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61 pages 2 hours read

Margaret Laurence

A Bird in the House

Fiction | Short Story Collection | Adult | Published in 1974

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Themes

The Role of Trauma in Behavior and Relationships

In A Bird in the House, the pervasive impact of trauma on behavior and relationships is a central theme. The novel explores how trauma shapes interactions within families and across generations, influencing individuals’ connections with the world. Through Vanessa’s narrative—recalling and piecing together her family’s past—Laurence provides a nuanced view of how understanding the context behind a person’s actions leads to a more empathetic grasp of the human experience. Vanessa’s journey into her family’s history is an active attempt to recognize and mitigate traits born from trauma—such as the desire for control, selfishness, and anger—to disrupt the cycle of hurt that perpetuates when left unaddressed.

From her childhood perspective, Vanessa initially perceives her family members’ behaviors at face value. This leads to harsh judgments, especially toward her Grandfather Connor and Grandmother MacLeod. Uncle Terence’s observation that “everybody [has] his own shield in this family” (87) introduces Vanessa to the concept of defense mechanisms as a response to trauma. She learns that Grandfather Connor—who is from a generation where survival outweighed communication—struggles with emotional connection, resulting in his withdrawal and sadness when his protective efforts are misunderstood. Similarly, Grandmother MacLeod’s adherence to the past and appearances—pretending the family still possesses its former wealth—illustrates her coping strategy for dealing with loss.

The family’s emotional stoicism is depicted as a cultural and historical product of their Scottish Presbyterian and Irish Catholic backgrounds, where overt expressions of feelings were discouraged. This reserved nature is further exemplified by an anecdote involving Grandfather Connor’s mother, who was criticized for being overly emotional at an Orangeman’s parade: “There was this small, ferocious old lady, making a regular spectacle of herself” (32). These cultural norms and historical contexts are ingrained into personal and familial identities and affect how characters manage and express their emotions.

Laurence touches on generational trauma through stories like “The Half-Husky” and “The Loons,” where she examines the legacy of historical injustices such as the Métis uprisings. Characters like Piquette and her grandfather, Jules Tonnerre, affected by the traumas of displacement and cultural loss, illustrate how experiences can scar individuals and be transmitted through generations. The story of Nanuk and Harvey in “The Half-Husky” further explores this concept. Nanuk, mistreated and misunderstood, embodies the physical manifestation of trauma’s impact on behavior. Vanessa’s realization that Harvey’s cruelty is a reflection of his own abusive upbringing—"all Huskies were savage by nature" (170)—challenges the nature versus nurture debate, suggesting that behaviors often attributed to inherent traits may instead be the result of environmental influences and learned responses.

Through these interconnected stories and characters, A Bird in the House interrogates the origins and effects of trauma and proposes that understanding and empathy are crucial for breaking the cycles of pain. Vanessa’s reflections and revelations show the importance of confronting past traumas to forge healthier relationships and behavioral patterns, offering insight into the transformative power of awareness and compassion.

The Journey from Childhood Innocence to Adult Awareness

Vanessa’s narrative is a relatable and honest exploration of growing up. Rather than a single traumatic experience, a series of small and significant events mark her transition from childhood innocence to adult awareness.

From a young age, Vanessa begins to perceive the complexities of life around her. Her growth into awareness is sparked by observing her mother’s uncharacteristic tears during a Sunday dinner, a moment that strikes Vanessa with the weight of an unfamiliar sorrow. Vanessa describes this moment, thinking: “Their sadness was such a new thing, not to my actual sight but to my attention, that I felt it as bodily hurt, like skinning a knee” (22). This episode is emblematic of her gradual exposure to the adult world’s realities—where sadness and loss are not just observable phenomena but felt experiences. As she matures, Vanessa experiences the deaths of close family members, which further erodes her childhood innocence and shapes her understanding of life's fragility and the inevitability of change.

Parallel to these losses, Vanessa’s role as a storyteller evolves from a means of escape to a method for processing her growing understanding of the world. This is illustrated in her writing; her story of tragic love in Egypt mirrors Edna’s tragic love life, and the disillusionment of Marie in Quebec: “I lay on the seat of the McLaughlin-Buick feeling disenchantment set in. Marie would not get out of the grey stone inn” (178). Marie mirrors her state of mind (before her family sends her to school) that she will be trapped in Manawaka forever.

The contrasting outcomes for Vanessa and Chris depict the theme of lost innocence and the burden of awareness. While Vanessa’s journey through grief and change leads to a matured acceptance of life’s complexities, Chris, her cousin, is devastated by his experiences in war. The atrocities he witnesses break his spirit, leading to his institutionalization. Vanessa imagines “the animation gone from his face” (151). This shows the different trajectories that coming to terms with reality can take, depending on individual resilience and circumstances. Vanessa’s ability to maintain some form of hope and continuity despite her losses is juxtaposed with Chris’s descent into despair, highlighting the precarious balance between awareness and the loss of innocence.

As Vanessa matures, her journey shifts from one of angst and resistance to acceptance. Her narrative arc is a testament to the power of growing awareness and its dual capacity to challenge and enrich her understanding of life. Through Vanessa, Laurence explores how personal growth is often accompanied by painful realizations yet also opens up a path to deeper self-understanding and reconciliation with the complexities of the adult world. This theme drives the narrative forward while simultaneously presenting the opportunity for readers to reflect on their own paths.

Reconciliation with the Past Through Memory

The theme is embodied in Vanessa’s evolving understanding of her family’s complex dynamics. Through revisiting her childhood memories with the insight of adulthood, Vanessa learns to see her family members in a more compassionate and realistic light, overcoming her early misconceptions and biases.

As she ages, Vanessa, once critical of Grandfather Connor, begins to understand and learn that her grandfather was a resilient pioneer who managed to survive great adversities. She grows to appreciate her heritage and the struggles her ancestors endured as she reconsiders her grandfather’s infidelity and her father’s possible affair through a more mature lens. Uncle Terence reveals Grandfather Connor’s infidelity, an event that, as a child, reaffirmed Vanessa’s harsh judgment of him. However, her perspective begins to shift dramatically after her father’s death; her discovery of a photograph of a French woman leads her to consider her father’s actions as seeking “some momentary and unexpected freedom” (112). This contemplation is part of a larger process in which Vanessa re-evaluates her father and her grandfather, realizing that their actions, while flawed, were human and understandable within their complex lives.

This reevaluation deepens when Vanessa views the Haida Bear mask in a museum. In reflecting on the mask’s significance—“I remembered then that in the days before it became a museum piece, the mask had concealed a man" (88)—Vanessa demonstrates her newfound ability to see the man behind the mask, and thus the human emotions and vulnerabilities of Grandfather Connor. She moves from seeing the mask as just an item out of context to appreciating the personal and historical stories it represents.

Through this theme, Laurence illustrates how memory and maturity can transform perceptions, recognizing her grandfather’s severity as a façade masking deeper vulnerabilities: “Sometimes a thing only hits you a long time afterward” (51). Vanessa’s journey shows how reconciling with the past can free one from the negative impacts of misunderstood memories, leading to a more nuanced and empathetic view of one’s family and oneself.

The Tyranny of Life

Laurence explores the inevitability of characters finding themselves in roles shaped more by circumstance than choice. Each character grapples with the disparity between their aspirations and their realities, illustrating how life’s unpredictability and hardships can dictate personal paths. Through Vanessa’s evolving perspective, she understands how individuals cope with life’s roles, moving from youthful disdain and rebellion to mature acceptance and peace.

From her childhood, Vanessa views the adult world with a mix of rebellion and a desire to control her surroundings, rejecting the harsh realities of life. However, as she matures—especially when she looks at the Brick House for the last time—Vanessa arrives at a peaceful acceptance of her circumstances. This change in perspective paints the other characters with more depth and understanding: Ewen, who dreams of becoming a merchant marine, instead joins the infantry to be near his brother Roderick; Edna, who aspires to be independent and have a career, finds herself unemployed and living with her parents due to the Depression; Grandmother MacLeod, who once hoped to be a lady of higher social standing, faces a life far removed from her dreams; and Grandfather Connor, who longs for acceptance and love from his family, feels perennially misunderstood.

The motif of birds, despite typically being a symbol of freedom in literature, symbolizes the elusive nature of freedom throughout the novel. Birds serve as a constant and looming reminder of the constraints of real life. Laurence uses these birds, particularly the loons, to convey a sense of ancient, inescapable reality: “Plaintive, and yet with a quality of chilling mockery, [the loons’] voices belonged to a world separated by aeons from our neat world of summer cottages and the lighted lamps of home” (121). This imagery reflects the characters’ struggles against life’s impositions and the realization that freedom is not as absolute as it might seem.

Laurence also critiques the notion of freedom through her characters’ actions. While Chris attempts to escape his predestined path by trying his hand at salesmanship, he ultimately fails, reflecting the broader theme of resistance against life’s impositions. Vanessa holds onto her desire for freedom, but when she finally leaves Manawaka, she admits: “I did not feel nearly as free as I had expected to feel” (203). This admission highlights that true freedom involves understanding and navigating the forces that shape one’s life rather than merely rebelling against them.

Ultimately, freedom is not the absence of constraints, but the ability to understand and reconcile with the realities of life. Laurence suggests that true liberation comes from acknowledging and confronting the internal and external forces that govern existence, urging a deeper reflection on the nature of freedom and the human condition. This theme considers how much control people truly have over their lives and how they might find peace within the roles fate assigns them.

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