29 pages • 58 minutes read
Kurt Vonnegut Jr.A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The mural of the very neat garden is a symbol of the society that Dr. Hitz has helped create. In the garden, everyone has a role and people in purple uniforms (the hosts and hostesses) take away the weeds and cut down the old and sickly plants to make room for new plants. The garden represents the population control policy. The old must be thrown out in order to make room for the new so that the garden can remain neat and well-tended.
The description of the garden as plentiful, “Every plant had all the loam, light, water, air and nourishment it could use” (Paragraph 13), emphasizes the perfection that is created through control. The painter’s response to the mural that he is painting, however, subverts the ideal that the mirror presents. The fact that the painter, the creator of the mural, believes it is a lie makes evident that there is something wrong. The otherwise innocuous description of people carrying weeds, sickly plants, and raked leaves to trash-burners highlights that wrongness when Vonnegut reveals that someone must choose to die every time a baby is born.
The popular song that the orderly sings highlights the ways in which art can make even the most terrifying ideas palatable. The lyrics “If you don’t like my kisses, honey, / Here’s what I will do: / I’ll go see a girl in purple. / Kiss this sad world toodle-oo. / If you don’t want my lovin’, / Why should I take up all this space? / I’ll get off this old planet, / Let some sweet baby have my place” play on themes of love and death often encountered in pop songs (Paragraph 16). However, while love songs often use death as dramatic exaggeration, here suicide is actively encouraged. The protagonist of the song moves away from the theme of his scorned love to justify his suicide by arguing he will let another baby take his place. Even something as personal and universal as love in a pop song is depersonalized within a system of population control, and this joyful reference to suicide emphasizes the simultaneous dystopia/utopia.
“2 B R 0 2 B” references Hamlet’s famous soliloquy in William Shakespeare’s Hamlet, in which Hamlet struggles to decide whether it is better to live or to die. The number for the hotline is a reminder of the stark choice constantly posed in the world of the story. The reference to the to be or not to be speech is also significant because this soliloquy from Hamlet is often cited as a meditation on modern individuality in which the individual is considered to be an agential subject rather than a part of a collective or an extension of a society or deity. Within the speech, Hamlet also ultimately decides to live because he fears the unknown. He would rather bear what is known. However, later, Hamlet also compares inaction to being an animal. The number alludes to a variety of ideas about agency and humanity in one pithy reference.
By Kurt Vonnegut Jr.