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52 pages 1 hour read

Valérie Zenatti

A Bottle in the Gaza Sea

Fiction | Novel | YA | Published in 2005

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Chapters 10-14Chapter Summaries & Analyses

Chapter 10 Summary: “Tal”

In her diary, Tal reflects on the strangeness of her emails with Naïm, unsure what she wants or why she has not told anyone about them. She thinks how she might be the only person in Israel having anonymous, personal contact with a Palestinian. She worries that anyone can hide behind a screen name on the internet. The inability to look him in the eye makes her jumpy and irritated, “a nasty, sour feeling” (62).

Tal’s father has been asked to make a documentary about Jerusalem, but the English television station wants a new angle, which Tal’s father believes Tal can provide. He says Jerusalem is her city, and she’ll need to tell the story of her home. Tal is honored and intimidated.

Chapter 11 Summary: “From Jerusalem to Hollywood, via Gaza”

Tal shares the news about the documentary with Naïm and asks if he has been to Jerusalem. Naïm replies sarcastically about Tal seeing herself in Hollywood but admits to jealousy while ignoring her question. When he does not respond for several days, she writes again—she heard some activists were killed near the Khan Younes camp. The destruction in Gaza often seems very far away, but corresponding with Naïm brings it closer. Tal says she has begun filming the city and asks Naïm to let her know he is okay.

Chapter 12 Summary: “Gazaman”

Naïm confesses to himself that he has come to admire Tal, which frightens him. He alludes to a past love named Tal. He is also very afraid of being caught communicating with her, as her last message made him realize he that he is in the rare situation of forming a relationship with an Israeli person. He hopes she is ugly but thinks someone who writes as she does must be pretty. He finally tears up his writing.

Chapter 13 Summary: “How a Name Can Be a Gift…”

After another pleading email, Naïm tells Tal he is alive and well; a curfew has kept him from the internet cafe. He lives in a neighborhood, not a refugee camp, and he says Khan Younes is dangerous and hopes her brother is nowhere near it.

He shares more about his family’s history. They lived in Jaffa for generations but were frightened of the fighting that began in 1948 and left, believing they would soon be able to return. When the Israelis won the war, his family was stuck in Gaza. He says Israelis celebrate their Independence Day, but Palestinians call it the Naqba, or “catastrophe.” His family stayed in Gaza, and Naïm’s grandmother often told him about their house in Jaffa. The sea there seemed freer; in Gaza, it feels like a prison. When Naïm had a job in Israel, he took a picture of the house for his grandmother, who was later buried with the picture. Naïm repeats that he’s not dead, just tired, and signs his real name, adding that it means “paradise” in Arabic.

Tal feels completely powerless reading Naïm’s email. She thanks him for sharing his name and his grandmother’s story and says she will look at the houses in Jaffa differently. She attaches a photo of herself. Tal has been working on her documentary at the film library, and she says she loves the movie Roman Holiday, a great love story with a sad ending. Tomorrow, she says, she will go to Rehavia to film Jerusalem.

Chapter 14 Summary: “Naïm”

Naïm thinks Tal is both good and bad for him. He wants to meet her face to face, especially now that he has seen her striking photo. After memorizing her image, he unwillingly deleted it, noting that the person next to him was giving him odd looks. To avoid suspicion, he read Al Jazeera and played Tetris before leaving. He will now visit different internet cafes.

Naïm reveals more about his family, including his father’s exhaustion from treating people in the hospital who are wounded by missiles and guns. Naïm wishes he could tell his father about Tal and her family—Israelis who feel the same. He writes about the strangeness of being an only child in a culture where most children have up to 12 siblings. He thinks his mother became a teacher to make up for all the children she could not have. He thinks about how his mother has a beautiful, tired face. He notes that it has been 20 minutes since he thought about Tal; hopes to make it to 30.

Chapters 10-14 Analysis

As evidenced by the motif of language and names in their titles, this section deals largely with The Complexities of Identity and Belonging in a Divided Society. In addition to motif, text structure develops this theme, augmenting the emails between Tal and Naïm with personal diary entries. Their impressions of each other in these diaries, along with what they share through email, reveal more about who they are and who they hope to be. Tal’s deep concern about Naïm’s well-being in the wake of violence in Gaza and his deeply moved response serves as a tipping point in their relationship, highlighting their growing connection and even dependence on each other. To each other, they represent hope that the other side might be more like them and less like the caricatures and stereotypes that are often a product of war, which also speaks to the themes of The Impact of Geopolitical Conflict on Individual Lives and Hope Versus Despair. This exchange of emotional messages also allows the topics they discuss to become more related to their interests and interior lives aside from the conflicts adjacent to their lives. Tal sends her photograph, and Naïm reveals his real name. Tal shares her dreams for the future and her hopes about filming Jerusalem; Naïm shares his memories of the past and the despair his grandmother felt at leaving Jaffa. They function as mirror images, opposite sides of a shared but divided identity, but they are both willing to reveal more of themselves as their trust grows. However, their initial hesitance, particularly Naïm’s, demonstrates the genuine danger of what they are doing: Palestinians and Israelis within the text are expected to not engage with one another, and Naïm’s wariness of the internet café and deletion of Tal’s picture highlights the fear that he in particular feels because of the punishment he could face. Notably, Tal is less afraid, and she has fewer restrictions placed on her in Jerusalem. While she keeps her correspondence with Naïm a secret, she does not express any fear of punishment, which helps to convey the varied stakes of their communication, as well as shedding light on Naïm’s initial anger and slowness to warm to Tal: From what he has shared, he may have more to lose.

This section firmly connects the concept of names with identity through the characters’ reflections on Naïm’s pseudonym, Gazaman, and as these layers of identity are pulled back, the theme of The Power of Storytelling and Communication is central. Tal considers the potential dangers and deceptions that can be a part of the anonymity of the internet and wonders if the Naïm is representing himself accurately. Naïm also experiences growing unease, as he feels overwhelmed by the realization that Tal cares about him as an individual despite his efforts to hide himself through his sarcasm and pseudonym: “I can’t believe it. In Jerusalem there’s a seventeen-year-old girl, a Jew, an Israeli, who’s thinking of me and of that ridiculous nickname, Gazaman” (73). Further, the bluntness of his username presents a one-dimensional view of him when in fact he is a complex character who hides beneath a hardened exterior because of years of war and harsh restrictions in Gaza. Significantly, the titles of Naïm’s entries highlight the impact of Tal’s concern; he has shifted from Gazaman, who kept her at a distance, to the real Naïm, who cannot go 20 minutes without thinking of her. The title of the chapter “How a Name Can Be a Gift…” further emphasizes the significance of this gesture and the slow revealing of Naïm to Tal as a symbol of trust. The meaning of his name, paradise, also conveys his wish to escape Gaza, which he views as a kind of hell, as well as foreshadowing his eventual escape to Canada and vow to meet Tal in Italy.

Tal and Naïm’s titular chapters also draw parallels between the two characters’ senses of identity in terms of their relationships with those around them, illustrating an inner conflict between belonging and isolation, which speaks to the theme of The Complexities of Identity and Belonging in a Divided Society. Tal’s confusion and the secrecy of their relationship has crept into her everyday life, giving her a sense of unease in Efrat and Ori’s company that makes her feel like she is “getting further and further away from everyone else” (62) as she becomes more aware of the world. This is a familiar feeling for Naïm, who is an only child and has less of a family support system than most people his age in Gaza. Both know what it is like to feel isolated in a place full of people, and they find an unlikely connection in each other.

In their emails, they further explore the connections between identity, belonging, and physical places. Tal’s documentary aligns her firmly with Jerusalem, “as I see it, as I experience it” (68). Her concern over Naïm’s well-being is rooted solely in his living in Gaza, as she notes that if he lived somewhere else and didn’t respond to her emails, she could imagine that he was simply very busy, rather than injured or killed. Meanwhile, Naïm demonstrates the pain of being displaced through his story about his grandmother’s longing for their house in Jaffa, which leads Tal to promise to look at the homes in Jaffa differently, again highlighting The Power of Storytelling and Communication as Naïm is comfortable sharing his family’s heartache after Tal’s persistence in communicating. Her continued interest in learning about him has softened him, demonstrating that learning the stories of others can often lead to a shared sense of humanity. Naïm and Tal’s experiences acknowledge the power of place to shape identity, and the Hope Versus Despair of what it means to belong, or be forced away from belonging, in a place.

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By Valérie Zenatti