curse. Maas nods to her Celtic inspiration by including creatures like the puca, a Celtic mythic figure. Though the 16th-century balladic maiden’s quest heavily influences the latter portion of Maas’s novel, these early chapters more closely mirror Beauty and the Beast. Like Feyre, Beauty is the daughter of a disgraced merchant, and she is more kind and noble than her selfish older sisters. Maas modernizes the Beauty character by making Feyre a deadly huntress with artistic ambitions and allowing Feyre herself, rather than her father, to commit the transgression that provokes the Beast (in this case, Tamlin). Like Beauty, Feyre agrees to go with her captor to his estate to save her family, not knowing that her love is the key to breaking her captor’s curse. Maas emphasizes the self-sacrificial nature of this act, portraying Feyre as dedicated to others to a fault. Though Feyre’s father tells her she is better than the rest of them, Feyre’s self-esteem is so low that she can’t recognize her own courage and abilities, and she is deeply wounded when Tamlin echoes Nesta’s cruel suggestion that Feyre is “insignificant.” Tamlin fixates on eliminating the Bogge for the good of his court, and this suggests he and Feyre share a tendency toward both self-deprecation and self-sacrifice, lending to the theme of Sacrifice and Moral Compromise as the Duty of Love.

So early in the novel, both Feyre and Tamlin are too emotionally guarded to feel much romantic attachment. Instead, Maas hints at their coming love story and the revelation of Tamlin’s curse through Lucien, with whom Feyre establishes a tentative friendship and who exposes Tamlin’s awkward attempts at flirtation. Feyre’s and Tamlin’s adversarial beginning sets up another common plot device of romance stories: hate that turns to love. Feyre’s dream—Andras’s skin changing from animal to human—foreshadows how Feyre’s hatred of faeries will gradually become empathy as she realizes humans and faeries are not so different.

In addition to fairy tale allusions, A Court of Thorns and Roses features several common high fantasy tropes. The protagonist equates the faeries’ otherness and magic with evil, and she treats all faeries as equally morally deficient; high fantasy often questions the nature of good and evil as well as the role of the supernatural in notions of morality. Maas hints at her ambiguous moral universe through the Children of the Blessed, who worship faeries. This group’s favor for faeries foreshadows Feyre’s discovery that not all stories about Prythian are true. Still limited by her prejudices, Feyre nearly gets herself killed following the puca, and Tamlin scolds her: “Weren’t you warned to keep your wits about you?”(97). The admonishment indirectly suggests that not everything is as it seems. Later, when the truth of Amarantha’s curse on Tamlin is revealed, these early chapters find new context beyond Feyre’s limited perspective, and Tamlin’s true motives—to woo Feyre and break the curse—come to light.

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